Knurov's quotes from the homeless. Ostrovsky, "Dowry": analysis and characteristics of the heroes. Knurov’s, like Vozhevatov’s, attitude towards people is determined by their financial situation. Therefore, Karandyshev’s behavior causes disapproval among merchants, and even

Knurov, Vozhevatov and Larisa

Knurov and Vozhevatov are typical representatives of the merchant class of the 19th century. These heroes are driven by cold calculation, and the main thing in their lives is money.

Knurov’s, like Vozhevatov’s, attitude towards people is determined by their financial situation. Therefore, Karandyshev’s behavior causes disapproval among merchants, and even reaches the point of open bullying.

It is also impossible not to mention the speaking surnames, because these are brief characteristics of the heroes. “Knur” means boar, boar. Knurov even takes walks solely for exercise, to work up an appetite and eat his sumptuous lunch. He is secretive and taciturn, but Gavrilo says about him: “How do you want him to talk when he has millions?...And he goes to Moscow, St. Petersburg and abroad to talk, where he has more space.” Mokiy
Parmenych is also distinguished by his determination, pursuing Larisa, although his attitude towards her is swinish. In his opinion, Larisa is an “expensive diamond” that requires an expensive setting, so Knurov offers the girl the humiliating position of a kept woman.

Vozhevatov, unlike Knurov, was young and could marry Larisa.
But he does not know the feeling of love, he is cold, practical and sarcastic. “What is my closeness?” - says Vozhevatov. - “Sometimes I’ll pour an extra glass of champagne on the sly from my mother [Larissa’s mother], I’ll learn a song, I’ll carry novels that girls are not allowed to read.” And he adds: “I don’t force it. Why should I care about her morality; I’m not her guardian.” Vasily Danilovich treats Larisa irresponsibly; she is like a toy for him. When a girl asks for help
Vozhevatova, he says: “Larisa Dmitrievna, I respect you and would be glad... I can’t do anything. Believe my word! By the way, it is Vozhevatov who comes up with the idea to decide Larisa’s fate with the help of a toss.

So, we can say that in this work A.N. Ostrovsky wanted to show what money does to people. Even in the title of the play you can already guess what it will be about. Money kills love, conscience, and makes you look down on those people who don’t have it. The coin decides the fate of a person, literally and figuratively.

“Dowry” (1878) is considered the best psychological drama by A.N. Ostrovsky. In this play, the playwright addresses the life of the new, bourgeois Russia. Ostrovsky focuses on the life of people of many classes: nobles, merchants, officials.
IN post-reform years drastic changes are taking place in society: nobles, even the richest, are gradually going bankrupt, merchants are turning into masters of life with a million-dollar fortune, their children are becoming main force society - educated bourgeois. Against the backdrop of these events, the tragedy of the main character of the play, Larisa Ogudalova, unfolds.

At the very beginning of the drama - in the 2nd scene of Act I - we hear a conversation between Mokiy Parmenych Knurov and Vasily Danilych Vozhevatov. Knurov - “one of the big businessmen of recent times, old man, with a huge fortune." Vozhevatov is “a very young man, one of the representatives of a wealthy trading company, European in costume.” During the casual conversation of these “new” people, we get to know the main actors plays, we learn about the events taking place in their lives.

At the very beginning of the conversation, the figure of Sergei Sergeevich Paratov, a rich gentleman, arrives in Bryakhimov on his ship. According to the merchants, this hero lives “in style”, “wasteful”, but does not know how to run a business. It can be assumed that his financial affairs are bad: Paratov sells a steamship to Vozhevatov cheaply: “You know, he doesn’t find any benefit.”

But both Vozhevatov and Knurov see her perfectly. Their practical mind is primarily aimed at extracting benefits, making money. The heroes do this brilliantly - both of them are rich and successful. Knurov and Vozhevatov are enjoying life: they drink champagne in the morning, get ready to go to an exhibition in Paris, and dream that it would be nice to take the city’s first beauty Larisa Ogudalova with them on a trip.

This is how we get to know the main character plays. From the conversation between Knurov and Vozhevatov we learn about her fate, about her life. Larisa is going to marry a petty official, Karandyshev. The merchants are perplexed: “What nonsense! What a fantasy! Well, what is Karandyshev? He’s not a match for her...” But Larisa is homeless and finds it difficult for her to find a good groom. Therefore, the girl’s mother, Kharita Ignatievna, until recently gathered “single people” in her house. These evenings were known to all Bryakhimov, “because they were very fun: a pretty young lady, playing the different instruments, sings, free circulation..."

Thanks to her “agility, agility and dexterity,” Kharita Ignatievna married off her two eldest daughters. But their fate is unhappy: one was allegedly stabbed to death by a jealous husband, and the other’s husband turned out to be a cheater. Thus, already at the beginning of the play the motif of an unhappy female destiny, disappointment in love, which will develop in the image of Larisa.

Here, in Knurov’s conversation with Vozhevatov, the leading motive of the play appears - the motive of buying and selling. It applies not only to things, but also to people: “Grooms are paid. If someone likes their daughter, then shell out..." Vozhevatov himself, who has known Larisa since childhood, buys the pleasure of visiting her house: "What can you do, you have to pay for pleasures: they don’t come for free; and it’s a great pleasure to be in their house.” Knurov, a married man, dreams: “It would be nice to go to Paris with such a young lady to an exhibition.”

Cold and calculating, these new masters of life are incapable of sincere feelings. Vozhevatov shares with Knurov: “No, somehow I... I don’t notice this in myself at all... what they call love.” For which he receives the approval of an experienced merchant: “Commendable, you will be a good merchant.” The main thing for these people is calculation, profit. Both Knurov and Vozhevatov selfishly take advantage of people. “Why should I care about her morality! I’m not a guardian...” says Vasily Danilych, whom Larisa considers her friend.

The heroine herself, according to Vozhevatov, is “simple,” “there is no cunning in her... suddenly, for no reason at all, and... the truth.” The girl sincerely expresses her feelings, does not know how to be hypocritical: “Whoever she is disposed towards, she does not hide it at all.” The young merchant says that last year Larisa was in love with Paratov: “...couldn’t look at him enough, but he traveled for a month...and there was no trace of him...” The heroine was very worried: “almost died of grief... She rushed to catch up with him ..."

After Paratov, some old man and an always drunk manager wooed Larisa, then a stealing cashier appeared, who was arrested right in the Ogudalovs’ house. The heroine was in despair. She could no longer bear all this “shame” and decided to marry the first one who wooed her. This first was Karandyshev.

In Larisa’s house, he was a “backup option”: people paid attention to him when there was no one more interesting around. And pathetic Karandyshev, seeing this, “plays different roles, casts wild glances...”

Vozhevatov characterizes Karandyshev as “a proud, envious person.” Having achieved his goal, Yuliy Kapitonich began to “shine like an orange.” Karandyshev boasts of his “booty” - he takes Larisa to the boulevard, walks with her arm. The same motive of buying and selling is visible in his behavior: the hero is proud of Larisa as a beautiful and expensive thing that increases his prestige in society.

At the end of the conversation, the characters feel sorry for Larisa, imagining her future life with Karandyshev: “In a beggarly situation, and even with a fool of a husband, she will either die or become vulgar.”

Thus, the conversation between Knurov and Vozhevatov at the beginning of the play gives an idea of ​​all the main characters of the drama, outlines their characters, and describes their fate. In addition, the leading motives of the play are already indicated here: the motive of buying and selling a person as a beautiful thing, the motive of an unhappy woman’s fate, disappointment in love.

Knurov is typical representatives merchant class of the 19th century. This hero is driven by cold calculation, and the main thing in their life is money.

“Mokiy Parmenych Knurov, one of the big businessmen of recent times, is an elderly man with a huge fortune.” Now about his name. According to Dahl's dictionary, "knur" is a hog, boar, boar, male pig. It turns out what kind of a human being this Knurov is.

This is a civilized “idol”, a millionaire who despises all low-income people, is closed, taciturn, and disdainful of people not in his circle, for example, the poor official Karandyshev. Explaining his rare visits to the Ogudalovs, he says: “It’s awkward; They have a lot of all sorts of rabble; then they meet, bow, and start talking. For example, Karandyshev - what a meeting for me!”

“Who should he talk to? There are two or three people in the city, he talks to them, but no one else; well, he is silent. He doesn’t live here for long because of this; business. And he goes to Moscow, St. Petersburg and abroad to talk, where he has more space.”

Knurov is first and foremost a businessman. He values ​​money and a profitable business. (“It’s good for him, Vasily Danilovich, who has a lot of money”). Referring to your fortune, which can buy literally everything, including love beautiful woman(“For me, the impossible is not enough”).

Knurov even takes walks solely for exercise, to work up an appetite and eat his sumptuous lunch. He is secretive and taciturn, but Gavrilo says about him: “How do you want him to talk when he has millions?...And he goes to Moscow, St. Petersburg and abroad to talk, where he has more space.”

Knurov is married, but would like to “take a ride to an exhibition” in Paris with Larisa. When Knurov and Vozhevatov draw lots for who should go to Paris with Larisa, Knurov wins (he doesn’t care about Larisa’s opinion).

Knurov is cunning and knows how to find an approach to people. How he cleverly won over Larisa’s mother and proposed to the girl a trip to Paris. Smart Knurov does not talk about love, but promises Larisa a luxurious life if she becomes his mistress. He promises that no one will speak ill of her as he will make her very rich.

The role of Knurov in the plot of the play

The role of Mokiy Parmenych is minimal. He is present in all significant events of the play, but does not have any important influence on them. Although the scene with the division of Larisa between Knurov and Vozhevatov played a certain role in Larisa’s fate. When Knurov invited her to go with him to Paris, she realized that she did not need to wait for some special fate, but just need to play her card - beauty and youth.

Quotes from Knurov

• The warm sympathy of a strong, rich man...
• In such cases, it is necessary to have a good friend, solid, durable.
• I wouldn't think for one minute about offering you my hand, but I'm married
• It’s good if she realizes to leave her husband as soon as possible and return to you.
• Don't be afraid of shame, there will be no condemnation. There are boundaries beyond which condemnation does not cross; I can offer you such enormous content that the most evil critics of other people's morality will have to shut up and open their mouths in surprise.
• I kept thinking about Larisa Dmitrievna. It seems to me that she is now in such a position that we, close people, are not only allowed, but we are even obliged to take part in her fate.
• An expensive diamond requires an expensive setting.

1. Life priorities of merchants.
2. The mask and inner essence of Paratov.
3. Kharita Ignatievna Ogudalova and Larisa.
4. Karandyshev and his life priorities.

A. N. Ostrovsky’s play “The Dowry” is one of the works that are unlikely to ever lose their relevance and modernity. Although the plot of the play belongs to its time, the essence of the characters' characters, their life principles very tenacious.

The images of two merchants, Knurov and Vozhevatov, embodied the “make money” principle. The principle of a prudent, even cynical attitude among them extends not only to business sphere. “No, somehow I, Mokiy Parmenych, don’t notice this in myself at all,” Vozhevatov coolly speaks of love, although he is quite young. Both merchants are well aware that the money is in in a certain sense elevate them above those who have no means of subsistence. Knurov does not deign to talk to everyone; for example, he defiantly shields himself from Karandyshev with a newspaper.

The attitude of these people towards Larisa is similar to admiration for an elegant and expensive thing: one could, of course, buy it for money for a while, but one can also do without it. It is significant how the merchants resolve the dispute over who to offer Larisa a trip to Paris: they cast lots. On the one hand, this gesture clearly demonstrates their attitude towards the girl as a thing, on the other hand, this method is dictated by the reluctance to quarrel over some kind of prank. Thus, Knurov and Vozhevatov highly value their friendly relations, probably cemented by mutually beneficial cooperation. It is also interesting that, despite all their focus on profit, they still have some semblance of a code of honor, even if it is used only in a narrow circle of “their own”. “The merchant’s honest word” is how they seal their agreement.

Despite the cynicism of this agreement, it can be said that the merchants are quite honest towards Larisa herself: Knurov directly states that he offers the girl, if she accepts his offer, to go to him for support. There is no doubt that he would have kept his promises.

This is not what Paratov, a brilliant gentleman, a squandered entrepreneur, does. The image of the “broad Russian soul”, the “ideal man”, which he is in the eyes of Larisa, sharply contrasts with the true essence of this man: “I, Mokiy Parmenych, have nothing cherished; If I find a profit, I’ll sell everything, anything.” Paratov does not intend to offer Larisa anything specific; moreover, he is engaged to someone else. But if Knurov honestly admits that he is married, then Paratov entangles the gullible Larisa with clever half-promises: “... A few more minutes like this... I will give up all calculations, and no force will snatch you from me; perhaps together with my life.”

Nevertheless, despite the duplicity of this man, Larisa believes him until he tells her himself that he is engaged to another, and she is free. In fact, Paratov has no moral principles: he is ready for meanness not only for the sake of profit, but also for the sake of momentary entertainment. Knurov and Vozhevatov perfectly understand the essence of their friend and business partner: “...Do you think that this is not without deception, that he again lured her with words?” - “Yes, certainly. And the promises must have been definite and serious, otherwise how could she have believed a man who had already deceived her!” Why did Larisa really believe Paratov? Apparently, because Larisa does not understand people well, she sees in them not what is, but what she would like to see. Larisa's life priority is sincerity. She is “simple,” according to Vozhevatov’s definition: “She’s not stupid, but she has no cunning, not like her mother. This one is all cunning and flattery, but this one suddenly, out of the blue, says that it’s not necessary.”

Larisa's mother is indeed an active and dexterous woman. All her worries were aimed at getting her daughters married better and more profitably. However, her endeavors are not successful. It seems that Kharita Ignatievna managed to develop a sophisticated system of extracting money from potential suitors and rich guests; she married off Larisa’s two sisters, but “you need to ask them if life is sweet for them.”

Thus, Kharita Ignatievna’s life priority is the same benefit, practical benefit: “We are poor people, we have to humiliate ourselves all our lives. It’s better to humiliate yourself from a young age, so that later you can live like a human being.” Karandyshev, of course, does not really fit into this system - Ogudalova agreed to marry her daughter to him only because Larisa herself insisted on it. “...Even if you give up, the loss is small!” - Kharita Ignatievna judiciously notes, believing that it is better for Larisa to ride along the Volga with rich people than to hold on to Karandyshev.

However, Larisa does not share the reasonable principles of life of her mother. Larisa hopes to erase the dream of failed love for Paratov with quiet joys family life, however, these hopes are soon dashed. Finally, Larisa saw both her beloved and her fiancé in the true light: one turned out to be a scoundrel, the other a nonentity. She is almost ready to agree to go to Knurov for support, but this is by no means a thoughtful, sober decision, but a desperate attempt to find at least something definite, an attempt to overcome the feeling of the collapse of everything she believed in: “I didn’t find love, so I’ll look for gold " Among the life priorities of Yuli Kapitonich Karandyshev, Larisa’s fiancé, the first thing that stands out is his possessive, petty instincts. He tries in every possible way to emphasize his exclusive right to Larisa. “Ban when you have the right, but now wait a minute to ban, it’s too early,” Larisa’s mother strongly objects when Karandyshev tries to forbid his bride to sing for guests. Karandyshev’s shot at the end of the play is the highest manifestation of his view of Larisa as his property, although the same Karandyshev is indignant at the fact that Knurov and Vozhevatov look at the girl “as a thing.”

Karandyshev’s actions are guided not so much by clear principles as by an exaggerated sense of injured pride, a desire to “glorify himself.” However, all his attempts to catch up with the rich are doomed to failure. Karandyshev would have acted more wisely if he had not thrown a dinner party that made Larisa and her mother blush with shame for him.

The play also shows the life principles of Aunt Karandyshev. Her bourgeois frugality, of course, looks a little funny: but in any case, it is at least justified practical point view, because Karandyshev’s salary is small.

In conclusion, it should be noted that the life principles of each character in Ostrovsky’s play, of course, strongly depend on the environment in which this or that character was and is, but not everything is determined by the environment. Paratov's duplicity, that is, his lack of any moral values is a personal position based on selfish aspirations. Larisa’s exalted attitude towards the object of her love is not supported by objective conditions: the girl’s nobility, as well as her reluctance to give up her ideals and look closely at a living person, do not allow Larisa to doubt Paratov’s sincerity.

Ostrovsky

Plan

1. Introduction

2. Knurov in life

3. Knurov and Larisa

4.Conclusion

Mokiy Parmenych Knurov - a collective image of a person new era with fabulous capital. This is a representative of that inexorable force that slowly but steadily crushes everything under itself. “The owner of factories, newspapers, ships” feels like a complete master in this life. The only power he recognizes is money.

Knurov leads a prosperous, measured life. Any of his whims can be instantly fulfilled. Mokiy Parmenych was accustomed to universal veneration. He clearly divides people into two classes: those who have money and those who do not. From the point of view of the availability of capital, he evaluates the opportunities and benefits of others.

Knurov's social circle is small. In the play, it includes only Vozhevatov, Paratov and the Ogudalov family. He has business relations with the former. Mokiy Parmenych understands perfectly how important it is to support good relationship with business partners. This communication can hardly be called friendship. In any case, in a provincial town there are still no people closer, much less equal to him.

Mokiy Parmenych is kind in his own way, but his disposition towards people again depends on possible benefits. He can express sincere sympathy for someone else's grief, but will provide help only if it brings him some benefit. Knurov’s high opinion of himself is most clearly manifested in his attitude towards Karandyshev. The capitalist openly despises the petty official who could not achieve a higher position.

Mokiy Parmenych had long noted for himself the beauty of his daughter Kharita Ignatievna. The main problem is that the businessman is married. He is not averse to taking Larisa “as a support”, but the girl has not yet tarnished her reputation. Knurov honestly admits to Vozhevatov that it is too late for him to openly compete with Larisa’s many fans. He prefers to act in roundabout ways. The concept of love is completely unfamiliar to Knurov. He even praises Vozhevatov for the absence of this feeling, which is useless in trade matters.

Love for Mokiy Parmenych is the same commodity, and Larisa is an “expensive diamond” that requires an “expensive frame.” Knurov despises Kharita Ignatievna in the same way, but maintains good relations with her and gives money in order to take possession of Larisa. He goes to this goal long and persistently. The girl's upcoming wedding seems like a convenient opportunity for him. Karandashev will not be able to adequately provide for Larisa. That's when Knurov hopes to take his chance.

All the baseness and heartlessness of Mokiy Parmenych and Vozhevatov is manifested in the scene of Larisa's toss. Thus, they decide the fate of a living girl without even asking her opinion. Larisa seems to them to be a simple, but incredibly beautiful thing that will definitely have an owner. The “victorious” Knurov, casting aside all shame, directly turns to Larisa with an offer to become his kept woman. He reinforces his words with a significant phrase: “For me, the impossible is not enough.”

Mokiy Parmenych is not just an all-powerful, incredibly rich businessman. Money distorted his thinking. For Knurov, everything around him (even people) is an object of purchase and sale. His attitude towards Larisa as a thing underlies the tragedy of the entire play.