Heroes of the comedy “Woe from Wit” by Griboedov: list of characters (actors). The main characters of the comedy "Woe from Wit" The main character of the comedy

The main idea of ​​the work “Woe from Wit” is to illustrate meanness, ignorance and servility before ranks and traditions, which were opposed by new ideas, genuine culture, freedom and reason. Main character Chatsky acted in the play as a representative of that same democratic-minded society of young people who openly challenged conservatives and serf owners. Griboyedov managed to reflect all these subtleties that were raging in social and political life using the example of the classic comedy love triangle. It is noteworthy that the main part of the work described by the creator takes place over the course of just one day, and the characters themselves are depicted by Griboedov very vividly.

Many of the writer's contemporaries awarded his manuscript with sincere praise and advocated for permission to publish the comedy to the Tsar.

The history of writing the comedy "Woe from Wit"

The idea of ​​writing the comedy “Woe from Wit” came to Griboyedov during his stay in St. Petersburg. In 1816, he returned to the city from abroad and found himself at one of the social receptions. He was deeply indignant at the Russian people’s craving for foreign things, after he noticed that the city’s nobility worshiped one of the foreign guests. The writer could not restrain himself and showed his negative attitude. Meanwhile, one of the invitees, who did not share his beliefs, retorted that Griboyedov was crazy.

The events of that evening formed the basis of the comedy, and Griboedov himself became the prototype of the main character Chatsky. The writer began work on the work in 1821. He worked on comedy in Tiflis, where he served under General Yermolov, and in Moscow.

In 1823, work on the play was completed, and the writer began to read it in Moscow literary circles, receiving rave reviews along the way. The comedy was successfully distributed in the form of lists among the reading population, but it was first published only in 1833, after the request of Minister Uvarov to the Tsar. The writer himself was no longer alive by that time.

Analysis of the work

The main plot of the comedy

The events described in the comedy take place in early XIX century, in the house of the capital official Famusov. His young daughter Sophia is in love with Famusov's secretary, Molchalin. He is a prudent man, not rich, and holds a minor rank.

Knowing about Sophia's passions, he meets with her for convenience. One day, a young nobleman, Chatsky, a family friend who has not been in Russia for three years, comes to the Famusovs’ house. The purpose of his return is to marry Sophia, for whom he has feelings. Sophia herself hides her love for Molchalin from the main character of the comedy.

Sophia's father is a man of the old way of life and views. He is subservient to the ranks and believes that young people should please their superiors in everything, not show their opinions and serve their superiors selflessly. Chatsky, in contrast, is a witty young man with a sense of pride and a good education. He condemns such views, considers them stupid, hypocritical and empty. Heated disputes arise between Famusov and Chatsky.

On the day of Chatsky’s arrival, invited guests gather at Famusov’s house. During the evening, Sophia spreads a rumor that Chatsky has gone crazy. The guests, who also do not share his views, actively pick up this idea and unanimously recognize the hero as crazy.

Finding himself the black sheep of the evening, Chatsky is about to leave the Famusovs’ house. While waiting for the carriage, he hears Famusov’s secretary confessing his feelings to the master’s maid. Sophia also hears this and immediately drives Molchalin out of the house.

The denouement of the love scene ends with Chatsky's disappointment in Sophia and secular society. The hero leaves Moscow forever.

Heroes of the comedy "Woe from Wit"

This is the main character of Griboedov's comedy. He is a hereditary nobleman, in whose possession there are 300 - 400 souls. Chatsky was left an orphan early on, and since his father was a close friend of Famusov, from childhood he was raised together with Sophia in the Famusovs’ house. Later he became bored with them, and at first he settled separately, and then left to wander the world.

Since childhood, Chatsky and Sophia were friends, but he had more than just friendly feelings for her.

The main character in Griboyedov's comedy is not stupid, witty, eloquent. A lover of ridicule of stupid people, Chatsky was a liberal who did not want to bend to his superiors and serve the highest ranks. That is why he did not serve in the army and was not an official, which was rare for the era of that time and his pedigree.

Famusov is an older man with gray hair at the temples, a nobleman. For his age he is very cheerful and fresh. Pavel Afanasyevich is a widower; his only child is Sophia, 17 years old.

The official is on public service, he is rich, but at the same time flighty. Famusov without hesitation pesters his own maids. His character is explosive and restless. Pavel Afanasyevich is grumpy, but with the right people, he knows how to show due courtesy. An example of this is his communication with the colonel, to whom Famusov wants to marry his daughter. For the sake of his goal, he is ready to do anything. Submission, servility before ranks and servility are characteristic of him. He also values ​​society’s opinion of himself and his family. The official does not like to read and does not consider education to be something very important.

Sophia is the daughter of a wealthy official. Pretty and educated best rules Moscow nobility. Left early without a mother, but under the care of the governess Madame Rosier, she reads French books, dances and plays the piano. Sophia is a fickle girl, flighty and easily attracted to young men. At the same time, she is gullible and very naive.

During the course of the play, it is clear that she does not notice that Molchalin does not love her and is with her because of his own benefits. Her father calls her a disgrace and a shameless woman, but Sophia herself considers herself an intelligent and not a cowardly young lady.

Famusov's secretary, who lives in their house, is a single young man from a very poor family. Mine noble title Molchalin received it only during his service, which was considered acceptable in those days. For this, Famusov periodically calls him rootless.

The hero's surname perfectly matches his character and temperament. He doesn't like to talk. Molchalin is a limited and very stupid person. He behaves modestly and quietly, respects rank and tries to please everyone around him. He does this solely for profit.

Alexey Stepanovich never expresses his opinion, due to which those around him consider him a completely handsome young man. In fact, he is vile, unprincipled and cowardly. At the end of the comedy, it becomes clear that Molchalin is in love with the maid Liza. Having confessed this to her, he receives a portion of righteous anger from Sophia, but his characteristic sycophancy allows him to remain in the service of her father further.

Skalozub — minor character comedy, he is an uninitiated colonel who wants to become a general.

Pavel Afanasyevich classifies Skalozub as one of the eligible Moscow bachelors. In Famusov’s opinion, a rich officer with weight and status in society is a good match for his daughter. Sophia herself did not like him. In the work, the image of Skalozub is collected in separate phrases. Sergei Sergeevich joins Chatsky’s speech with absurd reasoning. They betray his ignorance and lack of education.

Maid Lisa

Lizanka is an ordinary servant in the Famusov house, but at the same time she occupies a fairly high place among others literary characters, and she is given quite a lot of different episodes and descriptions. The author describes in detail what Lisa does and what and how she says. She forces other characters in the play to admit their feelings, provokes them to certain actions, pushes them to various solutions, important to their lives.

Mr. Repetilov appears in the fourth act of the work. This is a minor but bright character in the comedy, invited to Famusov’s ball on the occasion of his daughter Sophia’s name day. His image characterizes a person who chooses the easy path in life.

Zagoretsky

Anton Antonovich Zagoretsky is a secular reveler without ranks or honors, but he knows how and loves to be invited to all receptions. Due to your gift - to be pleasing to the court.

Hurrying to be in the center of events, “as if” from the outside, the minor character A.S. Griboyedova, Anton Antonovich, himself, finds himself invited to an evening at the Faustuvs’ house. From the very first seconds of the action with his person, it becomes clear that Zagoretsky is still a “frame”.

Madame Khlestova is also one of the minor characters in the comedy, but still her role is very colorful. This is a woman already advanced years. She is 65 years old. She has a Spitz dog and a dark-skinned maid - a blackamoor. Khlestova is aware latest gossip yard and willingly shares his own life stories, in which he easily talks about other characters in the work.

Composition and storylines of the comedy "Woe from Wit"

When writing the comedy “Woe from Wit,” Griboyedov used a technique characteristic of this genre. Here we can see classic plot, where two men are vying for the hand of one girl at once. Their images are also classic: one is modest and respectful, the second is educated, proud and confident in his own superiority. True, in the play Griboyedov placed the accents in the characters’ characters a little differently, making Molchalin, and not Chatsky, sympathetic to that society.

For several chapters of the play there is a background description of life in the Famusovs’ house, and only in the seventh scene does the beginning of the love plot begin. A fairly detailed long description during the play tells about just one day. The long-term development of events is not described here. Storylines there are two in comedy. These are conflicts: love and social.

Each of the images described by Griboyedov is multifaceted. Even Molchalin is interesting, towards whom the reader already develops an unpleasant attitude, but he does not cause obvious disgust. It's interesting to watch him in various episodes.

In the play, despite the adoption of fundamental structures, there are certain deviations to construct the plot, and it is clearly evident that the comedy was written at the junction of three literary eras: thriving romanticism, emerging realism and dying classicism.

Griboedov's comedy "Woe from Wit" gained its popularity not only for the use of classical plot techniques in a non-standard framework, it reflected obvious changes in society, which were then just emerging and taking their first sprouts.

The work is also interesting because it is strikingly different from all other works written by Griboyedov.

Nikolai Vasilyevich Gogol is known to everyone as a writer, satirist, playwright, author of the poem “ Dead Souls"and the comedy "The Inspector General". However, few people know that for a long time he didn’t even think about creativity, didn’t think about being a writer. All his thoughts were connected with public service. Gogol dreamed of becoming a famous lawyer.
After graduating from high school and moving to St. Petersburg, he is far from busy with writing career, and is looking for work related to litigation. And only hunger and complete lack of money, which Gogol endures during this period, force him to take up the pen. After all, the future famous satirist knows that he has a creative streak from the time he studied at the gymnasium. There, for fun, he tried himself in a variety of literary genres and was positively assessed by his comrades.
After several months of persistent searches, Gogol still finds a place in the Department of National Economy under the Ministry of Internal Affairs of the city of St. Petersburg. However, he quickly becomes disillusioned with public service, having come into contact with reality from the inside. But such work provided rich material for future works showing the life of officials and the work of the state apparatus. One of these exemplary works was the comedy “The Inspector General,” which showed the whole truth about Moscow officials through fiction and adventures central character plays.
Ivan Aleksandrovich Khlestakov - main character works. Outwardly he is not attractive in any way, thin and small, thin. He is only 23 years old. But even for this age he is stupid and simple-minded, unable to concentrate his thoughts on one thing.
The hero appears in the second act of the play. We see him on the road from St. Petersburg to Saratov to his father’s estate, who is dissatisfied with his son’s career successes. By the way, the son works as a copyist of papers, like the main character from Gogol’s story “The Overcoat”. But on the way to Penza he loses all his money and, left penniless, does not know what to do next. But he still has to pay for his hotel stay. The hero initially associated the appearance of the governor with the lack of payment for the room. Only later, having already borrowed money from the governor and having arrived at his home, does he explain to himself the hospitality of everyone senior officials The city’s philanthropy, kindness and customs attract guests from other provinces.
After that, city officials come to him in succession. Communication with them changes the hero. If in a conversation with the judge he is modest and quiet, almost in a whisper asking him for a loan of 300 rubles, then with each new visitor his spirit and self-esteem become stronger, and his voice becomes louder and more confident. The image of the main character develops, the hero changes from quiet and modest to impudent and loud. And now he takes 400 rubles from Strawberry. And from the latter he tries to extract 1000 rubles, because they are not employees, and therefore do not have the need to give bribes.
Only when the flow of guests disappears does the hero realize that he is being mistaken for someone else. But due to his simplicity, which has lived in him for years and has not yet completely disappeared from the sight of easy money, he again reduces this attitude towards himself to the beauty of the suit. And he really was dressed in fashion.
The hero hastens to tell about this technique in a letter to his friend. Each characteristic given to heroes Khlestakov, accurate and true. Without undue modesty, he describes all the shortcomings of the city's residents. But he cannot consciously look at himself and understand the current state of affairs. Having already realized that he has taken someone else’s place, Ivan does not want to think that the hour will come when a real auditor will appear. It’s so easy for him to live like in real life everyday life he never dreamed of it, he savors every second of such days, he lives it, completely getting used to the character, and is in no hurry to get out of this role. Even at the end of the play, instead of fleeing the city, he begins a relationship with both the mayor’s wife and daughter and even wooes the eldest. If it were not for the ingenuity of the servant Osip, who at the last moment literally pulls the owner out of this web of lies, the owner would be seriously punished by these same officials, who do not forgive insults. After all, the hero’s revealing letter to a friend was brought to the mayor a minute after his departure.
Khlestakov is not just an adventurer; he alone cannot be blamed for lies and deceit. Of course, he lied, but the comedy of the situation described in the work is created thanks to the self-deception of all the characters. Everyone in the city is accustomed to lying and no longer sees the line between reality and deception. Life is easier for them in the world of illusions. And, if our hero is a deceiver by inspiration, then officials lie by intention. And this is scarier. What happened only exposed these flaws and made them more noticeable.

Quite a lot of different and interesting characters participate in this comedy by Griboyedov. But despite their large number, the main action is still centered around several main characters. They are, first of all: Alexander Chatsky, Pavel Famusov, Sofya Famusova, Alexey Molchalin.

Chatsky is positive hero Griboedova. Orphaned at an early age, he was raised in the Famusov family. But despite this, having matured and lived for several years separately and away from his former home, Chatsky condemns the opinions and views of Famusov himself and everyone noble society.

He considers himself a patriot, loves his country and will not tolerate the mocking attitude of foreigners towards his native, domestic people. Chatsky is a young nobleman who stands out among the rest with his sharp mind and high morality. In love with Famusov's daughter, Sophia. But having become disillusioned with love, and also having failed to explain to those around him his ideas, principles and goals in life, he decides to leave Moscow, since he already sees another way out.

Pavel Famusov, the personality is quite contradictory. On the one hand, he took in an orphaned boy and raised him as his own. But on the other hand, the author describes him as a hypocritical, dishonest deceiver and bribe-taker. He is a fairly wealthy landowner, raising his only daughter, Sophia, on his own. His wife died quite a long time ago. In his views on life and in many disputes he acts as an opponent of Chatsky.

Sophia- the naive daughter of Pavel Afanasyevich. Despite the good education, upbringing and strong character, the girl is not able to understand Chatsky’s real and sincere feelings. She loves to spend her time reading good books, despite his father's dissatisfaction. But still, she is her father’s daughter, since she was raised in an environment where only money and rank are important. The climate in which she was brought up certainly influenced the character of the heroine. Sophia chose Molchalin because she wants to rule not only in the world, but also in the family. The character of Sophia is very complex. On the one hand, she almost the only person, which is close to Chatsky in spirit. On the other hand, it was she who became the cause of Chatsky’s suffering and his decision to leave this society.

Alexey Molchalin a simple person by origin, ready to do anything to be recognized and accepted in society. Possesses exclusively negative qualities. Works as Famusov's secretary. He is a dishonest, vile, hypocritical and stupid person. He pleases Pavel and Sofya Famusov in every possible way.

Minor characters

Repetilov- an old friend of Famusov, who was unable to secure career growth for himself due to his own absent-mindedness. A simple-minded and stupid character.

Sergey Skalozub- an officer who is unable to think about anything other than his own career. The man is stupid and uninteresting person, dreaming of a career as a general.

Anton Zagoretsky- a famous deceiver, prefers to play cards, actively attend balls, dinners and theaters. A secular person.

Lisa- works as a maid in the Famusovs’ house. Because of her beautiful appearance, she is forced to endure the harassment of Molchalin and Famusov himself. A frivolous and cheerful girl.

Anfisa Khlestova- a lonely old woman, sister-in-law of Pavel Famusov. Out of loneliness I started a pack of dogs. She was once a respected lady-in-waiting, but in her old age she became of no use to anyone.

Platon Gorich- retired military man, friend of Chachky. Obediently obeys his wife. A kind and sincere person with a gentle character.

Natalia Gorich– amateur social life, balls and evenings.

Option 2

The main characters of the comedy A.S. Griboyedov's "Woe from Wit" are Chatsky, Famusov, Sofya and to some extent Molchalin.

Past Chatsky consists of his memories, conversations of other people about him. The hero’s childhood was not cloudless: he was left without parents, and received his upbringing and home education in Famusov’s house as an adopted son. He knows how to sympathize with the grief of others, because since childhood he did not know the love of loved ones and the joys of life in a happy family. He was warmed only by a feeling of affection for Famusov’s daughter Sophia, which grew into love.

The paintings of the sale of serf artists and the exchange of servants for dogs left a strong impression on him. Therefore, with early years he hated serfdom.

Chatsky is smart and talented. Apparently he graduated from university, did successful career, but suddenly broke off all relations, retired and went abroad for three years. The reason is his desire to serve “the cause, not individuals.” It turned out that no one around him needed this.

The hero who returned to Russia is still the same: “I would be glad to serve, but it’s sickening to be served.” His plans are not related to the service. The hope for family happiness lives in him; it is connected with his marriage to Sophia. Waiting for Sophia to respond to his proposal, the hero remains in the company of Famusov and his henchmen, whose life principles are deeply alien to him.

Chatsky, contrary to his intentions, comes into open conflict with almost all the faces of comedy and gives an impromptu fight. The hero openly argues with them, criticizes, denounces them, knowing that he is alone against everyone, that he has no one to rely on. This is his heroism, his word is a powerful weapon. He spares no one - and they fear him, they take him into account. But the vile, treacherous blow of Sophia, who called him crazy, deprives him of the ground under his feet. Chatsky can only flee from Famusov’s house, “searching around the world where there is a corner for the offended feeling.”

Famusovservesin a government institution manager Criticism of the protagonist is directed against him, because his attitude to business, to service, in Chatsky’s assessment, is criminal and comes down only to signing papers. If the hero goes to work, it is only in order to be on time to flatter someone, not to miss an open position, and to profitably place a relative in it. More important than going to work for Famusov are dinner parties, christenings, funerals, which cannot be missed and at which all business is arranged. Success, according to this hero, depends only on the ability to please and please.

The genius of flattery and servility was his uncle Maxim Petrovich, who was close to the court for his ability to serve; became rich and promoted all his relatives to ranks. Serving “persons” is the wisdom of these heroes. They hate freethinking and oust people like Chatsky.

Sophia, To like Chatsky, was deprived of a carefree happy childhood, having lost his mother. In the distant childhood years, the heroes became spiritually close and fell in love with each other. But from the first appearance of the comedy, it is clear that the heroine no longer loves Chatsky. His sharp, caustic words, although smart and apt, irritate her, especially when they concern Molchalin, her father’s secretary. He is chosen by her to play the role of her lover.

The reader and later Chatsky may only have a perplexed question about this candidacy: “Why him?” Apparently it's all about fashion. Genre that appeared in literature sentimental novel brought to the stage new type the groom - poor, humble, but with subtle feelings and a tender heart.

When Sophia realizes that she was deceived by seeing such a hero in Molchalin, she, like Chatsky, will not survive best moments of your life.

Molchalin but he managed to achieve the impossible: without a noble relationship, having arrived from Tver, he turned out to be Famusov’s secretary, living in his house. All doors will be open to him thanks to his “talent” to please all people without exception, as his father instructed: the boss, the owner, the janitor, the doorman. Is it any wonder that, having recently served with Famusov, he has already “received three awards.”

There is also a ladies' man in it: he plays the role of a man in love with the hostess, declares his love to her maid, and at the same time is crazy about Tatyana Yuryevna. Sophia angrily expels Molchalin, but he does not despair. Tatyana Yuryevna and Foma Fomich have already experienced the charms of his talent for servile flattery and are unlikely to refuse his patronage.

Characters of Woe from Wit

One of the important features of the author’s work “Woe from Wit” is the finding of two dissonances that are interconnected. The first is love, the second is public. Thanks to this, the role of the characters was determined.

Chatsky, Sophia and Molchalin are responsible for the love line. For the social line - the conservative nobility, where the main one is Famusov, and also, one can note Chatsky, he is for progressive views on the arrangement in society. Molchalin can also be included in the Famus company.

A. A. Chatsky, only recently returned from abroad and immediately decided to visit the Famusovs’ house, where the young man received his education and where he had not been for more than three years. He wants to see his beloved Sophia, Famusov’s daughter. But the girl does not experience mutual emotions. She is cold and reserved, she loves another, she loves Molchalin. Alexander cannot understand the reason for this attitude towards him.

The young man asks the girl what happened, what the changes are in her heart, he also asks her dad. And here the global counterbalance on the issue of decency, traditions and knowledge, and the organization of the public is well shown.

Famusov is presented in the work as “the last century.” A special feature is the way he sees the nobility, and does not want any changes, since they could cause harm financially. In the life of any nobleman, material well-being is very important, and he is no exception. The man is proud of his uncle, who knew how to obey and therefore everyone respected him. The opinion of society is very important to him.

Molchalin behaves the same way. His important feature– uniformity and punctuality. The young man is worthy to continue the views of the highest nobility of the capital of Russia. Molchalin knows how and in front of whom you need to present yourself well, knows with whom you need to have good relationship. And communication with Famusov’s daughter is no exception; by this he shows how important the connection with her dad is for him.

Alexander Chatsky himself is a complete counterbalance to the entire character. He marvels at his views on the arrangement of society. His mind is mobile, he needs to create. He wants to be needed by deeds, not by people, because personal freedom is very valuable to him. This is the only character who is shown to be "last century". Chatsky reflects the views of the writer himself - the views of decency and knowledge, which the highest nobility do not want to take seriously.

Sample 4

This young hero has a positive role in the work. He was raised in the Famusov family. And after reaching adulthood, he lives separately. He has wit, nobility, generosity. He does not share the views of all nobles. Chatsky loves his very much native land. A young man loves a girl, Sophia. But when he found out that she loved Molchanin, whom he despised, he left the capital in disappointment.

The hero is a wealthy landowner, he has a daughter named Sophia. Does not share Chatsky’s life views. He wants his daughter to marry Skalozub.

A young and naive heroine, daughter of Pavel Afanasyevich Famusov. The girl is well-mannered and well educated. Her heart belongs to Molchalin. Sophia is a brave and determined girl with a strong character.

Molchalin.

Negative character, works for Famusov as a secretary. He is a petty and vile person, as well as hypocritical and stupid. Silent is a man without principles, and also a coward. He comes from a poor family, but all his dreams are aimed at becoming rich someday. Molchalin loves a maid named Lisa.

Skalozub.

The hero is middle-aged, unmarried, and not particularly smart. By status, he is an ordinary colonel who wants to achieve the heights of a general.

A cheerful girl serving the Famusov family. She is flighty and flirtatious. Liza likes Petrusha, who was a bartender. Lisa covers Sophia in everything.

Also in the work there is minor characters, such as Repetilov, a man with a simple soul, is Chatsky’s comrade. Zagoretsky was a man secular society, is a stupid swindler. Famusov's sister-in-law, Khlestova, is an elderly and angry woman who has a bunch of dogs.

The work also mentions Gorich, Chatsky’s comrade, his wife Natalya, who cared too much about her husband. There is also another friend of Famusov, who is a prince, he is already old and has six daughters, he is thinking about how he can profitably accommodate them. There is also his wife, who also dreams of marrying off her daughters to rich, wealthy people.

Countesses named Khryumins also play minor roles - they are grandmothers and granddaughters. Another minor role was played by the late Uncle Famusov, who was an example for him.

And also the servant Petrushka, a not very neat young man. Helped the owner take notes.

Several interesting essays

• Essay The role of parental guidance in a person’s life

  For the most part, people spend their childhood and youth in the family, if you do not consider the situation with orphans and other similar options with not the most the best options fate, then for a significant part of people the situation is exactly this way.

• Characteristics and image of Taras Bulba 7th grade essay

  People who purposefully go towards their goal, for whom there are no barriers to what they strive for, are very dangerous, because for them the motto and credo in life is “The end justifies the means.”

• Masters of life and victims in the play Groz Ostrovsky essay

  The play begins with a description of the city of Kalinov, which critics nicknamed the dark world. The city itself is fictional and is located on the banks of the Volga. Despite the beautiful and picturesque landscapes of the city

• The history of the creation of the novel Crime and Punishment by Dostoevsky

  For six years, F. M. Dostoevsky developed the concept of the novel “Crime and Punishment,” just during his hard labor. That is why the first thought was to write about Raskolnikov’s ordeals.

• What do Pushkin's fairy tales teach? - composition

  The works of Alexander Sergeevich first of all teach kindness and understanding that for every bad deed there will be punishment. Often, Pushkin in his fairy tales teaches us lessons about how easy it is to lose everything by succumbing to greed and stupidity

Article menu:

In Griboyedov's comedy "Woe from Wit", there are many characters. Most of them are used by the author as a background or confirmation of certain principles of secular society.

The main characters of the comedy

Despite the large number of heroes, the main action in the comedy is centered around four characters - Chatsky, Famusov, Sophia, Molchalin.
Alexander Andreevich Chatsky

Alexander Chatsky

This is a young nobleman who was left an orphan at an early age. A family friend, Famusov, was involved in his upbringing. Having matured, Chatsky begins an independent life.

He spent three years abroad and after returning from the trip he visits his teacher Famusov and his daughter Sonya, for whom he has tender feelings and with whom he hopes to marry.

We invite you to familiarize yourself with what Alexander Griboyedov wrote.

However, the picture he saw greatly discouraged him - Famusov was far from that childhood memory of his teachers.

Thanks to a trip abroad, Chatsky was able to learn about the excellent relationships between people and their goals in life, so the corrupt aristocracy, mired in clichés and empty, meaningless actions, disgusts Chatsky. Chatsky’s attempts to explain his position and convince others of the opposite do not lead to success - at the end of the work he leaves Moscow, because he sees no other way out.

Pavel Afanasyevich Famusov
Famusov is the teacher of Alexander Chatsky. At the time of the story, he is the manager of a government agency. His wife died long ago, leaving him a daughter, Sophia. The image of Famusov is very contradictory; on the one hand, he is a person who is not devoid of positive character traits - for example, he takes Alexander into his upbringing after the death of his parents and treats him as his son. On the other hand, he is a dishonest and hypocritical person. The main measure of a person’s success and integrity for him is financial security and a high position. Famusov is a bribe-taker and a deceiver, which is why he has a conflict with his pupil.

Sofia Famusova
Sophia is the daughter of Pavel Afanasyevich Famusov. In the comedy she is depicted as an adult – a girl of marriageable age.

Despite the fact that she is not so mired in the aristocratic swamp, the girl is still a partially negative character - her neglect true feelings pushes me away from this character.

The girl loves when people please her, and she doesn’t care much about the fact that such behavior looks humiliating.

Alexey Stepanovich Molchalin
Molchalin is Famusov’s personal secretary, although officially he is an archive worker at government agency where Famusov works. Molchalin is a simple man by birth, so for the sake of the title and the right to belong to high society, he is ready to do anything. Molchalin pleases Famusov and his daughter in every possible way in order to make his dream come true. In fact, it is hypocritical, stupid and dishonest man.

Minor characters

This category includes characters who have a significant influence on the formation of the plot of the comedy, but at the same time they are not active characters. In addition, this also includes heroes who have overly generalized and vague character traits, such as Lisa.

Repetilov
Repetilov is an old friend of Famusov. During his youth, he led a dissolute and stormy life, giving in to balls and social pastimes. Due to absent-mindedness and lack of concentration, he was unable to secure career growth.

We invite you to familiarize yourself with the comedy “Woe from Wit,” written by Alexander Griboyedov.

Sergey Sergeevich Skalozub

Skalozub is a rich officer. By nature he is a prominent person, but stupid and uninteresting. Skalozub is too fixated on military service and his career and sees no point in anything else.

Lisa
Lisa is a young girl, a servant in Famusov’s house. She has an attractive appearance, which turns out well in her case negative trait- Famusov and Molchalin pester her. Life in Famusov’s house in Liza’s case is further complicated by her complex relationship with Sophia - Famusov’s daughter from time to time drags Liza into her love affairs, which can cause the latter to have serious problems.

Tertiary characters

There are the largest number of characters in a comedy whose action occupies a fragmented, episodic period of time. However, it cannot be said that their presence in the text is unjustified - in fact, they play a very important role. With their help, the main types of personalities of aristocratic society and the main negative qualities of representatives of this stratum are depicted.

Anton Antonovich Zagoretsky
Zagoretsky became famous in society as a rogue and a deceiver - he has an extraordinary passion for playing cards, but always plays in a dishonest way. In addition, Anton Antonovich prefers to lead an active social life - he is a regular person at theaters, balls and dinner parties.

Anfisa Nilovna Khlestova
Anfisa Nilovna is a relative of Famusov. At the time of the story, she is already an old woman. Khlestova was once a maid of honor, but now, in her old age, no one needs her.

Because of such dissatisfaction with life, the old woman acquired bad character and is an extremely unpleasant person.

Her house is full of young girls whom she has taken in and dogs - such company allows her to seem important and necessary and entertains the old woman in times of despondency.

Platon Mikhailovich Gorich
Not all representatives of the aristocracy are people with leveled qualities. Examples of people who have retained their moral character, is Platon Mikhailovich Gorich. He is a kind and sincere person, with a sound mind and the ability to reflect, but he has too soft a character, which made him a confident henpecked man.

Natalya Dmitrievna Gorich
Natalya Dmitrievna is Platon Mikhailovich’s wife. The woman is much younger than her husband, and in contrast to him, has a special love for social life, which terribly burdens her husband, but Gorich is unable to resist his wife’s desires.

Pyotr Ilyich Tugoukhovsky
The surname of Pyotr Ilyich fully corresponds to his essence, or rather to his physical defect. The prince is terribly hard of hearing, which makes his life much more difficult. Hearing problems became the reason that Pyotr Ilyich rarely appears in public, and his wife became the commander of her husband and their life in general.

Marya Alekseevna Tugoukhovskaya
Marya Alekseevna is Pyotr Ilyich’s wife. They had 6 daughters in their marriage. All of them are unmarried girls at the time of the story. The prince and princess are forced to constantly appear in public with their daughters in order to successfully marry off their daughters, but so far the hopes of these nobles have not been justified.

Countesses Khryumina
The grandmother and granddaughter are hiding under the name of the countesses Khryumin. The main emphasis in the comedy of the two of them is on the granddaughter, who remains an old maid, and therefore she is always angry and offended by the whole world.

The Grandmother Countess is a decrepit old woman who can no longer afford dinner parties and balls, but she still tries to attend them, apparently in order to find a husband for her granddaughter.

Parsley
The image of Petrushka, although in no way connected with aristocrats, since this character is a simple peasant by origin, nevertheless, due to his significance in the comedy, Petrushka should be classified as a tertiary character.

Petrushka works as a bartender in Famusov's house - he is a poor man, but a pure soul. The maid Lisa is in love with him.

Thus, in Griboedov’s comedy “Woe from Wit” we can see a kaleidoscope of diverse characters. Basically, the author does not describe their characters in detail, but this does not interfere with the perception of comedy and understanding of the essence of the work.

One of the main features of the comedy “Woe from Wit” by A.S. Griboedov is the presence in the play of two conflicts that are closely related to each other. One of them is love, the other is social. This determines the arrangement of the heroes of the comedy “Woe from Wit”. The love line is represented by Chatsky, Sophia and Molchalin. The social line is expressed by the opposition of the conservative nobility, the main exponent of whose ideas is Famusov, and progressive views on the structure of society that Chatsky preaches. TO Famusov society also applies to Molchalin, Sophia’s lover. Love and social conflicts are united by the image of Chatsky, the main character of “Woe from Wit”.

Alexander Andreevich Chatsky returned from abroad and immediately went to Famusov’s house, where he had once been brought up and where he had been absent for three years. Chatsky dreams of meeting his beloved Sophia, Famusov’s daughter. But Sophia greets him with extreme restraint, because she is in love with Molchalin. The hero does not understand the reasons for the girl’s cooling towards him. He begins to ask her, her father, about this. And in the verbal battles between these heroes, serious contradictions appear on issues of morality, culture, education, and the structure of society.

Famusov in comedy it represents the “past century”. Main feature The worldview of the conservative nobility is that they do not want any changes, because changes threaten their well-being. In the noble society, at which Griboyedov’s satire is directed, only rank and money are valued. And Famusov is no exception. He speaks with pride of his uncle, Maxim Petrovich, who knew how to “curry favor” and therefore “knew honor before everyone.” The only thing that Famusov really cares about is society’s opinion of him.

On behalf of the “past century” also speaks Molchalin. Its main advantages are “moderation and accuracy.” He is a worthy successor to the views of Moscow high society. He knows how to curry favor, strives to make and maintain useful acquaintances. Even his relationship with Sophia is nothing more than serving her father.

Chatsky is sharply opposed to these heroes. Their views on the structure of society are alien to him. Chatsky is the owner of an active, creative mind. He wants to serve “the cause, not individuals,” because he highly values ​​individual freedom, honor and dignity. Chatsky – the only hero comedy, representing the “present century”. It expresses the ideas of the author himself - ideas of morality and enlightenment that conservative nobles are not ready to accept.

When characterizing the characters in “Woe from Wit,” the most difficult thing to interpret is the image Sofia Famusova.

It cannot be attributed either to the “present century” or “to the past century.” Unlike her father and Molchalin, Sophia is not afraid of the opinions of society. She tells Molchalin as much when he asks her to be careful and not show her feelings in public. She plays music and reads books, which Famusov considers unnecessary and even harmful. But Sophia is not on Chatsky’s side, since his accusatory monologues threaten not only the comfortable life of the nobles, but also her personal happiness. That is why Sophia starts a rumor that Chatsky is crazy, and society is so actively spreading this gossip.

List characters“Woe from Wit” is not limited to the main characters. To understand the issues, the secondary characters of “Woe from Wit” are also important. For example, it is impossible to imagine the development of a love affair in a comedy without Lisa's maids, who helps Sofya and Molchalin keep their dates secret. Also, the image of Lisa participates in a more complete disclosure of other characters in Griboedov’s “Woe from Wit”. Molchalin shows her signs of attention, and the reader immediately understands that he has no feelings for Sophia.

Colonel Skalozub also participates in the development love line. He is tipped to be Sophia's groom because he has money. The only pity is that I have no mind at all. But this helps to portray the army in a satirical way.

Off-stage characters carry a special meaning. They do not participate in the actions of the comedy, but other characters talk about them, which allows us to more fully imagine the mores of the noble society of that time. The most famous off-stage character is Maxim Petrovich, Uncle Famusov, who deliberately fell several times at the empress’s reception in order to amuse her and earn respect at court.

It should be noted that all the images of the comedy heroes acquire a deeper sound than was customary before the appearance of the play “Woe from Wit.” There are no absolute villains here, no heroes without flaws. Griboyedov refuses the traditional division of characters into good and bad. So Famusov is a caring father for his daughter, and Chatsky in some moments shows excessive ardor and unceremoniousness.

The characters created by Griboyedov do not lose their relevance today. After all, the problem of replacing old views with new ones is always topical. At all times there are people who bring progressive ideas to society, and those who refuse to accept the new, defending their outdated views.

This article describes the main characters of Griboyedov's comedy. A description of the heroes and their characters will be useful to 9th grade students when preparing a report or essay on the topic “The main characters of the comedy “Woe from Wit”.”

Work test