Shishkin's painting of a mast forest in the Vyatka province. Sosnovy Bor. Mast forest in Vyatka province. Bead weaving

Even people far from painting know about the works of Ivan Ivanovich Shishkin. Shishkin gained popularity during his lifetime by painting the nature of Russia, which he loved so much. Contemporaries called him “the king of the forest,” and it is no coincidence, because among Shishkin’s creations one can find many paintings depicting forest landscapes.

Paintings famous landscape painter difficult to confuse with the works of other artists. Nature on Shishkin’s canvases is shown selectively. The landscape artist painted it close up, emphasizing the rough bark of trees, the greenness of leaves, and roots protruding from the ground. If Aivazovsky preferred to depict the power of the elements, then Shishkin’s nature seems peaceful and calm.

(Painting "Rain in the forest")

The artist skillfully conveyed this feeling of calm through his canvases. He showed natural phenomena not so often. One of his paintings depicts rain in the forest. Otherwise, nature seems unshakable and almost eternal.

(Painting "Windfall")

Some canvases depict objects that survived the onslaught of the elements. For example, the artist has several canvases with the title "Windfall". The storm passed, leaving behind a pile of broken trees.

(Painting "View of the island of Valaam")

Shishkin loved the island of Valaam. This place inspired his creativity, so among the artist’s paintings you can find landscapes depicting views of Valaam. One of these paintings is “View on the Island of Valaam”. Some paintings with landscapes of the island belong to the early period of the artist’s work.

(Painting "Pine trees illuminated by the sun")

It is worth noting that from the very beginning Shishkin decided on the manner of depicting nature. He does not take large-scale objects and does not strive to show the entire forest, focusing on the “three pines”.

(Painting "Wilds")

(Painting "Rye")

(Painting "Oak Grove")

(Painting "Morning in pine forest" )

(Painting "Winter")

One of interesting paintings artist - "Wilds". The canvas depicts a section of forest untouched by man. This area lives its own life, even the ground on it is entirely covered with vegetation. If a person came to this place, he would feel like the hero of some mysterious Russian fairy tale. The artist concentrated on details, depicting the depths of the forest. He conveyed all the little details with amazing accuracy. On this canvas you can also see a fallen tree - a trace of the raging elements.

(Hall of paintings by Ivan Shishkin in the Tretyakov Gallery)

Today, many of Shishkin’s paintings can be seen in the famous Tretyakov Gallery. They still attract the attention of art connoisseurs. Shishkin painted not only Russian landscapes. The artist was also fascinated by the views of Switzerland. But Shishkin himself admitted that he was bored without Russian nature.

Days of free visits to the museum

Every Wednesday, entry to the permanent exhibition “Art of the 20th Century” and temporary exhibitions in ( Krymsky Val, 10) is free for visitors without an excursion (except for the project “Avant-garde in three dimensions: Goncharova and Malevich”).

The right to free access to exhibitions in the main building on Lavrushinsky Lane, Engineering Building, New Tretyakov Gallery, house-museum of V.M. Vasnetsov, museum-apartment of A.M. Vasnetsova is provided on the following days for certain categories of citizens in order general queue :

First and second Sunday of every month:

for students of higher educational institutions of the Russian Federation, regardless of the form of study (including foreign citizens-students of Russian universities, graduate students, adjuncts, residents, assistant trainees) upon presentation of a student card (does not apply to persons presenting student cards “student-trainee” );

for students of secondary and secondary specialized educational institutions (from 18 years old) (citizens of Russia and CIS countries). Students holding ISIC cards on the first and second Sunday of each month have the right to free admission to the “Art of the 20th Century” exhibition at the New Tretyakov Gallery.

every Saturday - for members large families(citizens of Russia and CIS countries).

Please note that conditions for free admission to temporary exhibitions may vary. Check the exhibition pages for more information.

Attention! At the Gallery's box office, entrance tickets are provided at a nominal value of “free” (upon presentation of the appropriate documents - for the above-mentioned visitors). In this case, all services of the Gallery, including excursion services, are paid in accordance with the established procedure.

Visit to the museum holidays

Dear visitors!

Please pay attention to the opening hours of the Tretyakov Gallery on holidays. There is a fee to visit.

Please note that entry with electronic tickets is on a first-come, first-served basis. With return policy electronic tickets you can find it at .

Congratulations on the upcoming holiday and we are waiting for you in the halls of the Tretyakov Gallery!

The right to preferential visits The Gallery, except in cases provided for by a separate order of the Gallery management, is provided upon presentation of documents confirming the right to preferential visits to:

pensioners (citizens of Russia and CIS countries),
full holders of the Order of Glory,
students of secondary and secondary specialized educational institutions (from 18 years old),
students of higher educational institutions of Russia, as well as foreign students studying at Russian universities (except for intern students),
members of large families (citizens of Russia and CIS countries).

Visitors to the above categories of citizens purchase a discount ticket first come first serve basis.

Free visit right The main and temporary exhibitions of the Gallery, except in cases provided for by a separate order of the Gallery’s management, are provided to the following categories of citizens upon presentation of documents confirming the right of free admission:

persons under 18 years of age;
students of faculties specializing in the field fine arts secondary specialized and higher educational institutions of Russia, regardless of the form of education (as well as foreign students studying at Russian universities). The clause does not apply to persons presenting student cards of “trainee students” (if there is no information about the faculty on the student card, a certificate from educational institution with the obligatory indication of the faculty);
veterans and disabled people of the Great Patriotic War, participants in hostilities, former minor prisoners of concentration camps, ghettos and other places of forced detention created by the fascists and their allies during the Second World War, illegally repressed and rehabilitated citizens (citizens of Russia and the CIS countries);
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disabled people of groups I and II, participants in the liquidation of the consequences of the disaster at the Chernobyl nuclear power plant (citizens of Russia and CIS countries);
one accompanying disabled person of group I (citizens of Russia and CIS countries);
one accompanying disabled child (citizens of Russia and CIS countries);
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employees of museums of the system of the Ministry of Culture of the Russian Federation and the relevant Departments of Culture, employees of the Ministry of Culture of the Russian Federation and ministries of culture of the constituent entities of the Russian Federation;
museum volunteers - entrance to the exhibition “Art of the 20th Century” (Krymsky Val, 10) and to the Museum-Apartment of A.M. Vasnetsova (citizens of Russia);
guides-translators who have an accreditation card of the Association of Guides-Translators and Tour Managers of Russia, including those accompanying a group of foreign tourists;
one teacher of an educational institution and one accompanying a group of students from secondary and secondary specialized educational institutions (with an excursion voucher or subscription); one teacher from an educational institution that has state accreditation educational activities during the agreed training session and having a special badge (citizens of Russia and CIS countries);
one accompanying a group of students or a group of conscripts (if they have an excursion package, subscription and during a training session) (Russian citizens).

Visitors to the above categories of citizens receive a “Free” entrance ticket.

Please note that the conditions for discounted admission to temporary exhibitions may vary. Check the exhibition pages for more information.

Ivan Shishkin. Morning in a pine forest. 1889 Tretyakov Gallery

“Morning in a Pine Forest” is the most famous painting Ivan Shishkin. No, take it higher. This is the most popular painting in Russia.

But this fact, it seems to me, brings little benefit to the masterpiece itself. It even harms him.

When it's too popular, it flashes everywhere. In every textbook. On candy wrappers (where the wild popularity of the painting began 100 years ago).

As a result, the viewer loses interest in the picture. We glance at her quickly with the thought “Oh, it’s her again...”. And we pass by.

For the same reason I didn’t write about her. Although I’ve been writing articles about masterpieces for several years now. And one might be surprised how I passed by this blockbuster. But now you know why.

I'm correcting myself. Because I want to look at Shishkin’s masterpiece with you more closely.

Why “Morning in a Pine Forest” is a masterpiece

Shishkin was a realist to the core. He depicted the forest very realistically. Choosing colors carefully. Such realism easily draws the viewer into the picture.

Just look at the color schemes.

Pale emerald pine needles in the shade. Light green color of young grass in the rays of the morning sun. Dark ocher pine needles on a fallen tree.

The fog is also made from a combination of different shades. Greenish in the shade. Bluish in the light. And turns yellow closer to the treetops.

Ivan Shishkin. Morning in a pine forest (fragment). 1889 Tretyakov Gallery, Moscow

All this complexity creates the overall impression of being in this forest. You feel this forest. And don't just see it. The craftsmanship is incredible.

But Shishkin’s paintings, alas, are often compared to photographs. Considering the master deeply old-fashioned. Why such realism if there are photo images?

I do not agree with this position. It is important what angle the artist chooses, what kind of lighting, what kind of fog and even moss. All this together reveals to us a piece of the forest from a special side. In a way we wouldn't see him. But we see through the eyes of an artist.

And through his gaze we experience pleasant emotions: delight, inspiration, nostalgia. And this is the point: to provoke the viewer to a spiritual response.

Savitsky – assistant or co-author of the masterpiece?

The story of Konstantin Savitsky’s co-authorship seems strange to me. In all sources you will read that Savitsky was an animal painter, which is why he volunteered to help his friend Shishkin. Like, such realistic bears are his merit.

But if you look at Savitsky’s works, you will immediately understand that animal painting is NOT his main genre.

He was typical. He often wrote about the poor. Helped with the help of paintings for the disadvantaged. Here is one of his outstanding works, “Meeting of an Icon.”

Konstantin Savitsky. Meeting the icon. 1878 Tretyakov Gallery.

Yes, in addition to the crowd, there are also horses. Savitsky really knew how to portray them very realistically.

But Shishkin also easily coped with a similar task, if you look at his animalistic works. In my opinion, he did no worse than Savitsky.

Ivan Shishkin. Goby. 1863 Tretyakov Gallery, Moscow

Therefore, it is not entirely clear why Shishkin commissioned Savitsky to write the bears. I'm sure he could handle it himself. They were friends. Perhaps this was an attempt to help a friend financially? Shishkin was more successful. He received serious money for his paintings.

For the bears, Savitsky received 1/4 of the fee from Shishkin - as much as 1000 rubles (with our money this is about 0.5 million rubles!) It is unlikely that Savitsky could have received such an amount for a whole own work.

Formally, Tretyakov was right. After all, Shishkin thought through the entire composition. Even the poses and positions of the bears. This is obvious if you look at the sketches.

Co-authorship as a phenomenon in Russian painting

Moreover, this is not the first such case in Russian painting. I immediately remembered Aivazovsky’s painting “Pushkin’s Farewell to the Sea.” Pushkin in the painting of the great marine painter was painted by... Ilya Repin.

But his name is not in the picture. Although these are not bears. But still great poet. Which needs to not only be depicted realistically. But to be expressive. So that the same farewell to the sea can be read in the eyes.

Ivan Aivazovsky (co-authored with I. Repin). Pushkin's farewell to the sea. 1877 All-Russian Museum A.S. Pushkin, St. Petersburg. Wikipedia.org

In my opinion, this is a more difficult task than depicting bears. Nevertheless, Repin did not insist on co-authorship. On the contrary, I was incredibly happy to work together with the great Aivazovsky.

Savitsky was prouder. I was offended by Tretyakov. But he continued to be friends with Shishkin.

But we cannot deny that without the bears this painting would not have become the artist's most recognizable painting. This would be another Shishkin masterpiece. Majestic and breathtaking landscape.

But he wouldn't be so popular. It was the bears who played their role. This means that Savitsky should not be completely discounted.

How to rediscover “Morning in a Pine Forest”

And in conclusion, I would like to return again to the problem of overdose of the image of a masterpiece. How can you look at it with fresh eyes?

I think it's possible. To do this, look at the little-known sketch for the painting.

Ivan Shishkin. Sketch for the painting “Morning in a Pine Forest.” 1889 Tretyakov Gallery, Moscow

It is done with quick strokes. The figures of the bears are only outlined and painted by Shishkin himself. Particularly impressive is the light in the form of golden vertical strokes.

Famous painting " Sosnovy Bor. Mast forest in Vyatka province"was written by I. I. Shishkin in 1872, during the offensive creative maturity. For it, the artist received his first prize from the Society of Traveling Artists.

The whole canvas seems to be permeated with bright sunlight. Slender giant pines bask in its warm rays. It seems as if you can smell earth and resin. A forest stream slowly flows along a clean bottom strewn with stones. The landscape is serene and bright in mood.

In the film “Pine Forest. Mast Forest in the Vyatka Province,” the artist fully reveals the charm of a mighty hundred-year-old forest on a clear sunny day - with its smells of moss and resin, with the quiet murmur of a stream and “bunnies” on tree trunks. The artist skillfully reveals the character of each flower, each blade of grass.

Shishkin strives for the most authentic depiction of the forest. But at the same time, he feels and loves nature so deeply that his landscape is much warmer and more spiritual than an ordinary good photograph. The artist seemed to capture the instantly changing state of nature and managed to convey to the viewer the magical mood that nature gave him at that moment.

With love, skill and not without a touch of subtle humor, Shishkin draws small figures of brown bears, probably interested in a hollow with wild bees. Everything that the artist offers us in this picture is not just a masterfully made image of a pine forest, but a wonderful “natural spectacle.”

Painting “Pine Forest. Mast Forest in the Vyatka Province" is one of Shishkin’s brightest works, although in terms of skill, the canvas is still inferior to the artist’s most mature canvases.

In addition to the description of I. I. Shishkin’s painting “Pine Forest. Mast forest in the Vyatka province”, our website contains many other descriptions of paintings by various artists, which can be used both in preparation for writing an essay on a painting, and simply for a more complete acquaintance with the work of famous masters of the past.

Bead weaving

Bead weaving is not only a way to occupy a child’s free time with productive activities, but also an opportunity to make interesting jewelry and souvenirs with your own hands.

January 13 (25), 1832, 180 years ago, the future outstanding Russian landscape artist, painter, draftsman and engraver-aquafortist was born Ivan Ivanovich Shishkin.

Shishkin was born in small town Elabuga, on the banks of the Kama River. The dense coniferous forests surrounding this city and the harsh nature of the Urals captivated young Shishkin.

Of all types of painting, Shishkin preferred landscape. "...Nature is always new... and always ready to give with an inexhaustible supply of its gifts, which we call life... What can be better than nature..." - he writes in his diary.

Close communication with nature and careful study of it awakened in the young nature researcher the desire to capture it as reliably as possible. “Only unconditional imitation of nature,” he writes in his student album, “can fully satisfy the requirements of a landscape painter, and the most important thing for a landscape painter is a diligent study of nature, - as a result of this, painting from life should be without imagination.”

Just three months after entering the St. Petersburg Academy of Arts, Shishkin attracted the attention of professors with his natural landscape drawings. He was anxiously awaiting his first exam at the Academy, and his joy was great when he was awarded a small silver medal for the painting “View in the Outskirts of St. Petersburg” submitted to the competition. According to him, he wanted to express in the painting “fidelity, similarity, portraiture of the depicted nature and convey the life of a hot-breathing nature.”

Painted in 1865, the painting “View in the vicinity of Düsseldorf” brought the artist the title of academician.

By this time they were already talking about him as a talented and virtuoso draftsman. His pen drawings, executed with the smallest strokes, with filigree finishing of details, surprised and amazed viewers both in Russia and abroad. Two such drawings were acquired by the Düsseldorf Museum.

Lively, sociable, charming, active Shishkin was surrounded by the attention of his comrades. I. E. Repin, who attended the famous “Thursdays” of the St. Petersburg Artel of Artists, spoke about him later: “The voice of the hero I. I. Shishkin was heard louder than anyone else: like a green mighty forest, he amazed everyone with his health, good appetite and truthful Russian speech He drew a lot of his excellent drawings with a pen at these evenings. The audience used to gasp behind his back when he, with his powerful paws of a crowbar and clumsy fingers calloused from work, began to distort and erase his brilliant drawing, and the drawing seemed like a miracle or some kind of magic. rough treatment the author emerges more and more gracefully and brilliantly.”

Already at the first exhibition of the Wanderers, Shishkin’s famous painting “Pine Forest. Mast Forest in the Vyatka Province” appeared. The viewer is presented with the image of a majestic, mighty Russian forest. Looking at the picture, one gets the impression of deep peace, which is not disturbed either by bears near a tree with a beehive, or by a bird flying high in the sky. Notice how beautifully the trunks of old pines are painted: each has “its own character” and “its own face”, but in general - the impression of a single world of nature, full of inexhaustible vitality. A leisurely detailed story, an abundance of details along with the identification of the typical, characteristic, integrity of the captured image, simplicity and accessibility artistic language- these are distinctive features This painting, as well as the artist’s subsequent works, invariably attracted the attention of viewers at exhibitions of the Association of Itinerants.

IN best paintings Shishkin I. I., created by the end of the 70s and in the 80s, a monumental epic beginning is felt. The paintings convey the solemn beauty and power of the endless Russian forests. Shishkin’s life-affirming works are in tune with the worldview of the people, connecting the idea of happiness and contentment human life with the power and richness of nature. On one of the artist's sketches you can see the following inscription: "... Expanse, space, land. Rye... Grace. Russian wealth." A worthy conclusion to Shishkin’s integral and original work was the 1898 painting “Ship Grove”.

In Shishkin's painting "Polesie" contemporaries pointed out that the artist was unable to achieve the perfection in color that distinguished the artist's drawings. N. I. Murashko noted that he would like to see more light in the painting “Polesie” “with its golden play, with its thousand sometimes reddish, sometimes airy-bluish transitions.”

However, the fact that color began to play a much larger role in his works of the 80s did not escape the attention of his contemporaries. In this regard, the highest appreciation of the picturesque qualities of Shishkin’s famous sketch “Pines illuminated by the sun” is important.

While working as a professor, Shishkin required painstaking preliminary work on location from his students. In winter, when I had to work indoors, I forced novice artists to make copy-paints from photographs. Shishkin found that such work contributed to the comprehension of the forms of nature and helped to improve drawing. He believed that only a long, intense study of nature could eventually open the way for a landscape painter to create independently. In addition, Shishkin noted that a mediocre person will slavishly copy it, while “a person with instinct will take what he needs.” However, he did not take into account that copying individual details from photographs taken outside their natural environment does not bring them closer, but rather distances them from the deep knowledge of it that he sought from his students.

By 1883, the artist was at the dawn of his creative powers. It was at this time that Shishkin created the major canvas “Among the Flat Valley...”, which can be considered classic in its completeness artistic image, completeness, monumentality of sound. Contemporaries admired the merits of the painting, noticing an essential feature of this work: it reveals those features of natural life that are dear and close to any Russian person, correspond to his aesthetic ideal and are captured in folk song.

Death suddenly crept up on the artist. He died at his easel on March 8 (20), 1898, while working on the painting “Forest Kingdom.”

A great painter, a brilliant draftsman and etcher, he left a huge artistic heritage.

According to the book "Ivan Ivanovich Shishkin" compiled by I. N. Shuvalova

Paintings by Shishkin I.I.