The decor “Cobalt mesh” is the trademark of IFZ. The symbol of the Lomonosov porcelain factory is the famous “cobalt mesh” - a reminder of the blockade. Why do defects occur when painting cobalt mesh?

Decor “Cobalt mesh”

Among the many porcelain decors and various patterns, one of the most famous and recognizable is “cobalt mesh”. This painting, which first decorated porcelain in 1945, has already become a classic of decorative art and a signature, distinctive sign of the Lomonosov Porcelain Factory (Imperial Porcelain Factory), by whose master it was created. The famous pattern was invented by artist Anna Yatskevich. True, at first it was not cobalt, but gold. The LFZ began producing sets with this pattern immediately after the war, in 1945. A year later, Yatskevich interpreted her pattern and created the famous cobalt mesh from gold mesh. She used it for the first time to paint a tea set in the “Tulip” shape by Serafima Yakovleva. In 1958, Cobalt Mesh, a simple and elegant pattern, took the world by storm. This year the World Exhibition took place in Brussels, where the Lomonosov Porcelain Factory presented its best creatures, including objects decorated with this painting. The service with “Cobalt mesh” was not specially prepared for the exhibition, it was simply part of the plant’s assortment, and the more unexpected the award was for LFZ - the service received gold medal.

Anna Adamovna Yatskevich (1904-1952), graduate of the Leningrad Art and Industrial College (1930). She worked at the LFZ from 1932 to 1952. Porcelain painting artist. Fame came to her as the creator of the famous “Cobalt Grid” only after her death. She never learned about the triumph of her painting in Brussels.

How did the “cobalt mesh” pattern come about?
There is a version that the famous Yatskevich pattern was inspired by the “Own” service, which was still in mid-18th century century was made for Empress Elizabeth Petrovna by Dmitry Vinogradov, the creator of porcelain in Russia. Also, one of the festive services of the IFZ, which supplied porcelain to the imperial court of Nicholas I, was the “Cobalt Service”. This service was a repetition of its more famous predecessor with the same name. It was once made at the Vienna manufactory by special order of the Austrian Emperor Joseph II. The monarch decided to give such a gift to the Russian Emperor Pavel Petrovich and his wife Grand Duchess Maria Feodorovna, who was visiting him.

To win over the heir to the Russian throne, Joseph II decided to present a luxurious porcelain set as a gift. The model from which the “Cobalt Service” was created at the Vienna Manufactory was another service - a product of the Sèvres Manufactory, which in 1768 Louis XV presented to the Danish King Christian VII. The Viennese service was decorated with gold openwork painting “cailloute” (French - to pave with cobblestones) on a cobalt background, bouquets of polychrome flowers in reserves, framed with gold rocailles.
Paul I appreciated the luxurious gift of Joseph II, as evidenced by the fact that when he went to war with Sweden, he bequeathed it to his mother-in-law. However, the emperor returned from the war in good health and continued to own the “Cobalt Service”. In the 1840s, the “Cobalt Service” was located in Gatchina, in the Priory Palace, and it was then that it was replenished at the IFZ.
In 1890, the “Cobolt Service” with the mark of the Vienna Manufactory in its entirety was sent to the Winter Palace. Part of the service remained in the Gatchina Palace, the one that was made at the IFZ. Today, 73 items from the famous service made in Vienna have survived to this day.
Comparing the “Cobalt Mesh” by Yatskevich and the painting of the “Own” service, experts consider the similarities to be very distant - the artist’s mesh is more intricate, made with underglaze cobalt. At the intersections of the blue lines, the grid is decorated with 22-karat gold stars, which gives the painting even more nobility and elegance. The “Own” service has small pink flowers in the knots of the gold mesh.

There is another interesting moment in the history of the creation of this decor; it is connected with the pencil with which the artist Anna Yatskevich applied her famous pattern to porcelain. In those days, the LFZ came up with the idea of ​​using a so-called cobalt pencil. Of course, the pencil was an ordinary one, made at the Sacco and Vanzetti factory, but its core was porcelain paint. The factory’s artists didn’t like the pencil, only Anna Yatskevich decided to try the new product and painted the first copy of the “Cobalt Mesh” service for them. Whether this is true or not, this copy of the service is now on display at the Russian Museum.
“Cobalt mesh,” according to experts, looked very advantageous on the “Tulip” shaped service; it successfully played with it and gave it solemnity. Subsequently, this painting began to decorate LFZ (IFZ) and other products: coffee and table sets, cups, vases and souvenirs. By the way, Anna Yatskevich also made another contribution to the development of the porcelain factory - she is the author of the famous LFZ logo (1936), which is depicted on all products of the enterprise.

Blockade mesh
Imperial (Leningrad; Lomonosov) porcelain factory

Among the many porcelain decors and various patterns, one of the most famous and recognizable all over the world is the Leningrad “Cobalt Mesh”.

Also, incl. O
This painting, which first decorated porcelain in 1945, has already become a classic of decorative art and a signature, distinctive sign of the Lomonosov Porcelain Factory. The first porcelain tableware with the Cobalt Mesh pattern appeared shortly after the blockade was lifted in 1944. The famous pattern was invented by an artist from the Lomonosov Porcelain Factory Anna Adamovna Yatskevich. True, at first it was not cobalt, but gold. The LFZ began producing sets with this pattern immediately after the war, in 1945. A year later, Yatskevich interpreted her pattern and created the famous cobalt mesh from gold mesh. She used it for the first time to paint a tea set in the “Tulip” shape by Serafima Yakovleva.

In 1958, Cobalt Mesh, a simple and elegant pattern, took the world by storm. This year the World Exhibition took place in Brussels, where the Lomonosov Porcelain Factory presented its best creations, including objects decorated with this painting. The service with “Cobalt mesh” was not specially prepared for the exhibition, it was simply part of the plant’s assortment, and suddenly, unexpectedly for everyone, it received the Gold Medal of the exhibition.

How did the idea for the “Cobalt Mesh” pattern come about? There are two versions.

The first version claims that the famous Yatskevich pattern was inspired by the “Own” service, which was made for Empress Elizabeth Petrovna by Dmitry Vinogradov, the creator of porcelain in Russia, back in the mid-18th century.

2.

But for many, especially for residents who survived the Siege, it was not just a geometric ornament. The second version - the siege, says that Anna Yatskevich painted the service of the sculptor Serafima Yakovleva with a mesh in memory of the cross-taped windows of the houses and the cross light of the spotlights that illuminated the sky besieged Leningrad.

3.

I think that most likely, both versions have some truth behind them, because in the work of a real artist, the final idea of ​​a work, as a rule, arises as a result of a combination of knowledge and experience, and those images that the author captures in everyday life. And the images of the terrible days of the Siege were probably the impetus for the work that Anna Adamovna did.

4.

Anna Adamovna Yatskevich (1904-1952), graduate of the Leningrad Art and Industrial College (1930). She worked at the LFZ from 1932 to 1952. I worked at the plant throughout the Siege. Fame came to her as the creator of the famous “Cobalt Grid,” unfortunately, only after her death. After illnesses that were the result of the siege and selfless labor, Anna Adamovna died at the age of 48. She never learned about the triumph of her painting in Brussels.

5.

By the way, Anna Yatskevich also made another striking contribution to the development of the porcelain factory - she is the author of the famous LFZ logo (1936), which is depicted on all products of the enterprise.
I accidentally looked into the store of the Imperial Porcelain Factory

6.

8.

9.

10.

11.

12.

13.

14.

15.

17.

18.

Anna Adamovna Yatskevich (July 31, 1904-1952), graduate of the Leningrad Art and Industrial College (1930). In addition, at the same technical school she completed a three-year course in the art of books and posters. After graduating from college on July 10, 1930, she was sent for an internship at the Red Porcelain Factory in the city of Volkhov. On January 15, 1932, she was seconded by the Rosfarfor trust to work at the Lomonosov State Federal Plant as an artist in the art laboratory being organized at the plant, where she worked for 20 years - until her death on May 13, 1952. In the pre-war years, A. A. Yatskevich worked a lot and fruitfully - she created vases, including with portraits of Stalin and other political figures, “Komsod”, “Moscow Metro” and others sets, various cups and saucers, anniversary feet, bottles and other products. In 1936, A. A. Yatskevich created the “LFZ” logo, which has since become the plant’s brand and was applied to the bottoms of all items produced at the plant until 2006. A. A. Yatskevich constantly participated in exhibitions of artists of the city and country. She was awarded the “Excellence in Socialist Competition of the People’s Commissariat of Industry and Construction Materials” badge, and cash prizes from the plant management and the People’s Commissariat.

Artist A. A. Yatskevich, Lomonosov State Philharmonic Plant, paints a vase for the XVIII Congress of the All-Union Communist Party (Bolsheviks). Photo by P. Mashkovtsev March 3, 1939. With the outbreak of the Great Patriotic War, the plant, the museum collection and some of the employees were evacuated from Leningrad to distant Irbit. Some factory artists remained in the besieged city. T. N. Bespalova-Mikhaleva wrote: “A. A. Yatskevich remained in a barracks position at an empty porcelain factory, where the director at that time was the former accountant of the factory A. M. Bogdanov. One day in the late autumn of 1941, the artist L.K. Blak and I decided to visit our factory. The wind blew through the workshops of the art laboratory, scattering the sheets of ancient library books, thrown in disarray to the will of fate. Anna Adamovna told us that she camouflages the ships clinging to the Nevskaya embankment near the plant with a supply of porcelain paints. It was cold, deserted, sad...” The personal merit of A. A. Yatskevich is the salvation of the unique library of the plant. Once she noticed that the soldiers of the military unit located next to the plant were looking at various pictures among themselves, clearly torn from some books. Looking closely, she was amazed to recognize in these pictures illustrations from books in the factory library. I began to look into it and found out that the collection of porcelain and glass from the factory museum, along with the equipment and workers of the factory, had been taken out by railway to the city of Irbit. For some reason, the carriage containing the books from the factory library did not have time to be sent and it remained standing, ending up in a dead-end station. It was from it that the soldiers took out factory library books and tore out beautiful pictures. A. A. Yatskevich decides to save the books and gradually transports the entire remaining library to the factory on a sled. In his autobiography A. A. Yatskevich writes “mother Anastasia Yakovlevna and sister Sofia died in hard days blockade of Leningrad in 1942." On July 27, 1943, A. A. Yatskevich was awarded the medal “For the Defense of Leningrad.” In the fall of 1943, under the leadership of N. M. Suetin, the art laboratory of the plant gradually began to resume its work. In the summer of 1944, it was planned to celebrate the 200th anniversary of the founding of the plant and N. M. Suetin appealed to artists to create works for this significant event. On June 26, 1944, by Decree of the Presidium of the Supreme Soviet of the USSR, the Lomonosov State Porcelain Factory was awarded the Order of the Red Banner of Labor, 64 employees were awarded orders and medals of the USSR. Anna Adamovna Yatskevich was awarded the Order of the Red Star. In November 1944, A. A. Yatskevich completed work on the “Cobalt Mesh” service on the “Tulip” form of the sculptor S. E. Yakovleva. Under the leadership of N. M. Suetin, A. A. Yatskevich, together with artists A. A. Skvortsov, L. V. Protopopova and L. I. Lebedinskaya, worked in 1945-1946 to create a monumental vase “Victory” for the first anniversary of the victory of the USSR in Great Patriotic War. On March 18, 1946, A. A. Yatskevich was awarded the medal "For valiant labor in the Great Patriotic War of 1941-1945."

Anna Adamovna Yatskevich (1904-1952), artist of the Lomonosov State Historical Museum (center) creating the vase "Leningrad - the cradle of the Great October Socialist Revolution." Photo 1947. IN post-war years A. A. Yatskevich created various vases “Ornamental”, “Lux”, “Cobalt” and others, sets for mass production “Decorative”, “Summer”, “Moscow”, “Yellow background”, “Festive” and a number of others , various cups and saucers. Anna Adamovna created a painting of a large vase by the sculptor E. M. Krimmer with a portrait of K. E. Voroshilov and with the painting “First Cavalry”, painted the Great Neva Cup, painted the “Decorative” service on the “Lotus” form, where she showed a high class of skill gold quotations and a bold combination of blue tones with red selenium. Anna Adamovna's craftsmanship is distinguished by its subtlety, jewelry, and precision. compositional structures. It was brought up in the best traditions of the oldest porcelain factory in the country.” In March 1947 she was accepted as a member of the Union of Artists of the USSR. As often happens in life, the author did not live to see the well-deserved recognition of his wonderful work. In October 1951, A. A. Yatskevich went on another vacation, went to the Caucasus, then fell ill and died on May 13, 1952, at the age of 48. She was buried at the Bogoslovskoe cemetery in Leningrad. Years passed... In 1958, in Brussels, for the first time after the war, the World Exhibition EXPO "58 took place. The USSR took part in it, occupying an entire pavilion. One of the country's enterprises represented at the exhibition was the Leningrad Order of the Red Banner of Labor Porcelain Factory named Lomonosov, whose products aroused great interest and were awarded high awards at the exhibition. For the harmonious combination of form and painting, simple and imaginative solution, the “Cobalt Mesh” service was awarded the “Gold Medal” (author A. A. Yatskevich, posthumously).

In 2015, JSC "IFZ" successfully celebrated the 70th anniversary of its creation and the 65th anniversary of the beginning industrial production“Cobalt mesh” service. Created by the talented Russian artist Anna Adamovna Yatskevich in the military hero city of Leningrad, the “Cobalt Mesh” service became not only an iconic item of the first porcelain factory in Russia, but also a symbol of our city, the personification of the classic St. Petersburg style. A. Kucherov, JSC "IFZ".

“Cobalt mesh” service. Author and performer A. A. Yatskevich, November 1944. Porcelain, underglaze painting with cobalt, overglaze painting with gold, zinc. State Federal Reserve named after Lomonosov, 1944. GE meeting. Reproduction of the author's facsimile on the bottom of the teapot.

Cup and saucer from the “Golden Mesh” service. The author of the painting is A. A. Yatskevich, 1948. Shape “Tulip”, author S. E. Yakovleva. Porcelain, overglaze polychrome painting, gilding, zinc. State Federal Reserve named after Lomonosov, 1950s.

Oh, how cold the blockade winter of 1942 turned out to be!.. It seemed like ice patterns were everywhere: on the frozen windows of unheated apartments, in the thick ice of frozen reservoirs, which the weak hands of the exhausted residents of Leningrad tried in vain to break. People turned into shadows. Hungry, exhausted, tired of tears and losses. One of these ethereal shadows of the siege was Anna Adamovna Yatskevich, an artist at the Lomonosov Porcelain Factory. In 1942 she was 38 years old. She lived on the embankment of the Fontanka River in one of the courtyards-wells - typical for the city on the Neva. Mother and sister died of hunger, but Anya survived. She camouflaged the ships clinging to the Nevskaya embankment near the plant. Yes, yes, she made them invisible to the enemy - using ordinary porcelain paints.

Still, Anna was a bit of a sorceress... Dark-haired, thin to the point of transparency, an amazing dreamer, even in these terrible days she could see beauty in the ordinary. And in the windows taped crosswise, she saw geometric shapes.

Later they will turn into the most famous pattern of the Lomonosov Porcelain Factory, which became its sign, its signature style.

Everyone knows this simple and elegant pattern - “Cobalt Mesh”.

Thin crossed diagonal lines create a multi-dimensional composition; each intersection is topped with a tiny gold star. The shape of the “Tulip” tea set was designed by the artist of the Lomonosov Porcelain Factory, Serafima Yakovleva, and the “Cobalt Mesh” pattern was designed by Anna Yatskevich.

Of course, the craftsmen did not know that they were creating a masterpiece that would define the corporate style of the LFZ for many decades.

What was the victorious year of 1945 like for Anna Yatskevich? The city was recovering after the war. People returned to peaceful life.

I wanted to believe that everything terrible, all the losses were in the past. That the winter cold that already shackles your hands will not return, that life will be well-fed, comfortable, and most importantly, peaceful. Everyone has their own cemetery of loved ones behind them. Probably, Anna, sketching the famous “grid”, knew that she would not be able to forget her losses, loved ones who died during the siege, windows sealed crosswise... The golden stars are their souls, frozen forever in the dark frosty sky. Or maybe hope for the best, leading the way.

Hermitage researcher N. Shchetinina recalls: “The service appeared at the end of 1944. It has become a kind of quintessence of previous searches and achievements, new trends in the development of porcelain art... The author made her first attempt with a cobalt pencil. But the cobalt lay unevenly, and lines that were evenly filled with color were not obtained. It was decided to apply the drawing with a brush... In 1950, A. A. Yatskevich’s student, O. S. Dolgushina, under her leadership, completed the final version of painting the service, which was put into production.”

It is this service that is presented in the window of the Soviet hall of the department State Hermitage"Museum of the Porcelain Factory."

Someone saw in the “Cobalt Grid” motifs of the famous “Own” service from the time of Empress Elizabeth Petrovna.

The gilded mesh with purple forget-me-nots is really nice. But “Own” carries a different energy. Festive, palace, ceremonial. The royal lush courtyard is far from the restraint of St. Petersburg, the frosty simplicity of the “Cobalt Grid”.

Every year Anna traveled from dank, cold Leningrad to the Caucasus, to New Athos. There the rebellious river Bzyb flows in the mountains. Anna came home, blackly tanned, well-fed southern sun. And she got back to work. She painted huge vases with portraits of the leader of nations and motifs of the Moscow metro. I came up with patterns for sets.

It was she, by the way, even before the war, who invented the light and elegant monogram “LFZ”, on for many years which became his logo. Anna Adamovna never created her own family. But she had a beloved niece, Muse, who also devoted her life to working at the factory.

After one of her vacations on the Bzyb River, Anna Yatskevich fell ill and died in May 1952 at the age of 48. What a pity that she did not know about the triumph of the Cobalt Grid...

In 1958, the World Exhibition EXPO-58 took place in Brussels. The USSR and its works occupied an entire pavilion there. Products from the Leningrad Order of the Red Banner of Labor porcelain factory named after Lomonosov were also widely presented. The “Cobalt Mesh” service created a sensation and was awarded a “Gold Medal”. And then he was awarded the “USSR Quality Mark”, and most importantly, the people loved him and accepted him. It is an honor to have a “mesh” in any home today.

Years go by, but “Cobalt Grid” lives on. It appears in new modifications, on a wide variety of porcelain products. If you look at a simple and laconic pattern for a long time, it seems as if unknown geometric worlds are opening up to you - like in a kaleidoscope. They form different pictures, meet and scatter, intersect again... Apparent simplicity geometric pattern hides the whole world and the whole Cosmos - for each its own. Perhaps this is where the true genius of the artist lies.

Pavlova Inna Anatolevna

The purpose of my article is to consider artistic features one of the most popular modern drawings replicated products of the Imperial Porcelain Factory, which went down in its history under the name “cobalt mesh”.

To do this, it was necessary to become familiar with the history of the Imperial Porcelain Factory and its museum. Study the range of manufactured products and highlight the most popular ones, which are the company’s brand, present the creativity of the most famous artists enterprises in creating product forms and painting.

Porcelain is the noblest and most perfect type of ceramics. The production of porcelain in Russia is inextricably linked with the history of the Lomonosov factory. This is one of the few surviving factories that managed to survive the cataclysms of revolutions and wars, entire historical eras. The Imperial Porcelain Factory, founded in 1744 in St. Petersburg by order of the daughter of Peter the Great, Empress Elizabeth, became the first porcelain factory in Russia and the third in Europe.

The talented Russian scientist D.I. Vinogradov (1720-1758) discovered the secret of making “ white gold" a scientific description of porcelain production was compiled.

In the 18th century, porcelain was kept for prestige, in special storerooms, along with other precious things, and only decades later they began to serve tables with it.

The pinnacle of the Imperial Factory’s glory were the luxurious service ensembles ordered by Catherine II - “Arabesque”, “Yakhtinsky”, “Cabinetsky”, numbering up to a thousand items. By order of Nicholas I, a museum was founded at the plant as a repository of samples worthy of study and copying. The museum has formed the only unique collection in the world, reflecting the almost 260-year history of the first porcelain factory in Russia.

Nowadays, the Factory specializes in the production of products that are decorated with overglaze and underglaze painting, manual, mechanized and combined methods of applying a design to a porcelain surface. The plant's highly artistic hand-painting has brought it widespread worldwide fame. A whole series products are decorated with natural gold with an engraving pattern. The combination of rich underglaze cobalt with bright overglaze paints and gold is widely used, which gives a special effect to IFZ products. Upon request, the plant produces replicas from museum collections, products in a wide range: from home service and memorable souvenirs to presidential-level banquet services and government gifts. Thus, during the celebration of the 300th anniversary of St. Petersburg, all the tables at the receptions were set with dishes bearing the LFZ brand.

Products bearing the LFZ brand (introduced in 1936) are exported to highly developed countries such as the USA, Germany, France, England, Canada, Sweden, Norway, Japan, etc.

For decades, the factory’s signature service with the “Cobalt Mesh” pattern (S. E. Yakovleva, A. A. Yatskevich), awarded a gold medal at the World Exhibition in Brussels, has been in high demand. Products based on samples are widely known in Russia and abroad folk artists Russia: A.V. Vorobyovsky and I.I. Riznich, academician of the Academy of Arts N.P. Slavina, I.S. Olevskaya and artists N.L. Petrova, T.V. Afanasyeva, G.D. Shulyak.

The "Cobalt mesh" motif became business card plant This motif can often be found on city advertising banners. There is hardly a person who has not seen this drawing, but not everyone knows the history and author of the cobalt mesh motif. The pattern was invented by artist Anna Yatskevich. A graduate of the Leningrad Art and Industrial College. The painting was invented for a tea set in the “Tulip” shape (based on the model of Serafima Yakovleva) in 1946 (sometimes called 1950). At first, Yatskevich’s mesh was gold (1945) - sets with such decor were produced immediately after the war, and then the artist created the famous “Cobalt mesh”.

Like any work that has become legendary, various versions are formed around the story of its creation. It is not truly known what the talented artist was inspired by; she once voiced the version that the drawing was created in memory of the criss-crossed windows of houses and the cross light of searchlights that illuminated the sky of besieged Leningrad. There is also a version that the famous Yatskevich pattern was inspired by the “Own” service, which in the middle of the 18th century was made for Empress Elizabeth Petrovna by Dmitry Vinogradov, the creator of porcelain in Russia. Also, one of the festive services of the IFZ, which supplied porcelain to the imperial court of Nicholas I, was the “Cobalt Service”. This service was a repetition of its more famous predecessor with the same name. It was once made at the Vienna manufactory by special order of the Austrian Emperor Joseph II.

Comparing the “Cobalt Mesh” by Yatskevich and the painting of the “Own” service, experts consider the similarities to be very distant - the artist’s mesh is more intricate, made with underglaze cobalt. At the intersections of the blue lines, the grid is decorated with 22-karat gold stars, which gives the painting even more nobility and elegance. Subsequently, this decor began to be used to decorate other products of the plant: coffee and table sets, all kinds of cups, vases and souvenirs (in particular thimbles). The service received a gold medal at the World Exhibition in Brussels in 1958.

Since then, the “Cobalt Grid,” as it is now called, has conquered the whole world. The award-winning service was not specially prepared for the competition, but was part of the factory’s range of products.

The talented artist did not live to see the triumph of her design. She, like many siege survivors, died soon after the war, never knowing that her drawing had become a symbol of Russian porcelain and about her triumph in Brussels. The service with the painting “Cobalt Mesh” is the best-selling of the provided assortment in the company stores of the Imperial Porcelain Factory. The main buyers are foreign tourists who appreciated the laconicism of the service, its simplicity and at the same time the intricacy of its shape and painting. A modern tourist visiting the northern capital will include the Ifz Museum store in their list of attractions.

Just as in tsarist times, not everyone can have a whole service from Ifz, prices for porcelain products are high - this is due to many production factors: hand painting, complex molding process and long-term firing, etc. Prices for the “Cobalt mesh” tea set are: RUB 18,900. But still, in almost every home of a St. Petersburg resident you can find at least one piece of the legendary service. He became the face of porcelain production in St. Petersburg. Without pomp and excessive decoration, interest in white porcelain, its shape and constructive laconicism of geometric volumes returned.

Anna Yatskevich has another drawing, known, perhaps, to everyone who has ever encountered LFZ porcelain - the famous LFZ logo (1936), depicted on all products of the factory. two of the most famous brands of the porcelain factory were made by the same artist, although her name does not sound as loud as other famous names of LFZ artists.

“Cobalt mesh,” according to experts, looked very advantageous on the “Tulip” form service, invented by the Honored Artist of the RSFSR Serafima Yakovleva at the Leningrad Porcelain Factory named after her. M.V. Lomonosov created about 40 forms of sets and about 50 forms of various other items. Yakovleva’s legacy remains in demand to this day, and many fine arts artists continue to paint on the “Tulip”, “Spring”, “Banquet” and others forms she developed.

The traditions of the ancient folk craft of porcelain products are currently continued by the masters of the St. Petersburg State Porcelain Factory named after M.V. Lomonosov. Careful use of the heritage of the past, continuity of development and constant renewal of traditions artistic creativity and today they are an integral feature of the St. Petersburg school of porcelain art.

In my article I reflected a lot of information about such an artistic craft as porcelain painting. After reading my article, you can learn about porcelain production techniques, about various types porcelain, about its history. About the Drawings, which were loved by the buyer and became recognizable abroad - they became the most recognizable symbol of the Imperial Porcelain Factory; it is with them that S. Yakovleva’s “tulip” form is used to decorate city banners, shop windows, and souvenirs. Simple and laconic, solemn and refined, modern and with a complicated history for St. Petersburg, the design has become a legend of modern porcelain.

References.

1. Agbash V.L., Elizarova V.F., Kovalenko Z.I. and others. Textbook for economics. fak. bargain. universities/M.: Economics, 1983.- 440 pp.”Commodity Science non-food products" 2. Galina Agarkova, Natalya Petrova. OJSC "Lomonosov Porcelain Factory", St. Petersburg 1994.

3. Irina Sotnikova Mikhailovskaya K.N. - M.: Soviet Russia, 1980. “Blossoming Cobalt.”

4. Nikiforova L.R. L. Lenizdat, 1979 “The Motherland of Russian Porcelain.”5. http://www.faience.ru Official website of the Konakovo faience factory