How Onegin changes in Pushkin's novel. How does the main character of A. S. Pushkin’s novel “Eugene Onegin” change under the influence of life circumstances? (Unified State Examination in Russian) What are his ideals Eugene Onegin

He began to lead a social life at the age of sixteen, and very soon he became bored with it, because it was predictable and monotonous. At the same time, she significantly corrupted Eugene, who was already unaccustomed to tension (“But was my Eugene happy?”). Hypocrisy and cold flirting killed his youthful daydreaming and romance and made him a bored cynic. Eugene masterfully portrayed feelings in order to succeed in secular society (“What smaller woman we love, / The easier it is for her to like us”). But having become a virtuoso in this game, having reached the limit, he involuntarily went beyond it and was disappointed (“Greatly absent-minded, he looked, / Turned away - and yawned”).

This happened because a person can, of course, adapt to almost any system of relationships, but such adaptation will be accompanied by certain reactions (“In short: the Russian blues I took possession of him little by little”). A person has a very definite moral nature; a person by calling is a creator who sincerely loves other people. But in order to identify the true purpose of a person, it is desirable for him to exist in an appropriate social environment that stimulates precisely the highest, creativity. If society is built on distorted foundations, then man is distorted under its influence. He can resist a curved environment, but then his position will be marked with drama.

Eugene Onegin was not an outstanding person to be able to cope with the corrupting influence of an incorrectly structured society, but he clearly understood its falsehood and removed himself from such a life. At the same time, he did not find an equivalent replacement, because his seclusion would have been a blessing with persistent, systematic work, but “he was sick of persistent work.” At the same time, he was a zealous owner. The author, completely without irony, reports that Onegin “read Adam Smith” and “He replaced the ancient corvée with a yoke / With an easy quitrent.”

He continued to be bored in the village. Having met Vladimir Lensky, he loved to communicate with him, because he reminded him of his youth, when he himself was full of energy, ebullient and ardent, not yet having time to become disillusioned with the world to which he so passionately strove. Onegin was captivated by the spontaneity and originality of his young friend (“He listened to Lensky with a smile,” “He tried to keep a cooling word / in his mouth”).

Plan
1 Introduction:
1.1. The concept of the story "Eugene Onegin"
2. Main part:
2.1. First meeting
2.2. Tatiana's first love
2.3. Tatyana's Confession
2.4. Moral teaching of Onegin
2.5. Tatiana's pinking
2.6. Deciding your destiny
3.Conclusion:
3.1. V.G. Belinsky about the novel
3.2. My reading of the novel

the plan is complex for this essay “So, she was called Tatyana* In “Eugene Onegin” not only the life of noble society is reflected, but also the soul,

feelings, thoughts of Pushkin himself about himself. They are expressed not only in digressions, so vividly associated with the content of the novel, but also in the images created by the poet. Tatyana is Pushkin’s “sweet ideal”. When he talks about her, his verse is filled with admiration and admiration... Tatyana - simple girl from a poor noble family. The fate of her parents was usual for this time, the fate of her younger sister- Same. But since childhood, she herself has been sharply different from those around her. Her closest friend is her nanny, who tells her scary stories, which “captivated Tatyana’s heart more than fun games children. The nanny is a serf to whom Tanya will confide her secrets. She herself feels alienated from the usual society, unable to caress either her father or her mother. Sad and silent, she finds herself in novels in which everything was so different from their drab life, they really “replaced everything for her.” Dreamy, she loved to greet the sunrise, as if expecting the arrival of a new life from the sun, still shrouded in the darkness of the night... So a wondrous, wonderful flower grew in the desert, keeping in its petals a quiet but strong flame of love... Tatyana was lonely, like this one flower, and it seemed that nothing wonderful would happen in her life, but then she meets Onegin... The rumors of her neighbors at first offend her proud soul, but at the same time they also evoke a pleasant feeling. She, “not knowing deception and believing in her chosen dream,” fell in love with Onegin with all her heart. But her rich imagination and tormented soul imagine him as an ideal person, and he was not. However, her love is so strong, so deep, so sincere that, unable to contain it within herself any longer, she writes a letter to Eugene, opens to him her unique, boundless world... Pushkin is with her with all his heart, despite the fact that noble society she would not be forgiven for this; Together with us, he is amazed: “Who inspired this tenderness in her...” Nobility, mind, heart - these are the greatest riches, and even Eugene, with his chilled soul, managed to see them in her. Touched by Tatyana’s letter, but knowing himself well, he says: “Is this what you were looking for with a pure, fiery soul, when you wrote to me with such simplicity, with such intelligence?..” But even this explanation cannot extinguish the fire in Tatyana’s soul, Submissive to fate, she still will not lie: “I will perish... But death from him is kind...” Terrible events separate Tatiana from Onegin. By chance she ends up in his empty house, and then, reading his books, she learns the true face of her beloved. But this does not make her love less, she simply hides it deep in her heart, because for her love is life. Soon she too has to leave her native place. “Russian in soul”, Tatiana is having a hard time with the separation. It was as if she had united with Russian nature, in it she found joy. She was just as simple and discreet, but she concealed an inexplicable mystery and charm... Tatyana, and with her Pushkin, seemed to have a presentiment of what awaited her in the capital. Sensitive to any lie, she feels the falseness of this society and “with a dream she strives for life in the field,” but... “fate is already decided...” ...And again we meet her only a few years later, at a brilliant St. Petersburg ball. It seems that there are no “traces of the old Tatyana” left in her, but no. The nobility of the soul is forever. And in high society, Tatyana rises above everyone, everyone is internally aware of her superiority. But she remembered Onegin’s advice well: “Learn to control yourself.” And therefore, the true Tatyana is revealed only when she meets Onegin, who is passionately in love with her. She remained the same old Tanya, eager with all her soul to give “all this rags of a masquerade for a shelf of books, for a wild garden...”. She is mistaken in considering Onegin's passion to be petty and unworthy of his heart and mind, but she acts according to her heart. And, a true Russian, close to the people since childhood, she selflessly puts duty above feelings. “I love you (why lie?), but I am given to someone else, and I will be faithful to him forever.” Pushkin, passionately loving his heroine, his ideal, with the power of his verse makes us love and admire her. Tatyana, a figment of his imagination and dream, is worthy of love and admiration. Similar essays on partner sites: ALLSoch.ru: Pushkin A.S. Evgeniy Onegin “So, she was called Tatyana*

Write an essay on "Eugene Onegin" according to plan. I. “Eugene Onegin” - a novel about the spiritual quest of the Russian noble intelligentsia of the 20s of the 19th century: 1.

The main conflict of the novel is the contradiction between the individual and society. 2. The search for purpose and meaning in life is the central problem of the novel. 3. Tests of the main characters of the novel by similar life circumstances (love, friendship, freedom, creativity). II. Evgeny Onegin is a typical representative of the Russian noble intelligentsia of the 20s of the 19th century: 1. Origin and upbringing. 2. Education and cultural level. 3. Habits and tastes. 4. Attitude towards secular society, homeland, people. III. The path of spiritual quest of Eugene Onegin: 1. Crisis of old ideals of life. Dissatisfaction, fatigue, blues. 2. The beginning of the journey. High level of culture. A sense of honor and nobility (“involuntary devotion to dreams, inimitable strangeness and a sharp, chilled mind”). 3. Attempts to engage in useful activities (“he was sick of persistent work”). 4. Crisis stages are a test of love and friendship. 5. Duel and murder of Lensky. The countdown begins, the return to your true self begins. 6. Travel. Knowledge of the real homeland and its people. A change in worldview, a resurrection of the truly human in the soul. 7. Love for Tatyana - finding your true self, blossoming of the soul. You don’t have to answer the first part (I already wrote it)

Evgeny Onegin was a young Petersburger; at the beginning of the novel he was twenty-six years old. The author briefly describes his life: he studied “something and somehow,” that is, he was completely unaccustomed to serious, consistent work. But since he was gifted with abilities by nature to a sufficient extent, they still had to manifest themselves in some way. He began to lead a social life at the age of sixteen, and very soon he became bored with it, because it was predictable and monotonous. At the same time, she significantly corrupted Eugene, who was already unaccustomed to tension (“But was my Eugene happy?”). Hypocrisy and cold flirting killed his youthful daydreaming and romance and made him a bored cynic. Eugene skillfully portrayed feelings in order to succeed in secular society (“The less we love a woman, / The easier it is for her to like us”). But having become a virtuoso in this game, having reached the limit, he involuntarily went beyond it and was disappointed (“Greatly absent-minded, he looked, / Turned away - and yawned”). This happened because a person can, of course, adapt to almost any system of relationships, but such adaptation will be accompanied by certain reactions (“In short: the Russian blues I took possession of him little by little”). A person has a very definite moral nature; a person by calling is a creator who sincerely loves other people. But in order to identify the true purpose of a person, it is desirable for him to exist in an appropriate social environment, which stimulates precisely the highest, creative principle. If society is built on distorted foundations, then man is distorted under its influence. He can resist a curved environment, but then his position will be marked with drama. Eugene Onegin was not an outstanding person to be able to cope with the corrupting influence of an incorrectly structured society, but he clearly understood its falsehood and removed himself from such a life. At the same time, he did not find an equivalent replacement, because his seclusion would have been a blessing with persistent, systematic work, but “he was sick of persistent work.” At the same time, he was a zealous owner. The author, completely without irony, reports that Onegin “read Adam Smith” and “He replaced the ancient corvée with a yoke / With an easy quitrent.” He continued to be bored in the village. Having met Vladimir Lensky, he loved to communicate with him, because he reminded him of his youth, when he himself was full of energy, ebullient and ardent, not yet having time to become disillusioned with the world to which he so passionately strove. Onegin was captivated by the spontaneity and originality of his young friend (“He listened to Lensky with a smile,” “He tried to keep a cooling word / in his mouth”). A chance acquaintance with the Larin family did not inspire Onegin at all, but he already singled out Tatyana: “Are you really in love with the younger one?” "And what?" - “I would choose another, If only I were like you, a poet...” An amazing fact - the girls were not even introduced to the new guest. Onegin’s sudden love for Tatiana did not evoke a reciprocal feeling - he was still too fed up, “But he did not want to deceive / The gullibility of an innocent soul” and was able to adequately explain himself to Tatiana, giving her her due: If only for one moment I had been captivated by the family picture, - Then It would be true that, besides you alone, no one else was looking for the Bride. It was not for nothing that Evgeny Onegin withdrew from the world. He continued to stay noble man, even though his nobility was passive. The quarrel with Lensky was entirely invented by him. He himself was well aware of this (“Having called himself to a secret trial, / He accused himself of many things...”), but he turned out to be unable to escape the formal habits and rules of the world, even after actually leaving it. The high-society games and masks in his soul turned out to be stronger than the firm awareness of the episode (“But the wildly secular enmity / Afraid of false shame”). He was afraid of the “whispers, the laughter of fools” and killed his friend, thereby killing something in himself. Onegin left because he wanted to run away from himself, but mental strength He didn’t have time for deep repentance and change in life. A meeting with Tatyana a few years later amazed him. Tatyana turned into a goddess, retaining her spiritual power, and Onegin realized that his flight was in vain. But at a late and barren age, At the turn of our years, The dead trace of passion is sad... Life one way or another led Onegin to the logical conclusion of his youth - this is a complete collapse, which can only be survived in the most brutal way rethinking your previous life. To enhance the effect, Pushkin made Onegin fall in love with Tatyana, but it could have been another woman. The point is that the masks and roles instilled from early youth suffer a severe defeat, and life thus gives the hero a chance to renew moral feelings, a chance for new meanings of existence. It is known that in the last, encrypted chapter, Pushkin brings his hero to the camp of the Decembrists.

Pushkin worked on the novel “Eugene Onegin” for many years; it was his favorite work. Belinsky called it "an encyclopedia of Russian life." Indeed, this novel gives a picture of all layers of Russian society: high society, the small nobility, and the people. During the years of writing the novel, Pushkin had to go through a lot, lose his friends, experience the bitterness of death the best people Russia. For the poet, the novel was, in his words, the fruit of “a mind of cold observations and a heart of sorrowful observations.” The image of the author in the novel is created by lyrical digressions; there are twenty-seven significant ones in the novel and about fifty small ones. Who main character.novel "Eugene Onegin"? Many believe that the main character of the novel is, after all, Pushkin himself. If you read the novel more carefully, you can see that there is not one main character, but two: Onegin and Pushkin. We learn almost as much about the author as we do about Eugene Onegin. They are similar in many ways; it is not for nothing that Pushkin immediately said about Evgeniy that he is “my good friend.” Pushkin writes about himself and Onegin: We both knew the game of passion, Tomila, the life of both of us, The heat died out in both hearts... The author, like his hero, tired of the bustle, cannot help but despise people of the world in his soul, tormented by memories about youth, bright and carefree. Pushkin likes Onegin’s “sharp, chilled” mind, his dissatisfaction with himself and the anger of his gloomy epigrams. When Pushkin writes that Onegin was born on the banks of the Neva, talks about Onegin’s upbringing, about what he knew and could do, Pushkin himself involuntarily introduces himself all the time. The author and his hero are people of the same generation and approximately the same type of upbringing: both had French tutors, both spent their youth in St. Petersburg society, they have common acquaintances and friends. Even their parents have similarities: Pushkin’s father, like Onegin’s father, “lived in debt...” Summarizing, Pushkin writes: “We all learned little by little, something and somehow, but with our upbringing, thank God, it’s no wonder we shine ". The poet inevitably notes his difference from Onegin. 06 He writes to Onegin that “no matter how hard we fought, he could not distinguish iambic from trochee.” Pushkin, unlike Onegin, studies. poetry seriously, calling it “high passion.” Onegin does not understand nature, but the author dreams of a quiet, calm life in a paradise where he could enjoy nature. Pushkin writes: “The village where Onegin was bored was a charming corner.” Pushkin and Onegin, for example, perceive theater differently. For Pushkin, the St. Petersburg theater is a magical land that he dreams of in exile. Onegin “enters, walks between the chairs along the legs, the double lorgnette, slanting, points at the boxes of unfamiliar ladies,” and then, barely glancing at the stage, with an absent-minded look, “turned away and yawned.” Pushkin knows how to rejoice in what Onegin is so bored and disgusted with. For Onegin, love is the “science of skin passion”, Pushkin has a different attitude towards women, it is accessible to him real passion and love. The world of Onegin and Pushkin is a world of social dinners, luxurious entertainment, drawing rooms, balls, this is the world of high-ranking persons, this is the world of high society, which is far from easy to get into. Reading the novel, we gradually understand Pushkin’s attitude towards secular society and the noble class, to which he himself belongs by birth. Petersburg high society he sharply criticizes for falsehood, unnaturalness, and lack of serious interests. The author treats the local and Moscow nobility with ridicule. He writes: It’s unbearable to see in front of you just a long row of dinners, to look at life as a ritual, and to follow the decorous crowd, without sharing with them neither common opinions nor passions... It’s not easy for Pushkin to live, much more difficult than for Onegin. Onegin is disappointed in life, he has no friends, no creativity, no love, no joy, Pushkin has all this, but no freedom - I am exiling him from St. Petersburg, he does not belong to himself. Onegin is free, but why does he need freedom? He languishes both with her and without her, he is unhappy because he does not know how to live the life that Pushkin lives. Onegin doesn’t need anything, and that’s his tragedy. If Pushkin enjoys nature, then Onegin doesn’t care, because he clearly sees that “boredom is the same in the village.” Pushkin sympathizes with Tatyana, who lives among the “wild nobility” in the village, and then in high society Petersburg, about which she says that it is “the rags of a masquerade.” The author not only sympathizes with Tatyana, he writes: “I love my dear Tatyana so much.” Because of her, he comes into conflict with public opinion. In one of the lyrical digressions, the author reveals to us his ideal of a woman who “is gifted from heaven with a rebellious imagination, a living mind and will, and a wayward head, and a fiery and tender heart.” Pushkin admits that he sacredly cherishes Tatiana’s letter and cannot read enough of it. Many lines of the novel reveal to us the biography of the author, the beginning of his creative path, the names of his idols, the events of the literary struggle, a reflection of the sentiments of social groups and literary groups. Many of the poet’s lyrical digressions are devoted to cultural life Russia at the beginning of the nineteenth century. From these lines we learn that the poet was an ardent theatergoer. He writes about the theater: “There, under the shade of the wings, my younger days rushed.” Reflecting on the meaning of human existence, on the meaning of youth in the life of every person, Pushkin says with bitterness: But it’s sad to think that youth was given to us in vain, that they cheated on it all the time, that it deceived us. Finishing the novel, Pushkin again turns his gaze to those whom he loved in his youth, to whom he remained faithful in heart. No matter how different Pushkin and Onegin may be, they are from the same camp; they are united by dissatisfaction with the way Russian reality is structured. The smart, mocking poet was a real citizen, a man who was not indifferent to the fate of his country. Many of Pushkin's friends believed that he conveyed his features and portrayed himself in the image of Lensky. But in lyrical digressions Pushkin shows an ironic attitude towards Lensky. He writes about him: “He would have changed in many ways, would have parted with the muses, gotten married in the village, happy and rich, would have worn a quilted robe.” Pushkin dreamed of making Onegin a Decembrist, and this reflected all his respect for his hero.

Alexander Sergeevich Pushkin... Probably there is no person in Russia who does not know this name. He enters our lives in childhood and remains in it until the end: for some he is a friend, for others he is a teacher. What kind of person was Pushkin? He always strived for justice and freedom, condemned the arbitrariness of landowners, vindictiveness, and selfishness. The most famous work The poet, of course, is the novel “Eugene Onegin”. Upon completion of its writing, Alexander Sergeevich exclaimed about himself: “Oh yes Pushkin!” The author realized that he had created a masterpiece. Indeed, the work turned out to be elegant, light, but at the same time infinitely deep and multifaceted. “Eugene Onegin” reflected the entire Russian bitter reality of the “golden age”. The novel still has no equal either in Russian or in all world literature.

Creation of the “encyclopedia of Russian life”

The work as a whole was written over eight years. Pushkin started it in his youth, when he was in southern exile - those were the years Decembrist uprising. In the process of writing the novel “Eugene Onegin,” the poet lost many of his friends. He completed it in Boldino, when, after the defeat of the Decembrists, the strict regime of Nicholas the First reigned. It was at this time that Alexander Sergeevich experienced an unprecedented creative upsurge. Famous critic Belinsky called “Onegin” Pushkin’s most sincere work. It is difficult to disagree with this, because in his creation the poet embodied not only his own thoughts about life, feelings and thoughts, but also himself as a whole. The image of the author in the novel in verse “Eugene Onegin” can perhaps be called one of the central ones.

Pushkin as the hero of the work

By creating a special world, Alexander Sergeevich himself appears in it actor. He is not only the writer and narrator, but also the hero of the work. How important is this character? The image of the author and his role in Pushkin’s novel “Eugene Onegin” is difficult to overestimate. Due to the constant presence of the poet on the pages of the book, the events described are given extraordinary authenticity and special lyricism. Alexander Sergeevich in his work is a full-blooded living character who has his own character, his own attitude, his own ideals. At the same time, the image of the author in A. S. Pushkin’s novel “Eugene Onegin” does not prevail over the others; his intervention in the course of the narrative is completely justified and organic. The poet’s subjective view of certain things allows the reader to better comprehend the events taking place, to understand how the author evaluates many historical facts and phenomena of reality characteristic of that time.

Pushkin and Onegin: differences

The image of the author in the novel “Eugene Onegin” can be traced from the beginning of the work. Thus, Alexander Sergeevich, speaking about the typical nature of the education received by the main character, refers himself to this social environment. He writes: “We all learned a little something and somehow...” At the same time, the poet emphasizes the difference between himself and Onegin. They are opposed in relation to theater arts: Pushkin calls the theater a “magical land,” but Evgeny sees only entertainment in it. They also relate to nature differently: the author loves it, and Onegin considers it one of the links in changing occupations. They also have no similarities in their attitude to love: the main character says that this is “the science of tender passion,” and Alexander Sergeevich notes that “all poets are friends of dreamy love.” They relate differently to literature - the creator of the work writes about Eugene: “he could not distinguish an iambic from a trochee....”

Pushkin and Onegin: similarities

And yet, the image of the author in A. Pushkin’s novel “Eugene Onegin” echoes the image of the main character. They are united by Tatyana’s preference for Olga, condescension towards Lensky, and appreciation of the Larins’ house. At the beginning of the work, the poet’s mood is windy, playful, changeable. Like Onegin, who knew the “science of tender passion,” Alexander Sergeevich worships women’s legs, paying tribute to the amusements of youth. Here the author appears frivolous, a regular at capital balls and typical representative empty aristocratic community. But the text immediately contains a refutation, allowing the reader to understand that although the poet is not ideal, since the costs of the environment in which he was brought up left their mark on him, at the same time his character is quite complex, ambiguous, and he - along with the secular unceremoniousness - inherent sophistication and depth of feelings.

Traveling through the pages of the work, the reader understands that the image of the author in the novel “Eugene Onegin” is not at all what it seems at first. The poet is above superficial hobbies and weaknesses, his inner world diverse and rich. Pushkin overcame his dependence on the aristocratic environment, rose above it, freed from emptiness and vulgarity social life, and became friends with Onegin on this basis. The author and the main character are united by a protest against lack of spirituality, a critical perception of reality, a desire for self-realization, and a search for social ideals.

The poet's attitude towards Larina and Lensky

The image of the author in Pushkin’s novel “Eugene Onegin” emerges in the assessments of the heroes of the work and their actions. Alexander Sergeevich sympathizes with all the characters, but mainly with Tatyana Larina. It is no coincidence that he writes: “I love my dear Tatyana so much!” The author has a lot in common with her - this is her attitude to freedom, to nature... The poet is close to Tatyana's thoughtful dreaminess, the depth of her feelings, and spiritual tension. For the spiritually matured Pushkin, she is the ideal woman and even the muse.

Alexander Sergeevich also treats Lensky kindly - freedom-loving and romantically enthusiastic young man who believes in the power of true friendship. The author himself was the same in his youth, but has long experienced a passion for romanticism - now he ironically calls it pompous and divorced from reality. Although the irony is also mixed with the bitterness of the fact that the past time cannot be returned.

Author's digressions and author's image

In the novel “Eugene Onegin” there are many lyrical digressions in which Pushkin either returns to his youth or talks about the problems of society that concern him. The poet pays a lot of attention to Moscow - a city that he loves very much. Who doesn’t know his lines: “Moscow! There’s so much sound in that sound...”!

But most of all, the image of the author in the novel “Eugene Onegin” is revealed when Alexander Sergeevich writes about love, tells how to treat women. After all, it was in this work that Pushkin made the conclusion: “The less we love a woman, the easier it is for her to like us,” which all men try to follow these days.

In lyrical digressions, the poet recalls the years he has lived, the main events of his life, joyful and sad. Under the pen of a deep thinker and subtle lyricist, everything he experienced in the Tsarskoye Selo Lyceum, in Mikhailovsky, in St. Petersburg comes to life.

Novel about youth

In the work, Alexander Sergeevich showed the life of different layers of society: villages, cities, provinces, and capitals. He spoke especially vividly about Russian youth of that time. In the novel, all the heroes are young people, full of life, feelings, hopes, passions. Pushkin regrets that his youth quickly passed, and urges the reader to stay young longer, not to succumb to laziness and melancholy.

In general, one cannot help but say about how the poet relates to the reader. It is for the author - best friend, ready to understand and listen. “My friends”, “my dears”, “my reader” - this is how Alexander Sergeevich addresses his addressees. Of course, from the very beginning of the story this attracts readers to Pushkin. At the same time, the poet either brings them closer to himself or moves them away. For the author, the reader is a critic with whom he shares his plans.

What does the work teach?

The image of the author in the novel “Eugene Onegin” helps to expand the boundaries of the work. The narration is told as if from several people interrupting each other, some of whom are directly involved in the text, others are familiar with the characters of the novel, and others are outside the events. All of them are combined in the author, making up the gamut of his various manifestations, and therefore there is a feeling of the richness and complexity of the poet’s personality. The work is written in a tone of light sadness, sadness, but at the same time it is filled with a person’s faith in the future. The novel rejects serfdom, teaches to hate a meaningless and empty life, narcissism, selfishness, and callousness of heart.

In conclusion

Alexander Pushkin in “Eugene Onegin” tried to get away from the stereotyped artistic techniques, avoid conventions. Therefore, he deliberately connected the world of the author and the heroes, and deliberately violated storylines and introduced features of contemporary life into the novel. This allowed the poet to create a truly realistic work, a real “encyclopedia of Russian life.”