Easy pencil drawing of face. How to draw a person's face with a pencil. Step-by-step drawing training, master classes

If you are drawing male portrait, then remember that there are a number of features that distinguish between drawing a male and a male.

You need to remember about male facial features, the expression of individual parts of the face, rougher and clearer lines. You need to draw a man’s face in such a way that the portrait conveys the man’s individuality, his character and masculinity.

Where to start drawing?

To begin, draw a circle, lightly touching it with the tool you are drawing with.

It’s most convenient to draw a man’s face with a pencil, so arm yourself with a hard-soft one (TM) with a simple pencil.

This method should be used if the person is facing directly towards you.

Sketch the lines of the cheeks, cheekbones, chin and jaw.

For this light movements determine the future location of these parts of the face.

How to identify parts of a face in a portrait?

To do this, use light strokes to draw lines that will determine the location of the ears, mouth, nose, eyes and eyebrows.

Parts of the face

After this, draw the shape of the parts of the face, giving them the required dimensions.

Don't press the tool too hard, as this is not the final version of your portrait. You may need to make adjustments, which are easier to make if there are no traces of previous lines left on the paper.

Hair and neck

After you have drawn the parts of the face, it's time to move on to the hair and neck.

To do this, also use light lines to depict the future hairstyle and define the neck. Remember that the neck should not be very thin. Start drawing approximately from the middle of the cheekbones.

Selecting parts of the face

Get a tool that has a finer tip than you have previously used.

Draw all parts of the face, including hair and neck.

Finishing drawing parts of the face

You need to draw the final outline that will be present in the final portrait.

For this purpose the tool desired color outline the portrait and those parts of the face that require emphasis and highlighting.

Preparing a portrait for color design

Before you start framing your portrait, prepare it. To do this, use an eraser to remove all auxiliary lines and strokes.

Ultimately, you should have a finished drawing in front of you, but without color design yet.

Portrait design

If you decide to paint a portrait in color, then take the necessary palette of colors and apply the desired shades to parts of the face.

If you want to leave the portrait in black and white, then it’s time to move on to applying shadows.

Shadows in a portrait

Correctly drawn shadows can add masculinity to a man’s face and make individual parts of the face, such as eyes, lips or chin, more expressive.

Using stroke movements, apply shadows to the area of the eyes, cheekbones, chin, neck, do not forget to draw facial wrinkles and put shadows in the corners of the mouth.

Very often, beginning artists neglect the study of the human skeleton and musculature, mistakenly believing that “it will work out just fine.” But ignorance of human anatomy leads to the fact that the drawn person turns out to be unconvincing, and his facial expressions and movements look unnatural.

Therefore, today we will look at the basic principles that you should follow if you want to draw a good and high-quality portrait.

1. Facial proportions

The skull and jaw are a slightly flattened sphere, so when looking at a human face from the front we see something like an egg turned upside down with its narrow side down. Two perpendicular lines running down the middle divide this egg into four parts. Let's look at the details:

Mark the midpoints of the right and left halves of the horizontal line. The eyes will be located exactly at these points.
Divide the bottom half of the vertical line into five parts. The bottom of the nose will be located on the second mark from the top, and the line where the lips meet will be located one point below.
Divide the top half of the vertical line into four parts. The hairline will be located at the second or third mark, this feature varies. The ears are located between the upper eyelid and the tip of the nose, but this rule is only true when the face is not down or up.

Helpful hint: The width of the face is usually the width of five eyes or a little less. The distance between the eyes is equal to the width of one eye. Very rarely in people this distance differs very much from the standard, but this feature will be quite easy to notice. The distance between the lower lip and chin is also equal to the length of one eye.

Another way to measure is to use the distance between the tip of the thumb and index finger. The figure below shows which distances can be measured in this way: ear height, distance from hairline to eyebrows, from eyebrow to nose, from nose to chin and from pupil to pupil.

Profile

In profile we can still see the shape of the egg, but its sharp side points towards the corner. Lines now divide the head into the face and skull.

On the skull:

The ear is located just behind the vertical line. In size and location, it is still located between the upper eyelid and the tip of the nose.
The depth of the skull varies within the limits indicated in the picture below in point 4 with dotted lines.

Everything is located as indicated above.
The root of the nose coincides with the horizontal line or is slightly higher
The most convex part is the first point above the horizontal line that marks the line of the eyebrows.

2. Features

Eyes and eyebrows

The eye is simply two arches joined into an almond shape. There is no specific rule in drawing eyes, because the shape of the eyes can be different, and there are a lot of such shapes, but we can notice the following trends:

The outer corner of the eye can be higher than the inner corner, but not vice versa.
If the eye shape is almond, then the rounded part of the eye will be closer to the inner corner, and the elongated part will be closer to the outer corner.

Eye details

The iris is partially hidden under the outer eyelid. It only touches the lower eyelid if the person is looking down, or if the eye is built so that the lower eyelid is higher than usual.
Eyelashes grow from the inside out, not the other way around, and this is very important when drawing so that they look natural. The eyelashes on the lower eyelid are shorter.
When trying to draw all the little details (tear ducts, lower eyelid, etc.), remember that detailed drawing does not always mean that the result will be beautiful.

In profile, the eye takes the shape of an arrowhead (with convex or concave sides), with a slight hint of the upper and possibly lower eyelid. IN real life you will not see the iris from the side, you will only see the white of the eye. But an eye without an iris looks strange, so draw at least a hint of it.

As for the eyebrows, the easiest way to draw them is to follow the arch of the upper eyelid. Often the widest part of the eyebrow is closer to the inner part, and the “tail” tending towards the outer part of the eye gradually becomes thinner.

If you look in profile, the shape of the eyebrows changes dramatically and becomes more like a comma. The eyebrow begins where the tips of the eyelashes are located.

The human nose is approximately wedge-shaped, it is quite easy to imagine and draw it in volumetric form before drawing in the details.

The dorsum and wings of the nose are flat surfaces that are only outlined at the end, but it is still very important to take these surfaces into account when sketching in order to correctly calculate the proportions. The lower flat part of our wedge in the form of a truncated triangle connects to the wings and the tip of the nose. The wings fold inwards towards the septum to form the nostrils - note that the ventral view shows how the septum begins before the wings and connects to the face. It projects lower than the wings when we look at the nose in profile, which means that in the 3/4 view the far nostril is hidden by the septum.

Just as in the case of eyes, detailing does not always give good result. Therefore, it is more important to work out the proportions than to pore over details that can ultimately disfigure the drawing. When drawing from the front, the nose looks better if you draw only the lower part. If you are drawing a 3/4 view, then most likely you will be better off drawing the line of the bridge of the nose. You'll have to look at and study a lot of noses to figure out how and when to portray it.

Lips

The line where the lips meet should be drawn first, as it is the longest and darkest line of the three that form the mouth. It's not just a wavy line, but a whole series of thin curves. In the picture below you can see an exaggerated example that will explain to you the movement of the mouth line. Note that there are different lip shapes and that the base line can reflect the lower or upper lip. Lips can be softened in different ways. The line in the middle can be very straight to reflect a sharp look, or very blurry to weaken the lips. It all depends on the shape of the lips, how plump they are. If you want to achieve symmetry, start from the center and draw one half of the lip, and then the other.
Two top tips upper lip- the most obvious parts of the mouth, but they can also be either pronounced or practically follow one line.
The lower lip has a soft arch, but can also vary from almost straight to very rounded.
The upper lip is usually thinner than the lower lip and sticks out less from the overall topography of the face than the lower lip. Try to highlight the upper lip with strokes.
The sides of the lips are shaped like an arrowhead, and the fact that the upper lip protrudes slightly forward in this place can be seen very clearly.
The midline of the mouth at the ends deviates downward from the lips. Even if the person smiles, it curves down before going up again. Never draw this line straight up if you are drawing a face in profile.

The most important part of the ear is the long C-shaped outer line. The inside of the ear is like an inverted U. There is also a similar curve just above the earlobe, connected to a small C-shaped arch. In general, the shape of the ear also varies.

When we see the face from the front, the ears are visible in profile:

The rim, which was previously U-shaped, is now a separate part - as happens when we look at the plate from the side and see its bottom.
The earlobe will look more like a drop and will stand out.
How thin the ear line needs to be drawn depends on how close the ears are to the head.

If you look at the head from behind, the ear looks as if separated from the head: the rim is attached to the head by a funnel. Don't be afraid to draw the funnel too big, as it really isn't small.

3. Angle

Being shaped like a ball with a few minor changes, the head is easier to draw than expected. But despite this, you need to study how it looks from different angles. Of course, the appearance of the nose changes first, but the eyebrows, cheekbones, central part of the mouth and chin also change.

When we drew the face in front and profile, we practically simplified it to a two-dimensional plane. For other viewing angles, we need to think in three-dimensional space.

Look down

All parts are rounded upward and the ears also move upward.
Since the nose protrudes forward, it protrudes from common line face and its tip is closer to the mouth.
The eyebrow curve becomes smoother. In order for it to take a reverse bend, you need to turn your face in some particularly unusual way.
The upper eyelid becomes more visible and covers most of the eyeball.
The upper lip almost disappears, and the lower one sticks out more.
Notice that since the mouth follows a general curve, it appears as if a smile has appeared on the person's face.

Look up

All parts are rounded down and the ears are also moved down.
The upper lip becomes fully visible and the mouth appears fuller.
The brow line becomes more rounded, but the lower eyelid curves downwards, giving the effect of an edgy look.
The lower part of the nose is clearly visible, and the nostrils are also clearly visible.

Turn sideways

When a person is seen almost from the back, all that is visible is the protruding line of the eyebrows and cheekbones. The neck line protrudes and tends towards the ear. Eyelashes are the next thing that is visible when a person turns his face.

Then part of the eyebrow appears, and the ridge of the lower eyelid and the tip of the nose protruding from behind the cheek become visible.

When the face is already turned almost in profile, the eyeball and lips become visible (but the middle line of the mouth is still small), and the neck line merges with the chin line into one line. You can still see part of the cheek where the nostril hides.

Here you will find step by step instructions how to draw a person’s face, let’s look at the simplest version of drawing a face, and then try to draw a girl’s face, which will help you understand in more detail the nuances of drawing a person’s face.

Drawing the proportions of a person’s face: Full face

1. Draw a circle. Then we finish drawing an oval or even an egg shape, pointed at the bottom.
2. Draw two lines perpendicular to the center that divide the “egg” into four parts. To distribute facial features.
3. Mark the midpoints of the left and right halves of the horizontal line. There will be eyes at these points.

4. Divide the vertical bottom line into five equal parts. The tip of the nose will be at the second point from the center. The lip fold will be at the third point from the center, one point lower from the tip of the nose.
5. Divide the top half of the head into four equal parts: the hairline (if the person does not have a receding hairline) will be located between the second and third point from the center. The ear will be located between the upper eyelid and the tip of the nose (if the face is at the same level). When a person looks up or down, the position of the ears changes.
6. The face is ready!

And now we will try to draw the girl’s face

1. First of all, draw an oval. Try to make this oval fairly even. Divide the face with a horizontal line into two equal parts. In the future, eyes will appear on this line.
2. Now we mark with straight lines the location of the lips, nose and eyebrows. Please note that the distances from the bottom of the chin to the beginning of the nose, from the nose to the eyebrows and from the eyebrows to the hairline are approximately equal. I marked these segments to the right of the head for clarity. And one more thing - all these lines are parallel to each other. They should not go awry, otherwise the face will be very far from ideal.
3. Now let's start drawing the eyes. The outer and inner corners of the eyes, as a rule, are at different levels. We will draw eyes, the inner corners of which are slightly lower than the outer ones. Above the already drawn eye line, mark the height of the outer corners. We also draw the middle line of the face, dividing the oval into two equal parts: right and left.
4. Now we mark two small vertical segments on the bridge of the nose - the distance between the eyes. The right and left segments should be equal in length, because the human face is quite symmetrical. Now we measure the resulting double segment and put the same distance to the right and left of it - these will be the eyes. The distance between the eyes is approximately equal to the length of the eye. There should be some free space between the eye and the outline of the oval (where the temples are located). If this space is not available, and the eyes rest on the lines of the oval, reduce the distance between the eyes and, accordingly, the shape of the eyes.
5. Now let's mark the nose and lips. Look at your nose. Where is it widest? That's right, where the wings of the nose are located. If we lower vertical straight lines from the inner corners of the eyes, we can determine the location of the wings of the nose. Of course, people's faces are very different from each other. Some people have very wide noses, while others have small noses. We are drawing an average face, so the width of the nose is exactly that. At the same stage we mark the outer corners of the lips. To do this, lower straight lines down from approximately the middle of each eye.
6. We begin to draw the eyes on the girl’s face. The inner corners of the eyes are slightly higher. The iris of the eye (the colored circle in the middle) is not entirely visible. Its upper part is slightly hidden under the upper eyelid, and the lower part lies on the lower eyelid.
7. Now we draw the upper and lower eyelids on the eyes. They follow the contours of the girl's eyes. Let's work a little on the structure of the nose. First, we draw the wings of the nose using rounded lines. Secondly, we mark with a small circle the most prominent part of the nose - the tip.

8. Now let's draw the bridge of the nose. At eye level or slightly above is the thinnest part of the nose. To the bottom and to the top of this line, the nose widens. This shape is somewhat reminiscent hourglass. We also draw the nostrils.
9. Now we will draw the girl’s lips. We already have the middle line of the lips. We will modify it a little by rounding the middle part. Then draw the outline of the upper lip with a hollow in the middle.
10. If you want to draw a half-open mouth, then you need to leave a small distance between the upper and lower lip. And then draw a plump lower lip with a rounded line.
11. In order to make the girl’s face more expressive, it is necessary to draw eyebrows. We have a line indicating the location of the eyebrows. Of course, the eyebrows will not be straight like this line. They are always curved. The eyebrows rise from the nose towards the temples. Using the shape of the eyebrows, you can depict facial expressions. If you raise the inner corners of the eyebrows higher than the outer ones, we will get a sad or even crying face. Conversely, to draw an angry face, you need to bring your eyebrows to the bridge of your nose.
12. It's time to clarify the contours of the face. The girl's face cannot be a regular oval; it has reliefs. At the level of the cheekbones, the face will be widest.
13. Now let's draw the hairstyle. The girl has loose wavy hair. Our hairline is marked. Here will be the “beginning” of our hairstyle.

14. Draw the height of the girl’s hairstyle. She has quite voluminous hair.
15. At this stage you can start shading the drawing. We look at the photo or the reflection of the face in the mirror. In what places is the face darkened? We shade the areas with even lines without pressing the pencil. We darken the iris of the eyes, not forgetting to leave highlights of light.
16. On top of the first layer of shading, apply the next one where the shadows are darker.
17. We shade not only the face, but also the hair.
18. At the last stage we will use soft pencil. I took a 5B pencil. To make the face more expressive, let’s focus on the eyes, eyebrows and lips. Darken the iris and lash line (especially the upper ones). Also darken the corners of your lips and the hair on the sides of your face.

Well, you’ve almost learned how to draw a person’s face, now all you have to do is practice. To do this, you can sit in front of the mirror and take your self-portrait, or take a photograph and try to redraw the portrait of another person.
The most important thing is never stop in the middle, if you didn’t get some part of the face (nose, lips, eyes or something else), still continue to draw the entire portrait to the end, and only then start drawing again. Remember skill comes with experience!

When working with nature, the light should not be too bright and should fall slightly above the person’s head. Because of this, the light will fall in such a way that it will be easier for you to depict the main features of a person. If the light source is too bright, then our nature will have to wrinkle our eyes and unnaturally tense some muscles, we don’t need this, so watch the light source.

Drawing proceeds from the general to the specific. That is, we outline the basis and then detail it.

Carefully study the characteristic shapes of the person you are drawing. Even if you draw from a picture, you should still study it carefully.

Even if you make a beautiful nose. eyes or mouth, but general forms the heads will not correspond to reality, then the work can be considered unsuccessful.

Once you have analyzed common features face, it's time to analyze the small elements: eyes, ears, nose and mouth.

Eyes are a very important element. They convey character, emotions, physical and psychological state generally. Pay attention to the eyelashes. Don't forget about eyebrows. They are very good at showing when someone is angry or sad.

The ears are drawn almost identically. This is not the most important part, but still...
They are usually depicted in line with the nose.

Drawing a nose is not as easy as it seems; it is a rather difficult part of the face to depict. Another challenge is that people have different noses. Once you learn to draw one type masterfully, you may not be able to draw another type masterfully as well.

The lips or mouth are also a very expressive part, despite the fact that they are drawn almost identically. Depending on gender and race, lips can be thin or thicker.
The upper and lower lips can be approximately the same size. It is also possible that the lower lip will be larger than the upper and vice versa.

The topic of this article is devoted to how to draw a portrait with a pencil step by step for beginners. Each of us is looking for a convenient way to depict what he sees. Therefore, I want to offer an option on how to draw a portrait of a person, be it a loved one, or a person sitting opposite on the train, or it will be portraits of celebrities. In this version, there is only one rule - simplicity.

And today is a training lesson. We will draw a person’s face with a pencil step by step, a person whom you see every day; you are used to “working” a little on his appearance, trying on makeup or a smile, severity or tenderness. We draw the face you know as your reflection in the mirror.

But first, let's get a mirror and look at ourselves like for the first time. All people are similar, and at the same moment different, and you are no exception. What makes us similar? Everyone has healthy person there are two eyes, a mouth, a nose, ears, eyebrows, hair arranged in a hairstyle. What makes us different? The shape, size and location of these “details” of human appearance. So, a portrait is a kind of collage or puzzle of several passages, which we will “break down” into the plan of our work: Eyes; Mouth; Nose; Ears; Brows; Hair (hairstyle) and oval face.

And all this has its own shape, size and its own proportions of location on the face. This is what makes each of us “one of a kind” and unlike anyone else. And if we learn to draw a portrait a certain person, then it would be good to first pay attention to the shape and type of each element of the face in detail. And only after this our final goal, and this is a portrait with colored pencils, will become more accessible.

We will first practice drawing all the details with a simple pencil. And also, please note, I draw myself and my eyes. You can practice drawing mine for now, but this will be an intermediate step on the way to understanding how to learn how to draw portraits with a pencil.

Step 1

Here we will draw an arc with a pencil. At the same time, pay attention to its shape. It is extended until the middle, and then “rolls” down.

Step 2

The lower arc is almost perfect. It is smaller than the top one.

Step 3

We connect the arches and perform the upper eyelid.

Step 4

Cornea and lower eyelid.

Step 5

Eyelashes appear on the upper and lower eyelids and the pupil.

Step 6

We make small folds near the eyes and mark the places where the shadow falls, making the eye seem voluminous.