Golden autumn in Karelia plan. The delightful nature of Karelia description. Fauna of Karelia

Meshkov - Golden autumn in Karelia

In autumn, the landscapes of nature are so beautiful and filled with many shades that poets have dedicated their poems to autumn, artists reflect its appearance in the colors of their canvases. But at the same time, everyone finds their own mood in the colors of autumn.

I would like to define and reflect what fulfillment and inspiration lie in autumn nature in Karelia, which was so accurately and carefully expressed in his painting “Golden Autumn in Karelia” by one of the professional landscape painters of Russia, Vasily Vasilyevich Meshkov.

The artist visited Karelia four times (in 1951, 1952, 1954 and 1956). It seems to me that he came to Karelia because the nature of this northern region attracted Vasily Vasilyevich with its often sad landscapes, but it was in them that he found that quiet autumn mood of the fading season, which brings softness and nostalgia to the harsh appearance of nature. The landscape of the painting combines yellow, gray and green colors, with flashes of yellow-red foliage on the trees, which allowed the artist to make accents against the background of gray monochromatic clouds.

The foreground of the picture is highlighted by several trees with thin trunks, they are in no hurry to shed their leaves, standing out in yellow and red shades. On the left in the background of the picture there are dark green pine trees, they are visible in the distance, like a strip of forest, and are highlighted by individual dark trees in the center of the composition. Lakes are visible on the left, they are similar in color to the sky. The right side of the landscape is filled with trees with yellow foliage.
The general impression of the picture: the calm and coldness of northern nature, with small bright accents, an expression of the sound of the change of seasons, from a short summer to a sad time of falling leaves.

In the gold of autumn foliage of birches, green pines, bright red shades of clusters of ripened rowan berries, and the subtle reddish glow of aspens, the mood of the landscape is formed, through which you pay attention and understand the beauty of the nature of Karelia.

As a feature of the composition of the painting “Golden Autumn in Karelia”, it can be noted that the canvas seems to be elongated in a horizontal direction (the artist often used this format in his paintings), which allows us to highlight the immensity of the forest expanses of Karelia. To convey his thoughts and vision to those contemplating the picture, the artist uses the technique of contrast when we see the severity of the rocks of large boulders, but against the backdrop of fragile, thin trees that quiveringly sway in the cold wind. In the coloring of the picture one can see the originality, which is expressed by the combination of dark stones, low gray autumn sky, golden leaves of trees, the air is fresh and the forest becomes silent, with the help of such techniques the artist sought to express the mood of the nature of this northern region.

Essay based on Polenov's painting Moscow courtyard, grade 5 description
A very bright picture. She is both sunny and pleasant. There is a lot of space, a lot of greenery. This is one of the many courtyards in Moscow.
Essay on the painting Baba Yaga by Bilibina, grade 5
Today I was able to get acquainted with the painting of the magnificent master illustrator Ivan Yakovlevich Bilibin “Baba Yaga”, created for famous fairy tale"Vasilisa the Beautiful"

MBSCOU SKOSH

Cities of Ozyorsk, Chelyabinsk region

Essay-description based on the picture

Vasily Vasilievich Meshkov

"Golden Autumn in Karelia"

teacher of Russian language and literature

Essay-description based on the painting by Vasily Vasilyevich Meshkov “Golden Autumn in Karelia”

(Russian language lesson in 8th grade)

Goals:

1. teach verbal description;

2. develop students’ coherent speech;

3. cultivate a sense of beauty, interest in creativity and painting.

4. develop students' spelling and punctuation skills.

Epigraph

Painters, dip your brushes
into the bustle of Arbat courtyards and at dawn,
so that your brushes are like leaves,
like leaves, like leaves by November.

Dip your brushes in blue
according to the tradition of a forgotten city,
draw diligently and with love,
how with love we walk along Tverskaya.

Let the pavement sway as soon as it wakes up!
Let it begin that has not yet begun.
You draw, you draw, you will get credit...
What should we guess: succeeded or failed?

You, as judges, draw our destinies,
our summer, our winter and spring...
It's okay that we are strangers. You draw!
I will explain later what is not clear.

Bulat Okudzhava

A word about the artist

Russian landscape painting rich and varied in its types and the mood conveyed in it. It covers the expanses of fields and seas, the richness and diversity of forests and meadows, the originality of the old Russian village and the modern village, separate architectural monuments, city ensembles, parks and squares.

One of the most prolific representatives of the Russian realistic art school is Vasily Vasilyevich Meshkov (1893–1963). People's Artist of the RSFSR. Corresponding member of the USSR Academy of Arts. Winner of the Stalin Prize. Russian painter, son of the artist V. N. Meshkov. He studied at the Moscow School of Painting, Sculpture and Architecture. In 1911 he joined the Wanderers. At the beginning of his creative work he painted mainly city landscapes. (Slide 4)

After graduating from the Moscow School of Painting, Sculpture and Architecture, Meshkov went to continue his education abroad. Returning to Russia in 1914, when the First War began world war, he was mobilized as an artist and traveled a lot with the Army Headquarters. He created many sketches about the war during these years. (Slide 5)

After 1917, the artist leaves his beloved historical topic and becomes a theater artist.

A trip to Crimea and the Caucasus in 1924-1925 was a milestone in creative biography V.V. Meshkova: he became interested in landscapes. He creates a whole series paintings with their “Meshkovsky” silvery coloring: “Gray Day”, “Silver Rain”, “Cold”, “After the Rain”, “Lake”, etc. His landscapes convey the poetic state of nature, in tune with the artist’s mood. (slides 6,7)

During the Great Patriotic War makes several trips to the front, as a result of which in 1944 he creates the works “After the Enemy” and “In the Footsteps of the Occupiers.” (slides 8, 9)

Vibrant ideas of time are revealed in landscapes like the painting “Tale of the Urals.” But in this case artistic image the works with great force express the ideas of society precisely in the first post-war years, when our people, having won victory over the dark forces of fascism, felt powerful forces within themselves, when vast horizons opened up before them, when they felt themselves to be the sovereign master of their vast Motherland, which had repelled the invasion of a terrible enemy

(slides 10, 11)

After the harsh years of war, Meshkov was especially sensitive to nature. He paints landscapes that seem to affirm the human right to happy life: “Kopny”, “Oka Dali”, “Cold Day”, “Kosogor”, “Golden Moscow Region”. (slides 12 - 14)

The artist's personal exhibitions were held in Moscow (1916, 1941, 1953) and Novosibirsk (1929). The works are stored in the State Tretyakov Gallery, the State Russian Museum, and the Museum of Russian Art in Kyiv. (slides 15 - 19)

Working from a painting

What is shown in the picture?

Before us is a reproduction of a painting by the wonderful artist Vasily Vasilyevich Meshkov. He created a number of magnificent paintings dedicated to this region, but the best among them is “Golden Autumn in Karelia.” The author revealed the special poetry of northern nature, harsh and strict. We see in the picture a dry cloudy day. The air is clean and transparent. Gray, autumn-cold clouds hang low and seem to cling to the tops of the pine trees. There is no sun, but there are colors autumn forest create the effect of bright light.

What does the viewer see in the foreground?

In the foreground of the picture we see a stone ridge overgrown with rare trees dressed in gold. Among them lie boulders in huge gray blocks. Tall slender pines with a green crown rise above the forest, stretching towards the cold northern sky.

What is shown in the background of the picture?

In the background, behind the trees, surrounded by pine trees, you can see the gray surface of the lake, the banks of which are still covered with green grass. To the left, behind it, you can see a dark strip of forest. A cloudy, milky gray sky completes the autumn landscape.

By what details can you determine that the picture depicts Karelia?

Karelia is a very beautiful and picturesque region with majestic and harsh nature. Hilly terrain, many lakes, modest vegetation making its way to the sun through the stones. Karelia is especially beautiful in autumn. Nature bids farewell to the short summer brightly and furiously. This time of northern autumn was depicted by V.V. Meshkov in his painting “Golden Autumn in Karelia”.

The artist revealed the special poetry of this region. He found an appropriate color scheme to convey its uniqueness, combining gray and golden tones. A riot of colors is expressed in all shades of yellow, brown, red and gold.

It seems that all nature has frozen in the hope of prolonging this autumn charm as long as possible. A chain of grayish lakes, yellowing grass on a hill, crowns of trees burning with a furious fire, a dull blue sky with clouds - the entire landscape here greedily absorbs the last warmth, as if trying to delay the inevitable winter

What are the features of the composition of the painting? (Why does the artist choose an elongated format for the painting?)

The artist chose the elongated horizontal format of the canvas, of course, not by chance - the panorama created thanks to it emphasizes the scale and diversity of Karelian nature. The artist often creates such a spatial composition; this enhances the length of the landscape and at the same time gives it an epic sound.

What do you think the artist wanted to express with his landscape?

“The land of lakes, unafraid birds and untrodden paths,” as this region was once called, captivated the artist with the peculiar poetry of its harsh landscape and color. Here is the kingdom of water, stone and forest. A chain of endless lakes, varied in their outlines, is sometimes connected by channels and waterfalls, sometimes separated by stone ridges. Small wooded islands are scattered among the lakes, creating a special slow rhythm in the panorama of the lakes. The stones either stood up as bizarre wild rocks, bare or overgrown with pine trees, or stretched out in regular rows, or scattered into individual boulders, covered with mosses and lichens or smoothly ground by water and winds.

What impression did the picture make on you?

The artist himself is in love with his nature, conveys delight to the audience, forcing us to admire the bright and multi-colored Karelian landscape again and again. The color of the picture conveys the coolness and festivity of autumn nature. We see the depth and vast expanses of the Russian north, which will take your breath away.

Working with the textbook ( ex. No. 54 II part )

Make up phrases with the words given in the exercise, write them on the board and in your notebook.

Possible essay plan

V.V. Meshkov is a talented landscape painter.

Description of the painting:

foreground;
background;
terrain features;
primary colors and shades;
features of the composition.

The mood evoked by the landscape.

Working on the text of the essay.

Literature:

Khudyakova L.A. Landscape painting in speech development lessons. RYASh No. 2, 1993

Internet resources:

› Meshkov IN . IN . paintings

› meshkov _ v asilij_vasilevich.htm

› wiki/Meshkov ,_ IN Asiliy_Nikitich

› dic.nsf/enc_pictures/2017/Meshkov

› vsesvit/tema/p/painter/m/2/meshkov .html

› meshkov - vv .html

In front of me is a reproduction of V.V. Meshkov’s painting “Golden Autumn in Karelia.” It depicts an autumn landscape. In the foreground of the picture there are boulder stones lying in a circle. And only one of them lies at some distance from the rest. Golden-yellow birch trees, reddish aspen trees, tall dark green pines and a fragment of the edge of the forest on the left also make up the foreground of the landscape.

In the background of the picture there is a small pond. Most likely this is a lake. On the left, behind the lake, you can hardly see a small but dense dark forest. An overcast, white-gray sky complements the background of this painting.

The artist used his own paints to paint the picture. It uses different shades of gold and gray, adding a little greenery here.
This picture has one peculiarity. This is an elongated horizontal canvas format. I think this is done because it's hard to capture that much detail in a regular aspect ratio. After all, the landscape depicts many different trees, large stones, edge, lake, forest in the background and a piece of sky.

Due to the juxtaposition of bright golden and dark green colors, there is a certain contrast in the picture: on the one hand, the hot, colorful summer has ended and the cloudy season has begun, and on the other, the time has come for the golden, beautiful beauty of autumn.

When I saw the painting “Golden Autumn in Karelia” for the first time, I found absolutely nothing in it. But this essay “forced” me to take a closer look at all the details of this landscape. And after writing it, I rediscovered this picture for myself.

Example of essay No. 2 based on the painting Golden Autumn in Karelia

Vasily Vasilyevich Meshkov painted the landscape “Golden Autumn in Karelia” in 1949. The painting depicts the nature of the harsh northern region. At first, the canvas seems unremarkable, one of those that reflects ordinary vegetation and the time of year, but upon closer inspection, you realize that the colors come to life and become brighter. One gets the feeling that the picture breathes clean air, filled with the aromas of the Karelian forest.

In the background, behind the trees flaming with autumn foliage, a pond is visible. Most likely, this is a small lake, “lambushka”, as these lakes are affectionately called local residents. The trunks of trees and bushes are reflected in the dark water of a forest lake. The slightly oily water surface seems to breathe cold. A small road leads to the lake; residents of nearby settlements probably use it to take a dip in the lake on hot days.

The landscape creates a feeling of calm, as if nature is preparing to go to bed and is slowly dozing. Most of the trees changed their green outfits to bright orange, crimson and gold. This is the last masquerade before you shake off the falling leaves and fall into a deep sleep until spring.

The sky in the landscape is shown in leaden-gray tones, with clouds, and the blue azure is almost invisible. But it does not depress, on the contrary, it emphasizes the beauty of the Karelian forest. It seems that quite recently it was drizzling, which washed the trees and vegetation and only added brightness to the local color. The time has now come for the forest - golden autumn, when the days are not short yet, and the nights are without frost, and the foliage on the trees calmly plays with all the colors of September that has gained strength.

The technique of brushstrokes and detailed outlines allow us to see two slender, thin trunks of birch trees in the lower right corner of the picture. Among the riot of colors, these young beauties look like yellow lanterns, illuminating the dark forest with the glow of their foliage.

The ship's large pine trees look over everyone like faithful guards. The peculiarity of these trees is that they have branching only at the very top, and the trunk is almost bare, which makes the wood especially suitable for shipbuilding. These forest beauties were given the opportunity to see the change of landscapes and seasons more than once.

Despite the abundance of gray and dark shades, there is no dullness in the picture. Everything is so harmonious and integral that it seems as if you are standing on the edge of this forest and breathing in the cool autumn air and feeling the aroma of rotten leaves under your feet.

Example of essay No. 3 based on the painting Golden Autumn in Karelia

The painting “Golden Autumn in Karelia” by the famous Russian artist Vasily Meshkov is rightfully recognized as one of his best works. Karelia is a republic of endless expanses, hidden beyond the borders of civilization. It’s as if time has flown past these lands. In this picture, the author depicted a beautiful time of year - autumn, which, unfortunately, can rarely be seen golden in Karelia.

In the foreground of the picture we see a pile of stones that have darkened due to dampness or they look like that because they were not exposed to sunlight. Also, the stones seem so gloomy to us against the background of trees with a beautiful golden color. Between these stones there are trees with thin trunks, but with lush caps of leaves, which make the stones barely noticeable for their playful beauty.

The horizon is also rich in color and captures our attention. The gray sky with all its appearance shows us that it is about to break down and pour rain on the surrounding area. Against the background of the leaden sky, pine trees stand out especially strongly, which in comparison with small trees seem like giants. In the distance, behind the trees, we see a lake, which with its smooth surface maintains the atmosphere of calm of the depicted landscape. Nature seems to have frozen in calm and anticipation of the approaching winter.

In his painting “Golden Autumn in Karelia” Meshkov reflected that special nature of the northern and harsh nature. To convey the image, he used a special combination of colors and shades. Using many shades of yellow, red and orange, black and gray, he gave us a distinct coloring of the depicted trees, stones, sky, grass. Thanks to the artist’s diligence and skill, he conveyed to us the atmosphere and beauty of the nature of the Russian region, which is inherent in Karelia.

When painting the picture, Meshkov did not use standard format- horizontally extended. Most likely, this format was used to capture and convey to us as much of the natural beauty of the Karelian region as possible. Here you can see the edge of the forest, the golden caps of trees, a pond, huge stone boulders and a heavy leaden sky. It is also clearly visible that the artist painted this picture standing on a hill.

Looking at Meshkov’s painting, you involuntarily feel the atmosphere autumn day. And we can say with confidence that the author managed to convey to the audience that autumn Karelian day.

Example of essay No. 4 based on the painting Golden Autumn in Karelia

I really liked this picture because I really love autumn, I love all the colors of this time of year. I love autumn very much, and writing an essay on this picture is doubly pleasant. And so, here is my essay on this picture:

The week turned out to be difficult, and under this burden with a lack of mood I went to fresh air. Answers to some incomprehensible situations and questions flashed through my head, but then they left me as if on purpose.

The wind blew strongly and swayed the trees, leaves fell from them, whirling, they danced, gradually bringing my life into harmony. Step by step, looking at the golden autumn of Karelia, interesting thoughts came into my head, new plans were made, and each idea was better and better. I looked at all this nature from a small hill for a long time. Looking at the cloudy sky, I looked into the distance and saw beautiful gray-green boulders, they were covered with a small amount of foliage. The trees were stunningly beautiful. I think I will remember this whole landscape for a long time, how the tall pines swayed near the sky, how they stood out from the red foliage of the birches. In the middle of the forest there was a small pond, the trees were reflected in it, and it was not immediately clear that there was water there. It seemed like it was all just a fairy tale. Bright and warm colors the leaves warmed me, and the fresh cool air hugged me and calmed me down. I inhaled and exhaled the atmosphere of this place and enjoyed the true tranquility.

When I returned home, I realized that nature is a living, intelligent creature that helps me cope with myself and my problems. Most often, people do not see what is obvious, they do not see what lives and what survives.

Example of essay No. 5 based on the painting Golden Autumn in Karelia

In front of me is a reproduction of a painting by the wonderful artist V.V. Meshkova “Golden Autumn in Karelia” The canvas depicts an autumn full of bright colors, beautiful in its simplicity. I think the artist was completely able to convey the autumn atmosphere that reigned in Karelia onto canvas, at the same time conveying a piece of his soul.

In the foreground of the picture we see trees dressed in “golden brocade.” Tall slender pines rise above the crowns of trees that look like gold coins. A huge boulder is located next to the water, catching the reflections of nature. Tree trunks are half buried in the river.

In the background, hidden behind the trees, surrounded by pine trees, is a small pond. To the left, behind it you can see a dark strip of forest. A cloudy, milky gray sky completes the autumn landscape.
In the film “Golden Autumn in Karelia” Meshkov revealed the special poetry of this northern, harsh nature. To convey her sophistication and special charm, he found his own colors. The painting is dominated by shades of gold and gray, interspersed with greenery. Thanks to this, a special mood is created that conveys the very essence of the Karelian region, the beauty of its nature.

To paint this painting, the artist used an elongated horizontal format. It seems to me that this was done in order to show all the beauty of Karelia. After all, look at how many things are depicted here! Many rivers, a forest edge, a golden forest, large stone boulders and a piece of sky.

I really liked this picture, it is simple, inconspicuous, but at the same time it is these qualities that make it unique.

Russian artists Meshkovs.Meshkov Vasily Vasilyevich (1893-1963).Son. - part 2.

Russian - Soviet painter, son of the artist V.N. Meshkov, academician of painting, laureate of the USSR State Prize. Studied at the Moscow School of Painting, Sculpture and Architecture. In 1911 he joined the Wanderers. At the beginning of his creative work he painted mainly city landscapes. In 1922, V.V. Meshkov joined the AHHR and turned to the themes of the October Revolution and Civil War(series of sketches “October in Moscow”, etc.). During the Great Patriotic War, the artist created a series of canvases under common name"On the roads of retreat of the fascists." V.V. Meshkov worked a lot and fruitfully in his favorite landscape genre. His landscape paintings are characterized by a special majestic and harsh interpretation of Russian nature (“The Tale of the Urals”, 1949, “Kama”, 1950, “Golden Autumn in Karelia”, etc.). Since childhood, the boy was surrounded by people of art, the best painters of that time, and this could not but affect his fate. “I am a hereditary painter. My father, the artist Vasily Nikitich Meshkov, destined me for this field from childhood, and all my hopes and aspirations coincided with my father’s plans,” this is how V. V. Meshkov’s autobiography begins.As a child, the most tempting world, full of fascinating things, was the workshop of my father, a famous portrait artist. Under his leadership, the boy began his first regular classes painting. At the age of 14, he made his debut at an exhibition with his timid, still inept works on themes of Russian history, but already in these works one could feel the author’s original, free painting style. Having graduated from the Moscow School of Painting, Sculpture and Architecture, where his teachers were such celebrities as A. M. Korin, A. M. Vasnetsov, L. O. Pasternak, V. N. Baksheev, Meshkov went to continue his education abroad. Returning to Russia in 1914, when the First World War began, he was mobilized as an artist and traveled a lot with the Army Headquarters. He created many sketches about the war during these years. After 1917, the artist abandoned his favorite historical theme and became a theater artist. A trip to the Crimea and the Caucasus in 1924-1925 was a milestone in the creative biography of V. V. Meshkov: he began to become interested in landscapes . And although he continued to be a theater artist, it was not his work in the theater that determined his creative aspirations, but his passion for landscape. He creates a whole series of paintings with his “Meshkovsky” silvery coloring: “Gray Day”, “Silver Rain”, “Cold”, “After the Rain”, “Lake”, etc. His landscapes convey the poetic state of nature, in tune with the artist’s mood. During the Great Patriotic War, the artist created many works devoted to military themes: “Defense of Leningrad”, “Heroic Leningrad during the war”, “Battle in the North Sea”, etc. One of best paintings of that time - “1941 near Moscow.” After the harsh years of war, Meshkov was especially sensitive to nature. He paints landscapes that seem to affirm a person’s right to a happy life: “Heaps”, “Oka Distances”, “Cold Day”, “Slope”, “Golden Moscow Region”.

Winter day. Moscow region, 1940

River floodplain. 1940.

Landscape with a river.1930.

Country motif.1920s.

Oka autumn massif.1948.Nikolaevsky art museum named after V.V. Vereshchagin.

Deer Island.1961.Sumy Art Museum named after N.Kh.Onatsky.

Landscape. Bad weather.

Fisherman's Dreams.

Golden Moscow Region.1947. Oil on canvas. 71x142. State Russian Museum

Bitter.1946.

Early snow.

On the Oka. 1946 State Tretyakov Gallery

Boats. 1950s Cardboard, tempera. 35x38

Black Sea. Breeze. 1934. Oil on cardboard. 15x23

A special place in the work of V.V. Meshkov is occupied by landscapes of Karelia“The land of lakes, unafraid birds and untrodden paths,” as it was once called, captivated the artist with the peculiar poetry of its harsh landscape and color. Here is the kingdom of water, stone and forest. A chain of endless lakes, varied in their outlines, is sometimes connected by channels and waterfalls, sometimes separated by stone ridges. Small wooded islands are scattered among the lakes, creating a special slow rhythm in the panorama of the lakes. The stones either stood up as bizarre wild rocks, bare or overgrown with pine trees, or stretched out in regular rows, or scattered into individual boulders, covered with mosses and lichens or smoothly ground by water and winds.

Autumn in Karelia

Golden autumn in Karelia. State Tretyakov Gallery

Perhaps no region has touched the artist as much as Karelia. He created a whole suite of magnificent paintings: “Lake Region”, “September Colds”, “Autumn in Karelia”, “Autumn Song”, “Vedlo Lake”, “Golden Autumn in Karelia”. Meshkov revealed the special poetry of this northern nature, harsh and strict. To convey its originality, he found an appropriate color scheme, which combined gray and golden colors, and a spatial composition: the artist loves the elongated horizontal format of the canvas, which enhances the length of the landscape and at the same time gives it an epic sound, allowing one to imagine a wide panorama of nature.

Epic of the North

A recognized master of the epic landscape is V.V. Meshkov, who painted a number of excellent paintings that reveal in a new way the beauty of the nature of our Motherland, and with his works prompts thoughts about life, the greatness of the universe, and strength human mind and the actions of people who managed to subjugate the elemental forces of nature.Meshkov loves the nature of our North: the harsh shores of the cold sea, rocky cliffs overgrown with mighty trees, endless taiga expanses opening from the ledges of the Ural ridge, calm rivers majestically carrying their waters. There is something heroic, free-spirited and broad in Meshkov’s paintings. His palette is very restrained, but with just a few colorful combinations the artist achieves the expression of an amazing wealth of feelings and moods.Meshkov's work is closely connected with the traditions of pre-revolutionary Russian landscape painting. Particularly close to him is A. M. Vasnetsov, whose canvases are distinguished by their epic solemnity and inner significance. This artist, like Meshkov, loved to paint the taiga and the Ural Mountains; nature, full of grandeur and strength, was close to him. But the master, using the achievements of A. Vasnetsov, found his own way, his own techniques for depicting northern nature.

Meshkov most often chooses a wide spread of space, a panoramic solution to the landscape. He seems to be looking around at the distances stretching out in front of him, highlighting large, immediately striking details of the landscape - a mighty cliff, trees in the foreground. Broad writing forces the viewer to pay attention to the main thing in the landscape and omit the secondary, obeying the artist’s desire to highlight the leading places in the composition. This technique allows Meshkov to enhance the main melody of the picture, to subordinate the viewer’s attention to himself, or, rather, to the emotion that determines the figurative structure of the work.Meshkov's creativity developed especially brilliantly in the post-war years. It was during this time that he completely found himself and his deeply original and expressive style. He created a series of landscapes dedicated to the nature of Karelia and Siberia. In these series or cycles of paintings, Meshkov appears as an artist who deeply feels the peculiarities of the nature of the places he paints. At the same time, it was precisely this nature that allowed him to reveal his talent as an epic poet, the talent of a master of landscape paintings significant in content and often monumental in form.The idea of the powerful forces hidden in nature, of its greatness and solemn beauty, characteristic of many Russian landscape painters, is to a great extent inherent in Meshkov. It is no coincidence that the emotional structure of his paintings is distinguished by genuine heroism.

Tale of the Urals. Sketch. 1949 Oil on canvas. 37.5x80.5. State Russian Museum. For this painting the artist received the Stalin Prize.

A magnificent painting by Meshkov " Tale of the Urals", where the solemn and measured rhythms of the mountain ranges stretching towards the horizon resemble a majestic and drawn-out rhythm folk tale. This picture evokes thoughts of immensity native land, about her majestic beauty, she instills pride in the heart for the Fatherland.The painting "The Tale of the Urals" is characteristic of Meshkov in the sense of those artistic means, which he uses to realize his plan. The composition here is based on a wide rhythm of smoothly flowing lines that outline mountain ranges stretching towards the horizon. The viewer not so much sees as guesses the taiga wilds spreading out in the depths of the picture. Only a few fir trees in the foreground rise like epic heroes, protecting the peace of the Russian land.The picture is also expressive in terms of color. The artist builds the foreground with broad, energetic strokes. Long-term plans are only outlined. But the precision of color relationships gives the artist the opportunity to create the illusion of infinite depth of space receding into the distance, to fill the picture with air, to impart movement to it.Although the nature depicted by Meshkov seems full of royal grandeur, internal tension and internal energy are felt in it. This feeling arises due to the sharp transition from the foreground to the distant mountain ranges. But this is not the only thing that disturbs the peace. In the distance on the horizon, the artist depicted swirling clouds and shrouded the mysterious taiga wilds in fog. All this added dynamics to the artistic image of the painting, deprived it of static quality, and overall gave the canvas that life that is the sign and quality of a great work of art.

When it comes to an industrial or urban landscape, it is usually not difficult to associate the artistic image of the work with the time when the artist worked. The situation is more complicated with the so-called “pure” landscape, where the plot does not provide the opportunity to draw the viewer’s attention to the signs of the times, to details indicating that the story is about nature, the appearance of which is changing as a result of the activities of our contemporaries. And yet, very often (and if this work is truly significant, then it is necessary) it is possible to determine the time when this or that landscape of untouched nature was painted. This is explained primarily by the fact that this landscape contains great and vital ideas of the era, that it expresses the feelings of not only the artist, but also the contemporaries of this master.The appearance of Meshkov's painting "Tale of the Urals" in the late 1940s was not an accident. By this time, Russian landscape painting as a whole had matured enough to be able to express deep thoughts about the Motherland, about its power, about the forces hidden in its depths in significant and impressive images of nature.

Ural.

A notable feature of Meshkov’s paintings, and in particular the painting “Tale of the Urals,” is their, so to speak, philosophical character. The image of nature created by the artist provokes thought and evokes a swarm of associations. The wide expanse unfolding before the viewer gives rise to an idea of the immensity of the Motherland. Nature, appearing here in all its pristine power, does not oppose man. It excites a feeling of elation and admiration, a feeling that most directly corresponds to the worldview Soviet people. The image created by Meshkov is optimistic in the truest sense of the word, it instills in a person confidence in his abilities, he calls him to new achievements, he correlates his feelings with the majestic and powerful nature.Of course, the burning ideas of time are revealed indirectly in landscapes like the painting “Tale of the Urals”. But in this case, the artistic image of the work with great force expresses the ideas of the society of the first post-war years, when our people, having won victory over the dark forces of fascism, felt powerful forces within themselves, when vast horizons opened up before them, when they felt themselves to be the sovereign master of their vast Motherland, which had repelled the invasion of a terrible enemy.

October days in Moscow. 1917

Novorossiysk port.

Pskov 17th century.

The artist worked in the Pskov region for two years - 1915 and 1916. His stay in Pskov, where ancient monuments attracted attention at every step, turned out to be very fruitful for him. He wrote over thirty works, which were called the "Pskov Suite". Meshkov's works are interesting not only as works of painting, but also as valuable historical documents. The works “Pskov”, “Lower Grates”, “Pskov of the 17th century”, “Pskov of the 18th century” are significant. The ability to show the architecture of city buildings, ensembles of cathedrals, churches, monasteries, towers of fortress walls against the background folk life in the “Pskov Suite” received convincing expression and gave it historicism.

teacher of Russian language and literature

Essay-description based on the painting by Vasily Vasilyevich Meshkov “Golden Autumn in Karelia”

(Russian language lesson in 8th grade)

Goals:

1. teach verbal description;

2. develop students’ coherent speech;

3. cultivate a sense of beauty, interest in creativity and painting.

Epigraph

Painters, dip your brushes
into the bustle of Arbat courtyards and at dawn,
so that your brushes are like leaves,
like leaves, like leaves by November.

Dip your brushes in blue
according to the tradition of a forgotten city,
draw diligently and with love,
how with love we walk along Tverskaya.

Let the pavement sway as soon as it wakes up!
Let it begin that has not yet begun.
You draw, you draw, you will get credit...
What should we guess: succeeded or failed?

You, as judges, draw our destinies,
our summer, our winter and spring...
It's okay that we are strangers. You draw!
I will explain later what is not clear.

Bulat Okudzhava

A word about the artist

Russian landscape painting is rich and varied in its types and the mood conveyed in it. It covers the expanses of fields and seas, the richness and diversity of forests and meadows, the originality of the old Russian village and the modern village, individual architectural monuments, urban ensembles, parks and squares.

One of the most prolific representatives of Russian realistic art art school is Vasily Vasilyevich Meshkov (1893–1963). People's Artist RSFSR. Corresponding member of the USSR Academy of Arts. Winner of the Stalin Prize. Russian painter, son of an artist. He studied at the Moscow School of Painting, Sculpture and Architecture. In 1911 he joined the Wanderers. At the beginning of his creative work he painted mainly city landscapes. (Slide 4)

After graduating from the Moscow School of Painting, Sculpture and Architecture, Meshkov went to continue his education abroad. Returning to Russia in 1914, when the First World War began, he was mobilized as an artist and traveled a lot with the Army Headquarters. He created many sketches about the war during these years. (Slide 5)

After 1917, the artist abandoned his favorite historical theme and became a theater artist.

A trip to the Crimea and the Caucasus in 1924-1925 was a milestone in his creative biography: he began to become interested in landscapes. He creates a whole series of paintings with his “Meshkovsky” silvery coloring: “Gray Day”, “Silver Rain”, “Cold”, “After the Rain”, “Lake”, etc. His landscapes convey the poetic state of nature, in tune with the artist’s mood. (slides 6,7)

During the Great Patriotic War, he made several trips to the front, based on the results of which in 1944 he created the works “After the Enemy” and “In the Footsteps of the Occupiers.” (slides 8, 9)

Vibrant ideas of time are revealed in landscapes like the painting “Tale of the Urals.” But in this case, the artistic image of the work with great force expresses the ideas of society precisely in the first post-war years, when our people, having won victory over the dark forces of fascism, felt powerful forces within themselves, when vast horizons opened up before them, when they felt themselves to be the sovereign master of their vast The homeland that repelled the invasion of a terrible enemy

(slides 10, 11)

After the harsh years of war, Meshkov was especially sensitive to nature. He paints landscapes that seem to affirm a person’s right to a happy life: “Heaps”, “Oka Distances”, “Cold Day”, “Slope”, “Golden Moscow Region”. (slides 12 - 14)

The artist’s personal exhibitions were held in Moscow (1916, 1941, 1953) and Novosibirsk (1929). The works are stored in the State Tretyakov Gallery, State Russian Museum, Museum of Russian Art in Kyiv. (slides 15 - 19)

Working from a painting

1. What is shown in the picture?

Before us is a reproduction of a painting by the wonderful artist Vasily Vasilyevich Meshkov. He created a number of magnificent paintings dedicated to this region, but the best among them is “Golden Autumn in Karelia.” The author revealed the special poetry of northern nature, harsh and strict. We see in the picture a dry cloudy day. The air is clean and transparent. Gray, autumn-cold clouds hang low and seem to cling to the tops of the pine trees. There is no sun, but the colors of the autumn forest create the effect of bright light.

2. What does the viewer see in the foreground?

3. What is shown in the background of the picture?

4. By what details can you determine that the picture depicts Karelia?

Karelia is a very beautiful and picturesque region with majestic and harsh nature. Hilly terrain, many lakes, modest vegetation making its way to the sun through the stones. Karelia is especially beautiful in autumn. Nature bids farewell to the short summer brightly and furiously. He depicted this time of northern autumn in his painting “Golden Autumn in Karelia”.

6. What are the features of the painting’s composition? (Why does the artist choose an elongated format for the painting?)

7. What do you think the artist wanted to express with his landscape?

8. What impression did the picture make on you?

The artist himself is in love with his nature, conveys delight to the audience, making us admire the bright and multi-colored Karelian landscape again and again. The coloring of the painting conveys the coolness and festivity of autumn nature. We see the depth and vast expanses of the Russian north, which will take your breath away.

Working with the textbook ( ex. No. 54 II part )

Make up phrases with the words given in the exercise, write them on the board and in your notebook.

Possible essay plan

I. is a talented landscape painter.

II. Description of the painting:

1. foreground;

2. background;

3. terrain features;

4. primary colors and shades;

5. features of the composition.

III. The mood evoked by the landscape.

Working on the text of the essay.