Explanation between Bazarov and Odintsova, declaration of love. Why Odintsova refused love to Bazarov (Turgenev I.S.). Bazarov and Odintsova: relationships and love story Was there real love between Bazarov and Odintsova?

The writer's attitude towards the main character of Fathers and Sons is very difficult. Where Bazarov branded inflated, abstract “principles” with ridicule, he wins. And the author shares his position. But then Bazarov finds himself in an unusual situation for himself - he falls in love, that is, he enters that refined sphere, the existence of which he always denied. There is no trace of his confidence left. Before the reader is a completely different person. Is it by chance that the denier of sublime feelings ends up in their captivity? With his arrival at the Odintsov estate, Bazarov’s confusion begins, his internal state. Not without a grin, he thinks: “how humble I have become,” and after staying in the estate for “fifteen days,” he began to experience unprecedented anxiety: “he was easily irritated, he spoke reluctantly.” Romantic streak Bazarov also considers the spiritual sophistication of a love feeling: “No, brother, all this is licentiousness and emptiness. We physiologists know what these relationships are.” Love for Odintsova is the beginning of tragic retribution for the arrogant Bazarov: love splits his soul into two halves. From now on, two people live and act in it. One of them is a convinced opponent of romantic feelings, a denier of the spiritual nature of love. The other is a passionately and spiritually loving person, who for the first time encountered the true mystery of this high feeling: “He could easily cope with his blood, but something else took possession of him, which he never allowed, which he always mocked, which outraged all of him.” pride". More recently, he remarked to Madame Odintsova: “What a rich body! At least now to the anatomical theater.” Now the time has come for excited thoughts... And as soon as Odintsova allows him to be frank, he admits in a passionate outburst: “So know that I love you stupidly, madly.” Bazarov is overwhelmed by emotion. “A passion beat within him, strong, heavy, a passion similar to anger and, perhaps, akin to it.” And Odintsova, under the influence of “fading life, the desire for novelty... forced herself to reach famous trait” and calmly retreated. After his confession, Bazarov “did not sleep or smoke all night, and had eaten almost nothing for several days. His thinner profile stood out gloomily and sharply from under his pulled cap.”

In the outcome of these people’s explanations, everything is indicative: the heterogeneity of experiences, the polarity life attitudes Finally, the main thing is the significance of what happened for their fate. Odintsova again retreats into her cozy little world, and later enters into a profitable marriage “out of conviction.” Bazarov painfully feels the loss, tries to talk to her again, forces himself to call love a “feigned feeling,” but before his death he says goodbye to Odintsova, as if he was saying goodbye to the beauty of life itself, calling love the “form” of human existence. Material from the site

Bazarov’s experiences, their passion, and integrity evoke our admiration. And in a love conflict he looks like a person. Rejected, he achieved a moral victory over a selfish woman. We are witnessing another of Bazarov’s abilities for deeply critical introspection and rethinking of previous beliefs. Everything that he rejected: daydreaming, love of philosophy, poetry - these, it turns out, are not the idle pursuits of aristocrats, as Bazarov thought, but an eternal quality human nature, culture. Life turned out to be more complicated than what “physiologists” know about it. For Bazarov, the time of reassessment of values ​​is coming; let’s face it, it’s not an easy time. All Turgenev's heroes undergo the test of love - a kind of test of viability. Love, according to Turgenev, is tragic because both the weak and the weak are defenseless before its elemental power. strong man. Love often whimsically disposes human destiny, but ideally it makes a person stronger and more beautiful. After Bazarov’s recognition by Odintsova, our attitude towards Turgenev’s hero changes for the better, but, unfortunately, we understand that these people could not be together.

Almost like Pushkin, Bazarov says goodbye to Odintsova and says in the language of a poet: “Blow on the dying lamp and let it go out.” Bazarov's love made him closer and more understandable to readers, but did not bring Odintsova closer to him...

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On this page there is material on the following topics:

• Why couldn’t Bazarov and Odintsova be together?
• Why didn’t the love between Bazarov and Odintsova happen?
• How the bazaars are changing in Odintsova’s estate
• essay: Could Bazarov and Odintsov be together?
• why Odintsova rejected Bazarov's love

One of the most important moments of Turgenev's work Fathers and Sons is Bazarov's explanation with Odintsova. It is at this moment that we can understand what Bazarov represents, but even more importantly Odintsov. Here you can catch their intentions and feelings that lie deep in the heart.

So, Bazarov was visiting Odintsova. And one morning Anna Sergeevna called her guest into her room to talk, to better find out what was going on inside him.

They talked about happiness. Odintsova claimed that she never felt truly happy. She noticed that Bazarov was also somewhat depressed. Having asked him about the reasons for his meager mood, she heard a declaration of love. I think Odintsova had already guessed about Bazarov’s feelings, but tried not to notice it. She understood that somewhere deep inside her there was the same feeling for Bazarov. But she rejects her, explaining that she wants a quiet life.

For Bazarov, this recognition meant a lot. He pronounces these words not with the intonation of a winner, but rather with the intonation of a loser. After all, this recognition put an end to his ideological considerations. Everything he believed in before collapsed in an instant.

So, in this passage we got to know the characters from a different perspective. I really liked Bazarov here, and I was able to express sympathy for this hero. And Odintsova really disappointed me. After all, she loved Bazarov. If she had not been afraid and surrendered to the will of her feelings, everything could have ended completely differently.

Updated: 2017-07-24

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Never. Both of these figures are too tragic for the formula “they lived happily ever after and died on the same day” to be applied to them. In general, it is impossible to imagine Bazarov in the role of a faithful husband or a gentle father. Odintsova herself, apparently, is not capable of love, if she could not fall in love with a person who was suitable for her in every sense, like Evgeny Bazarov. Besides, that's two too many strong character: they will not be able to suppress each other, and will not agree to obey.

The love for Odintsova is so strong that it managed to break all the vaunted principles and beliefs of Bazarov. He considered himself a strong, unbending personality, but he turned out to be an ordinary person, subject to ordinary feelings.

Having met Odintsova, he is lost from the very beginning and begins to behave insecurely and unnaturally. One has only to remember how, trying to hide from himself the embarrassment caused in him by this unfamiliar, mysterious and beautiful woman, tries to get rid of Arkady with cynical phrases. But he doesn’t believe himself, calling Odintsova a woman and praising her “rich” body. In fact, his feelings are much more sublime than he could have expected from himself. This angers Bazarov. He, at first, if he was counting on something, was no more than a petty affair with a woman he liked, fell under her power. The more time Bazarov spends with Odintsova, the more he falls in love with her. This is not surprising. Only such a woman, smart, strong, strong-willed, could be loved by a self-confident man like Evgeny Bazarov. He begins to do things completely out of character for him. For example, he diplomatically diverts Arkady’s attention from Anna Sergeevna and tries to direct it to Katya. Although even without this, Bazarov in Odintsova’s eyes stands immeasurably higher than Arkady Kirsanov; she prefers his company, conversations and walks with him. There is only one obstacle to their relationship. This is Anna Sergeevna herself. She is independent, too much so, and she is lonely by nature. This can be heard even in the sound of her last name.

For Odintsova, the relationship with Bazarov is just a game. True, she enjoys this game, she likes Bazarov, she is interested in him. They understand each other amazingly. Only Odintsova plays all the time, and Bazarov is serious. This is a huge difference between them. Anna Sergeevna, continuing the game, calls Bazarov for an explanation, practically wresting a declaration of love from him. The most surprising thing is that for her, his confession turns out to be completely unexpected and frightening. Her game suddenly stopped, she realized that what was happening now was serious, and she shouldn’t joke with such a terrible person in moments of passion.

From that evening, when the explanation took place, Bazarov’s unbearable torment began. Before this, at least a small hope for reciprocity lived in his heart, like any lover. The hero, without even wanting it, falls under the influence of romanticism, which he so hates.

Pisarev, in his article about Bazarov, analyzes his relationship with Odintsova, the hero’s love for her. He writes that Bazarov will never subject his love to any conditions. He will not be able to restrain himself, and if he loves, then he will love with all his soul, without any compromises or concessions on the part of the woman. Of course, Odintsova could condescend to him and take pity on him, but he would feel the falseness in her. He wouldn't need such a relationship. His feelings are serious, and he needs a serious answer to them. But Odintsova has a completely different character, a completely different soul. She was married, but for convenience. At the end of the novel, Churgspev mentions another marriage of hers and even makes the assumption that the spouses will be able to love each other, or, rather, “will live to love.” But it is much more likely that Odintsova will never be able to experience this feeling.

After the explanation, Bazarov sees Odintsova two more times. When he visits her on the estate, they try to behave like adults, serious, self-controlled people. In other words, they pretend that their conversation did not play any role. They themselves believe their own words. But neither one nor the other can forget that painful moment. Another thing is that Bazarov, a person with an iron will, knows how to control, if not his feelings, then his actions. He doesn't need pity or condescension. If he cannot receive in return what he himself gives, then it is better for him to abandon any attempts at rapprochement and leave.

Bazarov turns out to be broken by this love. At the end of the novel we see him in a state of extreme depression and depression. He either works feverishly or does nothing at all. It was difficult to imagine such an outcome at the beginning of the book. It seemed that Bazarov was generally incapable of sentimentality, love or despair. He denied everything, but he could not deny love and death. They were the ones who denied it.

His misfortune is that he could not fall in love with a woman other than Odintsov. Her misfortune is that a woman like her could not respond to Bazarov’s feelings. These two characters, by definition, had to be unhappy. And so it happened. They couldn't be happy apart, but they couldn't be happy together either. By and large, Bazarov's death is the best way out for him. As for Odintsova, she remained lonely among those around her for the rest of her life. She was too alien to reality.

Turgenev always believed that it is love that tests a person, and therefore love line Bazarov - Odintsova is very important for understanding the novel as a whole. From the moment of its emergence, the concrete historical line of plot development is transformed into a moral and philosophical one, ideological disputes are replaced by questions posed by life itself, and the character of the hero becomes more complex and contradictory. He, who denied the romance of love, himself fell romantically, hopelessly in love. His feelings and previous beliefs come into conflict, which makes the relationship with Odintsova complex and sometimes painful for the hero.

The beautiful Anna Sergeevna Odintsova is a strong, deep, independent nature, endowed with a developed mind, but at the same time she is cold and selfish. In some ways she is similar to Bazarov: like him, she treats other people condescendingly, feeling her superiority over them. She is the only one in the novel who correctly understood the complex and contradictory character of Bazarov, appreciated him, and understood the depth and strength of the feeling that arose in him. It would seem that all this could lead to a strong alliance of heroes. After all, both of them are, in fact, very lonely. Odintsova, like Bazarov, feels that the powers of her rich nature remain unrealized.

But what awaits her and Bazarov? The scene of the hero's declaration of love shows that there is no harmony in their relationship and cannot be. It is not for nothing that Anna Sergeevna is so frightened by some hidden, but sometimes emerging, formidable force hidden in Bazarov. He has the courage to admit that he is in love, like a real romantic, but the consciousness of this makes him angry - either at himself or at Odintsova. On the other hand, she herself does not have enough courage and determination to connect her fate with him. Instead of a busy, unpredictable, but extremely difficult life with this extraordinary man, she prefers a somewhat boring, but very comfortable existence in the familiar conditions of a wealthy aristocratic circle. At the end of the novel, we learn that Anna Sergeevna married very successfully and is quite satisfied with her life. So the responsibility for the unfulfilled relationship with Bazarov lies with her.

And only the scene of the hero’s death removes those acute contradictions that were so clearly manifested in his love for Odintsova. Maybe only during last date With Bazarov dying, she realized that she had lost the most valuable thing in her life. He no longer tries to resist his feeling, and it results in a poetic confession: “Blow on the dying lamp and let it go out.” But this harmony illuminates the heroes only for a short moment, who were never able to bring it to life.

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Nihilist Bazarov and love are incompatible things. But suddenly Odintsova appears in his life. After the ball, he realized “that something was wrong here.” And after the first minutes of a closer acquaintance with Odintsova, he was bewitched by her beauty and intelligence. Anna Sergeevna was so smart that Bazarov would be interested in communicating with her, and so beautiful that he would like him. When one person is interested in another, when he likes him, love arises. This is what began to happen to him: he suddenly became verbose, “trying to keep his interlocutor busy.” When the friends returned home after this meeting, Evgeny, still trying to get out of Odintsova’s power, already recognizes her beauty and anticipates Arkady’s desire to go to Nikolskoye. Soon Bazarov realized that he had fallen in love. And he tried with all his might to eradicate in himself this knightly “feeling that tormented and enraged him and which he would have rejected with contemptuous laughter and cynical abuse if anyone had even remotely hinted to him at the possibility of what was happening in him.” Eugene struggled with himself: he “expressed indifference to everything romantic,” but “with indignation he recognized the romanticism in himself.” He scolded “both her and himself” in a low voice for what was happening between them, but the image of Odintsova kept appearing in his head. He said that it was necessary to put Toggenberg “in the yellow house with all the minnesingers and troubadours,” but a few days later he himself took part in the knightly tournament, fighting a duel with Pavel Petrovich. The cause of all Bazarov’s suffering was the nihilist himself; his vulgar materialistic approach to life contradicted the wonderful feeling that suddenly arose in his soul. Evgeny realized with fury that a man and a frog are not the same thing, that, despite the anatomy of the eye, there is a mysterious look, that there was a man stronger than him, and, therefore, he is not a god, he should burn the pots. The night Evgeny spent with Odintsova showed his inability to open his soul and release his feelings; this, as he himself says, is not his thing. Indeed, can such a material person as Bazarov afford such an unforgivable luxury as love? Yes, he would rather torture and torment himself, but he would never allow himself to do it. The logical culmination of the relationship between him and Odintsova was the explanation he made. But how did he do it! It was not a passionate confession truly loving person who can no longer live without her. This was an angry and insane accusation against Odintsova for the fact that she, with her beauty and intelligence, made Bazarov fall in love with her. At that moment, in his soul there was not a slight “quivering of youthful timidity,” but “a passion similar to anger and, perhaps, akin to it.” Eugene, having lived his whole life as a nihilist and mocked Arkady’s loves, so disfigured his soul that he himself was no longer capable of not only a deep, strong, beautiful feeling, but also of any kind of love other than this evil passion. After some time it happened new meeting Odintsova and Bazarov. “Both are no longer young,” “both are smart.” Odintsova has noticeably aged and with the arrival of Arkady “she again fell into her rut, her real role, the role of aunt, mentor, mother." Bazarov "came to his senses a long time ago" and wanted to prove to himself and Arkady that "love... after all, this feeling is feigned." But, despite his outward cooling towards Odintsova, he was still drawn to her, and therefore Bazarov had to come to terms with the role of a father, n