Description of the painting: winter evening of the Crimea. Painting "Winter Evening" by Krymov: description

Essay on the painting “ Winter evening” is a description of a famous painting by the Russian artist N. P. Krymov. Winter landscape: approaching evening, snowy expanses, a small village in the distance - these components of the artistic canvas are traditional for Russian painting. An essay based on the painting “Winter Evening” helps to understand the life-affirming pathos of this painting.

Painting WINTER EVENING, Krymov In front of me is the painting “Winter Evening” by N. P. Krymov.

I look at it and think: “In order to write it, you need to love nature, its open spaces, expanse.” We see how the artist showed us the fading winter day. During the day, the frost probably weakened, and the snow on the roofs of the houses melted a little. But the victory of warmth and light is far away, and the snowy expanses everywhere you look are boundless, majestic, magnificent. In winter it gets dark early, and, feeling the evening approaching, people rush to return home to the village.

It feels like the frost is severe; both the adults and the child wrapped themselves up. They move along the path to the already close houses. Two horses carrying hay are moving along a wider road to the same village. The stacks on the carts are large, and next to them the silhouettes of the horses seem small. Really spacious at sunset!

There is a lot of snow, a sky that seems gloomy against the whiteness. And it seems that it couldn’t be quieter. The branches of the trees do not make noise, the church bell is silent.

The windows of the houses have not yet lit up, they look at the world with blindness. N.P. Krymov’s painting “Winter Evening” is constructed in such a way as to emphasize the abundance and majesty of the snow decoration.

Therefore, in the foreground the artist depicted a snowy space, moving away from us both the figures of people and the silhouettes of houses and trees. The sky and snow are what give most of the picture space. By this the artist emphasized main idea of his canvas: the beauty and grandeur of Russian nature. I like the mood of the picture. Calm, bright.

It is emphasized that everything on earth has its place and its purpose. And evening will give way to day, and people will return home, and children will grow up... The picture is permeated with the thought of the greatness of Russian nature. The snow is magnificent, bluish in the light and bright blue in the shade.

Deep blue shadows emphasize the whiteness of the space. The trees are calm and majestic. And I want to believe that life will always be as good as in this picture.

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Painting WINTER EVENING, Krymov

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Nikolai Petrovich Krymov is a famous Russian artist, a landscape professional, brought up in a family of painters. The young master adored nature and preferred to depict it, revealing connections with humanity. The artist’s landscapes are truly Russian, imbued with the artist’s devotion to the Fatherland, its greatness and amazing nature. N. Krymov especially preferred to depict winter periods in his paintings. I. Porto wrote interestingly about the artist, mentioning the fact that they are stored in Tretyakov Gallery winter landscapes created by Krymov during the period when they depict cozy, snow-covered houses of a forgotten town, illuminated by the golden light of the setting winter sun.

The mood of winter time is wonderfully presented. Evening time- one of the periods of the day so beloved by the artist, especially when it comes to nature. The perception of the thin border between day and evening is precisely the art in painting according to Krymov’s concepts, which he told his followers about.

In his works, winter time seems to sharpen the entire being of nature, colors become instantaneous and unstable, shadows thicken, the horizon line brightens, the sun burns with golden and blue spots on the snow. It may seem that a few more seconds - and twilight will eclipse this beautiful time of day.

The viewer sees such a plot in reproducing the border between day and evening in Nikolai Petrovich’s painting “Winter Evening”, which was painted in 1919. At the center of the exhibition is a Russian village in winter. In the foreground we see a huge snow-covered plain. A small river covered with ice and dusted with snow is a wonderful sight. On the bank of the river you can see a small bush, and next to it there are small birds trying to escape from the frost. The loose snow is painted in bluish-purple evening shadows, gently falling on it in the rays of the setting sun. It’s as if we feel this crunchy snow, slight frost and clean air. The picture is drawn diagonally - a floating shadow, trodden paths rushing upward to the houses in the center. People walking along the paths and horses with carts create a sense of movement, filling the work with life. All this points to the connection between man and nature.

In the center of the picture we see village houses shrouded in snow. Behind them are drawn brown trees, whose powerful branches rise into the sky. In the background there are small houses, a church and a forest beckoning us into the distance. The picture evokes an amazing mood, instilling in the viewer a special state of calm and tranquility. Looking at this work, one involuntarily recalls stories about Russian nature. Perhaps they were also perceived and conveyed to us on his canvases by N.P. Krymov. It is clearly noticeable that the work amazes with the naturalness of its colors, and all this is imbued with dynamism in each landscape.

Indeed, the dynamism and beauty of the landscape is amazing. It seems that we are immersed in the silence of the evening, which is broken only by the occasional sounds from the runners of a sled or the sounds of a bell tower.

Yes, an indescribably good winter evening! The artist skillfully uses icy tones and shades to convey the landscape. This creates a mood of mysticism and amazement, conducive to philosophical thinking.

The picture is wonderful in that the feeling of natural beauty and uniqueness comes to the viewer regardless of time.

Nikolai Petrovich Krymov is an artist who worked in the last century. His favorite genre was landscapes. Fields, forests, rural houses, buried in snow or rays of light - Krymov wrote native nature and did not change his chosen path despite the turbulent events taking place in the country. He survived three wars, knew poverty, but in his works he never touched politics or topical topics, just as he never sought to please anyone with his creativity.

Family is the beginning of everything

Artist N.P. Krymov was born on May 2 (April 20, old style) 1884. He was not one of those creators whose parents were categorically against the child following the path of art. Nikolai's father, Pyotr Alekseevich, was a portrait painter, worked in the style of the “Itinerants,” and taught drawing in Moscow gymnasiums. He and his wife Maria Egorovna noticed the boy’s talent early. The head of a large family (Nicholas had eleven brothers and sisters) from an early age instilled in his children the ability to see the beauty of the world around them. He became the first teacher of Nikolai Krymov.

Teachers

In 1904 the boy entered Moscow school painting, sculpture and architecture at the architectural department. In 1907 he transferred to painting. Among his teachers were famous artists: V. Serov, who made many changes in the educational process, L. O. Pasternak, father of Boris Pasternak, illustrator of the works of Leo Tolstoy, and the Itinerant artist of the younger generation. However, as Krymov himself writes, the artist who became his main teacher died before Nikolai became a student. It was Isaac Levitan. His works had a noticeable influence on Krymov’s work.

First success

Nikolai Krymov is an artist of a happy fate. His talent was appreciated already during his stay at the school. The sketch “Roofs with Snow,” written in 1906, impressed the teacher A. Vasnetsov, brother famous artist. He bought the painting from the young master, and two years later it was bought by the Tretkovskaya Gallery. Krymov was then only twenty-four years old.

Blue rose

Of course, Krymov is a landscape artist: he identified his favorite genre only after starting creative path, however, his writing style underwent changes throughout his life. In 1907, Nikolai Petrovich became one of the youngest participants in the Blue Rose exhibition. The masters participating in the exhibition were distinguished by their special manner of depiction. They knew how to notice the mystery in everyday beauty and convey the poetry of the familiar. Krymov placed three works at the exhibition: “Towards Spring” and two versions of “Sandy Slopes”.

The artists who participated in the exhibition began to be called “Goluborozovites”. Their works were full of inner harmony and special silence. Representatives of the movement, including Krymov, also tried their hand at impressionism. This genre was close in spirit to the Goluborozovites. The impressionists sought to convey fleeting impressions in their works, the beauty of the moment in its movement. However, as they matured, Krymov and his associates, who tried themselves in the young direction that originated in France, began to move away from it, implementing new ideas in their canvases, sometimes opposed to impressionism.

Further creative search

The artist N. Krymov fully satisfied the craving for symbolism characteristic of the “Goluborozovites” while working on the design of the magazine “Golden Fleece”. The paintings of that period (1906-1909, “Under the Sun”, “Bullfinches” and others) were reminiscent of tapestries with some blurriness of colors and resemblance to a midday haze.

At the same time, Krymov’s writing style began to change. Symbolism and understatement began to give way to irony, jokes and the grotesque. Paintings “Windy Day”, “Moscow Landscape. Rainbow”, “After the Spring Rain”, “New Tavern” gravitate towards primitivism and convey new impressions accumulated over many years of living in Moscow with its fairs and holidays. Krymov's new landscapes are filled with children's perceptions. The bright paintings literally breathe with fun and mischief, joy due to simple and familiar events: the appearance of a rainbow, sun rays or new tall buildings on the street. And the artist conveys this with the help of bright colors and geometrization of form, which replaced careful elaboration color combinations. However, this style of writing became only an intermediate stage in Krymov’s creative development.

Unattainable Harmony

Since the 1910s, classical motifs characteristic of French landscape painters of the 17th century began to clearly appear in Krymov’s work. and Nicolas Poussin developed a composition with three planes, each of which was dominated by a certain color: brown, green and, in the third plane, blue. Paintings painted in this manner combined reality and fantasy at the same time. They conveyed completely earthly landscapes, but the harmony that reigned on the canvas was unattainably perfect.

Nikolai Krymov is an artist who has never blindly followed teachers or recognized geniuses of the past. He combined the classical style of Poussin and Lorrain in his works with primitivism, as in the painting "Dawn", and later with own theory tones. Over time, he moved away from painting landscapes only from life. Nikolai Petrovich began to complement what he saw in reality with fantasy, reproducing scenes from memory and creating that same harmony, the dream of which most masters of the early last century pursued.

Winter and summer

Krymov painted from life only in the summer, when he and his wife went out of town or visited friends. The artist always looked for housing with a balcony in order to be able to work outdoors and depict picturesque landscapes.

In winter, the master worked from memory, supplementing real paintings with new elements. These works, like those painted from life, conveyed the beauty and harmony of nature, its secret and obvious life. One of the canvases that the artist Krymov created in this way is “Winter Evening” (1919). Even if you don’t know the name of the painting, the time of day in it is beyond doubt: the shadow gradually covers the snow, pinkish clouds are visible in the sky. Due to the play of color and light, the artist was able to convey the heaviness of the snowdrifts under which the earth sleeps, the play of the rays of the setting sun, not visible on the canvas, and even the feeling of frost driving travelers home to the warmth of the hearth.

Tone system

In the memoirs of his contemporaries, the artist Krymov, whose paintings are now kept in museums and private collections, appears as a principled and consistent person, who has his own point of view on everything. Among his views, the theory of “general tone”, developed and repeatedly tested by him, stands out. Its essence is that the main thing in painting is not color, but tone, that is, the strength of light in color. Krymov taught students to see that evening colors are always darker than daytime. Explaining the theory, he proposed comparing white sheet and Nikolai Petrovich substantiated in his articles, and then showed in his works that the naturalness of the landscape is given precisely by the correctly chosen tone, and the choice of color becomes a secondary task.

Through all the vicissitudes of the era

Unearthly harmony, play of light and shadow, peace and captured moment - all this is the artist Krymov. The painting “Winter Evening”, as well as the paintings “Gray Day”, “Evening in Zvenigorod”, “House in Tarus” and others, convey the beauty of the world in general and nature in particular. Nikolai Petrovich did not deviate from this theme in his work, despite all the turbulent events that were happening in the country at that time. Political slogans and instructions of the party did not penetrate his canvases. He developed his “tone system” and passed it on to his students. Nikolai Krymov died on May 6, 1958, having managed to pass on the science of painting to many young artists who later became famous figures art.

Nikolai Krymov's contribution to the theory of painting is invaluable. Today, the master’s works can be seen in museums across the country. Many of Krymov's paintings are kept in private collections. The artist’s canvases still evoke admiration, and his succinct and apt statements among artists have long become catchphrases.

// Essay-description based on the painting by N.P. Krymova “Winter Evening”

The painting “Winter Evening” was painted by N. Krymov in 1919. The painting depicts a winter village. Looking at the picture, warm feelings of harmony and peace arise.

In the foreground is a frozen river. The snow reflects its blue tint on it, and it seems turquoise to us. Shrubs that were able to survive the frost grow on the river bank. Crows sit between the black bushes, ruffling their plumage, trying not to freeze.

In the central plan is a small village, painted in brown colors. The roofs of the houses are dusted with snow, and warm light emanates from the windows.

On the path in front of the houses we see the inhabitants of this village coming from the river. The residents are depicted warmly dressed; their clothing shows that the frost was especially severe. There is a shadow coming from the residents, which means it will soon get dark. They are rushing home to quickly warm up on this cold winter evening.

The presence of people in the picture adds a Russian flavor to life and everyday life. common man. They walk along a path that seems like a thin thread among a snow-covered meadow. The clearing in front of the houses looks airy and fluffy; you can imagine how snow covered this ground in large flakes.

At the same level as the village, two haystacks and horses are depicted, which people brought out to feed. They are depicted in black miniature. We cannot see their faces and figures, which emphasizes the typical nature of the overall picture.

In the background you can see the dome of the church and the barn, which are hidden in the black branches of the trees.

The overall colors of the picture are calming. Looking at the canvas, you want to return to childhood. This village resembles an image of the Russian hinterland and its inhabitants.

The sky is depicted in green and yellow tones; in contrast, the forest stands out behind the village like a black cloud.

The painting is painted in realistic colors to convey the natural beauty of nature. The picture itself emanates coldness and chill. We can assume that January is depicted. It is in January that the frost is the most severe.

The colors of the sky predict an imminent pink sunset, which will fill the picture with other colors.

The great painter wanted to show an ordinary evening in the village, so that people would see that such beauty is present in life every day, you just have to look at it. Winter is conveyed masterfully: this is the contrast of the river and the sky, black tree branches, huge snowy glades. The picture reminds us of a landscape from a traditional Russian fairy tale.

Winter evening

An incredible work of art is the painting by A.N. Krymov "Winter Evening". Winter is, in general, a magical time of year, and in this picture the artist depicted all the beauty and stateliness of winter in the brightest colors. Looking at her, various mixed feelings appear: peace, joy, warmth and a little anxiety. And the following words appear in my head: comfort, hearth, home, tranquility. All this is because the artist accurately conveyed not only objects, but also his feelings.

In the foreground, the artist depicted a frozen river. At its sources, sparrows sit and warm themselves against each other, this indicates that there is frost, but it is not severe. That is why there is no one on the river - the ice is thin and you can fall through. There are people standing not far from her, and, apparently, they are admiring the excellent landscape, and the mother also explains to her naughty baby that it is forbidden to walk along the river - it is dangerous.

The painting is called “Winter Evening”, but despite this, it is very light. Perhaps it seemed light this evening due to the large amount of snow, and perhaps it was not quite late. But this is undoubtedly evening; on the left side you can see a couple of horses pulling a cart. They are returning from the forest and, most likely, are carrying firewood to heat the stove and make the house warm and cozy. And also in one of the houses, the owners have already lit a light, perhaps it is a candle, or maybe a kerosene lamp.

By the way, the small houses depicted indicate that this is a small village adjacent to the forest. And from the thicket of trees peeks out the dome of the church, where services are held on cold Sunday evenings. There is a lot of snow in the picture and it looks so soft and weightless that it involuntarily resembles a feather bed on an old grandmother’s bed. And the colors with which the artist depicted the snow indicate that the weather that evening was good: quiet, snowy and frosty. Incredibly, looking at the sky, which is depicted in emerald green color, it seems that snow is about to fall, and you need to quickly return to a warm house.

Description of the painting

The painting “Winter Evening” was created by the popular Russian landscape artist N.P. Krymov. Throwing your gaze at the canvas, you understand how the artist was charmed by the modest nature native land. He definitely likes the snow, the persistent frost, the majestic importance of winter. When reading the title of the painting, one imagines twilight, but in fact, when you look at this painting, you see quite the opposite. The picture is very radiant, apparently this is the beginning of a winter evening.

Apparently for this reason, the bright green sky with bluish tints is located throughout most of the picture. But in the front of most of the picture there is snow. Not a single winter can go without snow; it’s like a blanket covering the ground, hiding last year’s greenery and small shrubs underneath.

The houses stand as if dressed in white snow caps. These houses are certainly warm and comfortable. Behind the houses you can see large luxurious treetops, between which you can see the large belfry of the church.

In the middle of the picture you can see paths trodden by people. People are walking along one of these paths. These are most likely the residents of those houses that are standing under white hats. Also in the picture you can see children for whom winter is joy.

If you look closely at the picture, you can see two horse-drawn carts with hay. The day is coming to an end and people are rushing to finish their work before it gets dark.

The snow does not shimmer in the sun's rays, since the sun is no longer averse to hiding behind the horizon. In those places where the shadow falls it is dark blue, and in those places where it is illuminated by the sun it is light. This large number of shades in the picture makes you feel that cold frosty air of calm and tranquility. But in reality, when you look at the picture, it becomes not cold and comfortable. The artist achieved this result thanks to the color scheme. It is she who conveys all the sensuality and sincerity of the picture.

Essay description No. 3

It’s good to sit in the kitchen with warm tea and look at the winter evening and all its beauty. Adults are walking along that road from work, and there children are returning from a walk with their mother. Sometimes in the summer there is a desire to return to the cold season, and when I felt it, I decided to go look at winter photographs and paintings, where I came across “Winter Evening” by Krymov.

Looking at this picture, I first of all feel peace and silence. Your soul becomes light and warm, at such moments you begin to immerse yourself in childhood and remember all the stories that warm your soul: how your mother took you down the hill on a sled and how you broke your nose while skating for the first time.

In the foreground of Krymov’s painting, we first see snow. He looks fluffy and light, he doesn’t yet know that very soon, when the first rays of light appear, he will melt, and we will meet him only next year. Various bristles of bushes are visible, however, they are not entirely green: rather, a swamp, and even dirty color. We see black spots, and if you look closely, you can distinguish four birds in them.

In the snow we see numerous shadows, and not only from bushes, but also from people. Closer to the viewer, four human outlines can be seen and the first thing that catches the eye is the three people standing together. We can assume that this is a married couple with a child. The husband and wife are dressed in warm, but dark fur coats, and the child can be seen wearing a pink jacket. There is another person at a distance from them. It is not clear why he is separate from them? It’s good that the artist didn’t tell this secret, because the viewer can figure it out for himself. However, one can distinguish one main feature, they all look into the distance. A child may be looking at birds, and adults may be looking at the sky, thinking about deep things, for example, the meaning of life.

In the background we can see, first of all, the wooden houses of peasants. They are buried in snow, and huge snow-white snowdrifts lie on the roofs. Here the question also arises: whose houses are these? Those people who look into the distance? Or maybe those who ride with horses and are carrying something? There is enough light in the windows, so it can be assumed that none of the options proposed are suitable, and the houses are the property of completely different people. Also, in addition to houses, we can see tall, mighty tree crowns that rise above the houses. You can notice that their color is also not green, it is somehow dirty, swampy. There is a church at a distance, we can see this from the dome that looks out from the forest. And the most important thing in this picture is the sky. It is majestic and powerful, but at the same time light, and even to some extent bright. How much paint the artist used on it, here we can clearly see white mixed with green, and even blue is visible somewhere.

I really liked this picture, I will watch it in the sad moments of my life and think about the bright things.

Essay description based on the painting Winter Evening by Krymov

Silence. The barely perceptible creaking of snow. Everything is white. Somewhere in the distance horses are running, carrying haystacks. When I look at the picture, I want to drop everything I’m doing, sit on a bench, close my eyes and think about something pleasant.

It seems that nature has frozen and fallen asleep. The huge crowns of the trees do not move. They put on their dark clothes and froze in anticipation of spring. People talk very quietly, afraid to wake up all living things. White snowdrifts look like a fluffy terry blanket that covers the ground and houses. The lights are already on in the huts. The hostess is probably already preparing dinner and getting ready to light the stove.

Looking at the picture, I remember my native village. When I was little, I loved to ride slides, run through snowdrifts and play snowballs with the guys. In the evening, when I came home, I climbed onto the stove and warmed myself, wrapped in a blanket. It seems to me that when I look at this picture, I return to my childhood - everything seems so familiar to me.

N. Krymov knows how to convey not only beauty winter nature, but also her feelings, sounds, sensations. The picture exudes winter cold, familiar warmth and memories. Thin paths between the snowdrifts indicate that winter is already raging with might and main, but people are not afraid of it and do not want to sit at home.

Winter is a wonderful time of year. The artist was able to depict all its beauty using only two colors - white and blue. Blue evening sky, frozen river, dark blue shadows that show the viewer that the sun is already setting. These colors convey cold and cold. N. Krymov depicted all living things in black – horses, birds, people. They are all waiting for the new spring colors, but for now they are in a peaceful state and are preparing to take off these dark clothes.

The sky is already slowly getting darker, which means that soon people will go home. At home, a hot dinner, a warm stove and long conversations await them at a large wooden table.

Description of the painting for 6th grade

Looking at this picture, it is immediately clear that the artist was in a great mood and he tried in every way to convey those incredible feelings and emotions that took possession of him at that moment. Krymov, on a canvas of paper, managed to depict not only a wonderful winter evening, but even a frosty smell, which immediately sends a shiver through the body.

The picture conveys such peace that you want to instantly find yourself in this village and warm up in the first nearest house. Thanks to the artist for such an amazing and wonderful painting.

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